Big Phony

6

“He was an extremely hard-working actor. He’d always pretend that he wasn’t, that he didn’t give a damn, but that wasn’t true. One day I said to him, “Bogie, you’re just a great big phony.” He put his finger to his lips and grinned at me. “Sure,” he said, “but don’t tell anyone.” –Howard Hawks

“To put it simply: There was no bunk about Bogie. He was a man.” –Katharine Hepburn

“He was endowed with the greatest gift a man can have – talent. The whole world came to recognize it. With the years he became increasingly aware of the dignity of his profession - Actor, not Star. Himself he never took seriously – his work, most seriously. He regarded the somewhat gaudy figure of Bogart, the Star, with amused cynicism; Bogart the actor he held in great respect. He is quite irreplaceable.” –John Huston 

Happy Birthday Humphrey DeForest Bogart! (December 25, 1899 – January 14, 1957)

PAULIE CALLED ZAKIYAH A PHONY. NICOLE IS THE PHONY. I’M ABOUT TO START THROWING SHIT NOW

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My latest crush is Big Phony aka Bobby Choy.  You can definitely see the Elliott Smith influence.

What can I say – I like dorky guys with shaggy hair who think too much.  Does that paint a picture of Shoegaze for you guys? ^.~

Preview Big Phony’s new acoustic album “BOBBY” here.

These songs were all recorded at home in my bedroom on a laptop with a cheap mic and my $40 guitar. Personally I would have wanted to record these songs more properly, but I’m also happy with them stripped down as they are. It represents where I am in life. Broke financially and in resources, but still committed to this journey as an artist. That’s why the album is simply titled “BOBBY”, which I found fitting given that it’s just me being myself - imperfect… but that being okay.

Thank you so much to Wendy Wang for doing such a great job of mixing this album. You’re the best, Wendy.

There are literally countless people I need to thank from the bottom of my heart for helping to make these albums possible. You all know who you are and I hope to repay you in being just as great to you as you’ve been to me over the years. Can’t wait to see you all. God bless you and keep you.

Next year is the 10 Year Anniversary of Big Phony. Expect something big…

~bobby

Available on iTunes: https://itunes.apple.com/album/bobby/id814160031
*When purchasing on iTunes please be sure to download correct version w/ info:
“℗ 2014 ROBERT CHOY / BIG PHONY”.

There’s 2 of the same albums listed at the moment on iTunes (an unfortunate error)

Also available on Bandcamp: http://bigphony.bandcamp.com/album/bobby

“BOBBY”

BEDFORD STOP
BUT I WILL, EVERYDAY
WAITING ON A BREEZE
SHE’S THE KIND OF GIRL
BEFORE YOU CAN LEAVE ME
DIANA, DON’T BE LATE
ENOUGH TO DRIVE ME MAD
HUSH NOW, BABY
GOODBYE, CA

ART BY 1000 +1

PRODUCED BY BOBBY CHOY (BIG PHONY)
MIXED BY WENDY WANG (THE SWEET HURT)
RECORDED AT HOME IN SEOUL, SOUTH KOREA
MASTERED BY SOUND BITES DOG, USA

ALL SONGS WRITTEN AND PERFORMED BY ROBERT CHOY (BIG PHONY)
℗ & © 2014 ROBERT CHOY / BIG PHONY
ALL RIGHTS RESERVED

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i love you but i've chosen big phony?
  • Me: haha i commented on the big phony fb page
  • and he replied with concert info
  • he's so nice
  • Shoegaze: omg, he said your name on his wall post
  • im gonna have to fight him
  • [some time later]
  • Shoegaze: AND YOU LIKED HIS POST
  • WHAT IS GOING ON?!
  • ;___________;
  • Me: LOL
  • [some time later]
  • Shoegaze: try to get off work early
  • Me: ^-^
  • yes i'll try to get off work!
  • and then we can go together
  • and you can hold my bag while i take off my panties to throw on stage

Big Phony – “All Bets Are Off”

 

Pairs Well With…Beck, Elliott Smith, Phosphorescent

 

It seems Korean artist Big Phony has chosen to pull a 180 with the release of the aptly-titled “All Bets Are Off”, a synth-laden pop song that has literally nothing in common with the 2010 LP Kicking Punching Bags, a dead-ringer for an Elliott Smith album.  Let’s start with the early stuff – Big Phony had a real alt country lean, finding a way to deliver introspective lyrics with a grizzled whisper.  Along comes this new track, which actually holds up just as well on it’s own, relying on 80s-style effects to enliven the soul within the record.  It’s similar to what Phosphorescent pulls off with “Song for Zula”, using something once so sterile to actually make a lyric even more devastatingly personal.  This upcoming LP, his first in four years, could really go in any direction at this point, but the unknown spells hope with this fascinating songwriter.  

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