Hindu Cows, by Toni Meneguzzo Each week, the Guardian Weekend magazine’s editorial team choose a picture, or set of pictures, that particularly tickle their fancy. This week, their choice is Toni Meneguzzo’s Hindu Cows project
Reported disappearance of 31 other students in Cocula, Mexico.
One of the mothers of the students missing in Cocula. Photo: France24
MEXICO, DF (proceso.com.mx) .- The French media reported that two months before the case of the 43 normalistas in Iguala, 31 other young students from the neighboring town of Cocula were disappeared by gangland.
The TV channel France 24 broadcasted on Wednesday night that the middle school students have been missing since July 17th, but the case remained in silence because of the fear of threats coming from the delinquents.
The testimonies collected by the television say the last day of school before summer vacation, hooded men dressed in dark blue and apparently were traveling in police vehicles, abducted the young students when they left Justo Sierra Middle-school.
The school is located right next to the town hall of Cocula, where the police are involved in the disappearance of the 43 normalistas in Ayotzinapa.
Although there were witnesses of the kidnapping committed in broad daylight in the town’s main square, not far from these relatives of the victims wanted to present the case.
The national and international media coverage of the 43 normalistas in Ayotzinapa, encouraged the mother of one of the missing girls to testify to the correspondent for France 24, Laurence Cuvillier.
“On July 17th, gunmen arrived and took my daughter and other kids when they left school … The people who were there did not move, they were afraid because the gunmen threatened them,” the woman said.
Other testimonies off camera confirmed the kidnapping of the young students.
The case was also published today by the French newspaper Le Monde, in an editorial over the weekend said that the demonstrations in Mexico by the disappearance of normalistas are against the mafia state that has emerged in the country.
As the official photographer for NASCAR, Getty Images covers every race, providing up to the minute images that capture the sport’s intensity and speed. With the final race of the season coming this Sunday, we examine what it takes to shoot a NASCAR event. In a four part series, our photographers take you behind the lens — from four different positions at a raceway.
A crew of people swiftly moving around, fixing parts, changing tires, refueling gas tanks — all focused on a 3,500 pound car with a driver inside who wants to leave the scene as quickly as possible. Line up 43 of those cars on a narrow stretch of pavement and you’ll find yourself on “pit road.”
On pit road, every second matters. A half-second can be the difference between winning and losing a race. Every aspect of a pit stop requires perfect execution in order to get the car and driver back onto the track as quickly as possible. This is a major part of NASCAR and it happens multiple times a race.
As the official photo agency for NASCAR, Getty Images photographers are on hand to cover all of the storylines of race weekend for editorial and commercial clients. Part of that job involves capturing what happens on pit road. Whether it’s a slow pit stop that causes a driver to fall from contention or a car heading to the garage for repairs because of an incident on the track, there is always a photographer covering the action. “You are constantly chasing the story – sometimes literally,” says Getty Images photographer Jared C. Tilton, who listens to the race audio on a headset to know exactly what’s going on at all times. “It can be a chaotic scene, but it’s incredibly rewarding to capture that one moment that can potentially change the outcome of the race.”