“In celebration of the 10th anniversary of the skull scarf, Alexander McQueen presents an exclusive collaboration with Damien Hirst. The iconic skull scarf has been a signature accessory of the house first seen in the Spring/Summer 2003 Irere collection.

The Damien Hirst and Alexander McQueen scarf collection consists of 30 one-off designs. Each is adapted from Hirst’s Entomology series – butterflies, bugs, spiders and other insects have been worked to form kaleidoscopic geometric shapes, laid out to create the signature McQueen skull motif.

The collaboration seamlessly plays on the shared aesthetic vision of Hirst and McQueen, in which an interest in symmetrical design is combined with strong references to the natural world. Filmed by Sølve Sundsbø.”



Amanda Palmer
New York Public Library

Fifth Avenue
New York, New York

August 20, 2015

(See more of my photos from this show here on Flickr)

Here are some of my photos from Amanda’s performance as a living statue in front of the New York Public Library to raise awareness of children’s literacy and to collect donated books in a children’s book drive.

I live-tweeted the event for Amanda on twitter, and I’m stoked to see a quick photo I took on my iPhone announcing the event’s start get so many retweets and favorites:

IT’S HAPPENING @NYPL {@HayleyFiasco for AFP} pic.twitter.com/2R5IgNkSqL

— Amanda Palmer (@amandapalmer)

August 20, 2015

Soon Amanda will share video of the performance, and soon I will share some my photos that I took backstage, but until then, enjoy these shots from the event.

It was a beautiful performance, and as always, I’m honored to have experienced it, witnessed it and have been part of it.

PERFORMANCE ART SUCCESS selfie with @amandapalmer

A photo posted by Hayley Rosenblum (@hayleyfiasco) on Aug 20, 2015 at 4:20pm PDT

Leviathan, 2006 - 2013

by Damien Hirst 

Hirst acquired this 6.8 metre-long basking shark with the assistance of London’s Natural History Museum, after it was found washed up on a Cornish beach. Stating the shark looked like a ‘monster from the deep’, Hirst titled the work after the mythical sea creature depicted in the Hebrew Bible and Christian Old Testament. Leviathan is also a reference to the 17th century British theoretician Thomas Hobbes’ work of social contract theory. As much as a physical monster, Hirst’s ‘Levitathan’ can be interpreted as a reference to the darkness inside the mind of man.