Le Muret Orange

Throwing Muses, Two Step
Basile Pesso-Catalonia © 15 July 2 016-First broadcast October 2 016
My Blip / My web magazine : Yes We Are (links) with myself and Bob Gwaltney as The Side Looks of a Barcelonese #642 and 643
…and thanks a lot to Architecture Baby and Pastel Crayon Glitter for the reblog of an image that I totally love : The New Untitled #213 (link) !

  • First Contact
  • Keely Burn

For my final in MIDI Applications, I had to create a ten-track composition using a DAW of my choice. I chose Logic, and created this piece about extraterrestrials making contact with Earth, and humans learning to live in harmony with them. (At least, that’s the idea- it’s an instrumental.) The idea for two contrasting sections came from “Nights in White Satin” by the Moody Blues, and how the song closes with an orchestral section- although the first section of my piece is considerably more rockin’!

Henri Cartier-Bresson coined the phrase the decisive moment to describe the instant when the action before the lens is not simply captured by the photographer, but organized in such a way as to give it power and grace, balance and form. Decisive moments are not always the same for the athletes or fans as they are for photographers. Capturing the winning touchdown, the diver’s perfect entry into the water, the power of a skier racing in the giant slalom, can establish an imagine in sports eternity, but is not necessarily decisive moment in the photographic sense. Photographers have a responsibility to satisfy their editors and the public, who often seek only the highlights of the game. However, the finest photographers are able to fulfill this responsibility and seek to make pictures that are greater than a single defining action, pictures with aesthetic qualities that last through time.

Joerg Mitter emphasizes that there is a lot of “calculated risk” in extreme sports. The athletes have to trust the photographers because everyone is together in challenging and dangerous situations. In extreme sports photography, there are no second chances. Mitter considers everything, including the backgrounds, and must preconceptualize the picture. The athletes keep their stunts real, and Mitter would also never photoshop a picture.

Joerg Mitter (Austrian, born 1980). Levi Sherwood of New Zealand performs in front of the St. Basil’s Cathedral in Moscow’s Red Square, Russia, June 24, 2010. Color photograph. Joerg Mitter // Limex Images


Hey friends!

Meg here for another TUTOR TUESDAY. Today we’re going to take a little look at some exercises in composition! 

if you have any recommendations for tutorials send ‘em on in here or to my personal blog here. Keep practicing, have fun, and I’ll see you next Tuesday!