Christine Yano

Yano, has moved Hello Kitty into a new light by digging below the surface and giving the pop culture icon her full academic due. If popular culture is prone to disposable (mostly Eastern) heroes and fads (e.g., Pokemon, Mighty Morphin Power Rangers, etc.), Hello Kitty is the exception to the rule. She has dominated from East to West, in her native home of Japan all the way to Africa, Europe, and the Americas. Integrated as part of Japan’s “cute” culture (kawaii), Hello Kitty has a history all her own.

Hello Kitty revealed to be not a cat, Internet loses its mind

Sanrio has stated definitively that beloved children’s character/inscrutable void Hello Kitty is not actually a cat, shaking the Internet’s belief system to its very core. This bombshell comes courtesy of the Los Angeles Times, which quoted anthropologist and Hello Kitty scholar Christine Yano in it

Goofy was a dog and so was Pluto.

“In Modern Girls on the Go: Gender, Mobility, and Labor in Japan, editors Alisa Freedman, Laura Miller, and Christine R. Yano have compiled an important collection on women and work in the 20th and 21st centuries Japan … As a result of the interdisciplinary structure of this collection, the assembled essays offer useful contributions to a variety of fields and are accessible to academic and general readers alike. The editors organized the volume into four sections … this organization of chapters serves to guide the reader through distinct sociohistorical periods while masterfully weaving together the connections between ‘gender’, 'mobility’, and 'labor’ throughout Japan’s period of modernization … It is difficult to pinpoint any shortcomings in the volume; rather, it only left this reader wanting more … In reading Freedman, Miller, and Yano’s outstanding collection, one hopes that these two debates will cease to be seen as oppositional pathways for Japanese women, and that—following in their 'modern girl’ predecessors’ footsteps—they will take the lead in moving Japan into a more prosperous and egalitarian era.”

—Kristie Collins, Social Science Japan Journal

Modern Girls on the Go: Gender, Mobility, and Labor in Japan edited by Alisa Freedman, Laura Miller, and Christine R. Yano

Hello Kitty is NOT a Cat

Hello Kitty is NOT a Cat

External image

External image

Hello Kitty at Children Day in Germany / WikiMedia

This is not a hoax, but real news directly from Sanrio, Hello Kitty’s creator according to Christine Yano, an anthropologist from the University of Hawaii who was preparing a Hello Kitty exhibit for October.

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Broad in scope, Modern Girls on the Go will be of use to students of gender, mobility, labor, and visual media within the field of Japanese studies, as well as to anthropologists and scholars interested in hybrid or interdisciplinary research methods. Spanning Japan’s modernization era to the present day, the scholarship presented here is a valuable reminder of the light a historical approach can shed on anthropological study … This edited volume draws some truly original conclusions and offers an ambitious and far-reaching account of the methods and theories with which we may approach the image of the modern girl. Modern Girls on the Go is a valuable contribution to extant scholarship which indicates the future collaborative potential of a variety of disciplines within Japanese studies.

This spirited and engaging multidisciplinary volume pins its focus on the lived experiences and cultural depictions of women’s mobility and labor in Japan. The theme of “modern girls” continues to offer a captivating window into the changes that women’s roles have undergone during the course of the last century.

Here we encounter Japanese women inhabiting the most modern of spaces, in newly created professions, moving upward and outward, claiming the public life as their own: shop girls, elevator girls, dance hall dancers, tour bus guides, airline stewardesses, international beauty queens, overseas teachers, corporate soccer players, and even female members of the Self-Defense Forces. Directly linking gender, mobility, and labor in 20th and 21st century Japan, this collection brings to life the ways in which these modern girls—historically and contemporaneously—have influenced social roles, patterns of daily life, and Japan’s global image. It is an ideal guidebook for students, scholars, and general readers alike.

Alisa Freedman is Associate Professor of Japanese Literature and Film at the University of Oregon.

Laura Miller is the Ei'ichi Shibusawa-Seigo Arai Professor of Japanese Studies and Professor of Anthropology at the University of Missouri-St. Louis.

Christine R. Yano is Professor and Chair of Anthropology at the University of Hawai'i at Manoa.

Modern Girls on the Go takes us around Japan and around the world to discover how Japanese women have represented and shaped the technologies of modernity—among them capitalism, print culture, consumerism, and transportation systems—throughout the twentieth century and beyond … This is a book not only important to scholars engaged in the study of Japanese women’s and gender history, but also excellent for classroom use at both the undergraduate and graduate level.”

—Elyssa Faison, Journal of Japanese Studies

Modern Girls on the Go: Gender, Mobility, and Labor in Japan edited by Alisa Freedman, Laura Miller, and Christine R. Yano