“N e c. S p e c. N e c. M e t u.”
“V i v e t e. L i e t i.”
Isabella d'Este was a woman of great intellect and stainless virtue, whose genuine love of art and letters attracted the choicest spirits to their court, and exerted the most beneficial influence on the thought of the day. Isabella, whose vast correspondence with the foremost painters and scholars of the age has been preserved almost intact, was probably the most remarkable lady of the Renaissance.
Her younger sister, Beatrice, Duchess of Milan, as the wife of Lodovico Sforza, reigned during six years over the most splendid court of Italy. The charm of her personality, the important part which she played in political life at a critical moment of Italian history: her love of music and poetry, and the fine taste which she inherited, in common with every princess of the house of Este, all help to make Beatrice singularly attractive, while the interest which she inspires is deepened by the pathos of her sudden and earlv death.
If in Isabella we have the supreme representative of Renaissance culture in its highest and most intellectual phase, Beatrice is the type of that new-found joy in life, that intoxicating rapture in the actual sense of existence, that was the heritage of her generation, and found expression in the words of a contemporary novelist, Matteo Bandello himself of Lombard birth when with his last breath he bade his companions live joyously, “Vivete lieti!”