One reason why the rich get richer and the poor get poorer in Congo is nepotism. To have money, you have to be close to power. Even if a poor student studies hard and excels more than all his classmates, if he doesn’t know anyone in a position of influence, he will remain poor. So you see, in our country it’s not the fruits of your labour that bring you wealth. Nepotism really blocks certain classes from rising.
—  Gaston Okombi, 27, a Brazzaville resident who remains unemployed after earning his master’s degree in finance more than a year ago.

CONGO, Brazzaville : Sapeur Patience Moutala, coordinator the Red Devils group and member of “La Sape” movement, the acronym for “Societe des Ambianceurs et des Personnes Elegantes” (The Society for the Advancement of Elegant People), poses in Brazzaville on March 17, 2014. The Sape movement, born in the 1960s in Congo, aims at dressing flamboyantly. AFP PHOTO / JUNIOR D. KANNAH

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The Sapeurs

This documentary illustrates the brightly coloured and social affairs that bring the ‘Sapeurs’ together. Their bold choice to live an unexpected lifestyle is a source of celebrated originality and positivity. Their life is not defined by occupation or wealth, but by respect, a moral code and an inspirational display of flair and creativity. The Sapeurs show us that whilst in life you cannot always choose your circumstances, you can always choose who you are.

Being a Sapeur is not about money. We borrow each others’ clothes because we always say, “it’s not about the cost of the suit that counts. It’s the worth of the man inside it.”

When there’s peace, there’s Sape. And when there’s peace, there’s life.

I definitely enjoyed briefly learning the story behind each man and the passion that ties them all together despite the different age gaps.

Just opened in Amsterdam Gentlemen of Bacongo, a photo exhibition that shows the colourful sub-culture of sapeurs in Congo. Sapeurs are Congolese men who turned fashion into a religion

Daniele Tamagni is an Italian freelance photographer, born and based in Milan. He studied art history and conservation of cultural heritage. He worked in a museum and wanted to be a curator and conservator until photography - that was his hobby - became his passion. Tamagni only started four years ago.

What do you want to tell people with your work?
I want to show a positive Africa, positive stories, and go beyond stereotypes. We see a lot of images of African tragedies, but…my pictures don’t idolize Africa. Congo-Brazzaville is a very rich country but people still live in difficult living conditions, there are contrasts.