BUT-JUST

A thing I like is when a character has spent all day blaming themselves for getting sick/not feeling well, and maybe other people have blamed them or become annoyed with them for it, too, and finally the character comes home and maybe someone is inconvenienced by their illness or irritated by something they’ve done and it’s just the Last Straw and they say in a small, hoarse voice: “It’s not my fault…”

Had a heartwrenching daydream where Nino at age 22 was wandering Paris with a guitar singing mostly to himself and he sets up in a park and he sees a little boy maybe 10 years old playing an accordion trying desperately for tips, so he walks over and puts everything he had in the little kids cup and the little kid almost cries before saying thank you and running away. Nino follows him because he’s really worried about this little guy he looks malnourished, and tracks him to a little crew of about seven of them ranging from 8-13. Five boys and two girls. They skitter at the sight of him and vanish into the city and he’s trying to find em but he can’t. He reports it to the police and checks in at the station every few days because that poor starving kid with the accordion just wont leave his mind, it really rattled him, but the police say they never found them or even seen them. They sort of think Ninos got them on a goose chase but on his own Nino goes back to where he spotted them at first, and he finds a couple bent guitar picks, some frayed bowstrings, and one broken string that could be from anything. He thinks its insanely weird, but he can see a few cups and things with pennies and nickles still left in them, so he starts asking around about kids playing for money. He gets Adrien in on it (who secretly uses his standing as Cat Noir to recruit Ladybug and find the children, however they run even from the heroes).  

A week or two passes and Nino keeps living his life, focusing on mixing songs and work and what not, but part of him is really stuck on those kids. He wishes he could find them and help them somehow, he wasnt a rich man but maybe something more than money. Everything he had by way of his apartment came from being roommates with Adrien, but he wanted to at least notify authorities that some kids looked like they were in a bad way. Alya suggests checking foster homes and orphanages but he doesnt have the heart, what could he even do if he found them then? It would be the foster homes responsibility not his. So finally, one day at night about two weeks later he takes his guitar and starts walking, playing softly and singing. He walks clear across the city, passing on purpose through every park and the place where he saw them. He plays and sings and never looks backwards, just walking along the river with the moon high and bright at a time of night where Paris came the closest to being asleep as possible. A very select few would see the small line of children following him, listening, each with an instrument in their hands. Nino doesnt turn around even when he hears them start to sing, playing with him quietly in an absolutely gorgeous show. Their voices are young and gentle but their playing exceeds their years, a small group of prodigies so he thinks. His feet ache and his hands are raw and his voice rough but he keeps going and loops all the way back around to his apartment, and pulls up in the alleyway beside it and brings the music to a halt, turning around slowly to face them all. 

They don’t run, they just lower their instruments and look at him like not a single one of them know what to say. But the little boy with the accordion steps forward first and says “You’re really good mister.”

“You’re all amazing,” he replies immediately. “Seriously. Some of the best stuff I’ve ever heard. Absolutely stunning.”

A few of them smile, a few others nervously look to the floor and fidget with their violins or guitars or ukuleles or tambourines or harmonicas, the list goes on. 

“I want to help you,” he says genuinely. “You all look like you could eat something” the kids look at each other nervously before nodding, and he smiles to put them at ease.

Adrien wakes up to hearing noise in the house, getting up and rubbing at his face blearily before freezing in the doorway, staring at Nino and seven rag tag children eating literally everything in the house. Nino smiles sheepishly and Adrien just blinks, standing there shirtless before sighing and turning around to say “Let me get dressed before you explain all of this…”

Nino gradually develops a relationship with all of these children, finding them again and again in the city and taking care of them. He starts saving up all of his extra cash and working really hard to buy them shoes and food and clothing. He manages to keep them around through this kindness and also taking care of their instruments, learning how to maintain them all. The kids all are runaways from orphanages and what not and do not want to go back, so he is stuck in a tough place where he wants to help but they refuse to go back to the places they came from. In an effort to raise money for them Nino starts organizing them to perform together, writing songs (with their help, he has a lot of study and theory and learning on his side but these kids are prodigies) to have more impressive numbers that earn them tips. Adrien also starts befriending these kids, showing them with as much money as he can slip by his dad (who still has control over adriens portion of the fortune for various reasons). Alya and Marinette fall in love with them all, and though the kids are skiddish they really grow close with them all. Marinette fixes their clothes and tutors them since they arent in school and Alya redistributes all of her little sisters handmedown things and clothes. 

Nino writes music for these kids for them to perform and earn money with, and it becomes a local phenomenon about a group of different pairings and combinations called “The Rag Tag”. A bunch of mismatched extremely talented kids and the man that sometimes plays with them. 

Especially the little boy with the accordion (Evan) looks up to Nino like a father, and Nino finds himself so entirely committed to helping these kids. He fights so many long horrible legal battles (backed up by Adriens legal team and money the whole way, but the victories really come from Alyas ruthless cutthroat methods for getting their way) and goes to nearly a hundred court meetings and CPA hearings things like that, and it takes almost a year, but in the end Nino finally legally adopts all seven children. And how does he financially pull it off?

In the time of the legal battles Nino professionally recorded using his own equipment all of the kids and made an official album with all of their music. He features all of their original pieces, all combinations between them and also large group numbers where they all sing and play together. Their music is so beautiful and genuine, that as soon as its released it skyrockets in popularity. Alya does everything in her power to write the story of the seven children and the man who protects them in a way that won them international favor, utilizing her position as a reporter to make their story known. Through this, people from all over the world buy the album, beg for more, purchase tickets to shows and donate thousands and thousands of dollars to this incredible story, and it gives Nino enough money to buy a house and put them all in school while they pursue their love for music together as a family. 

Its a lot of work and not at all the direction in life Nino thought he’d take, but in the end he loves his kids more than anything. The day he finally legally adopts them all and gets them back from the system that took them away from him they crowd around him and hug him and they all cry. And little ten year old Evan hugs him and buries his face in Nino’s chest and says “I love you dad.”

And it was the first time any of them had ever called him that, and Nino is overwhelmed that he finally has them all back again. He remembers so potently when authorities really caught on to the fact that this group growing in popularity were essentially homeless though they often stayed crowded in Nino and Adriens apartment (the girls often took half of them at night) but it wasnt legal. Nino wasnt their legal guardian so one day the police showed up and took them all away from him. The kids were screaming and fighting them and Nino was desperately begging, going so far as to assault an officer and was imprisoned for only a night before Adrien posted his bail. But now he had them back, and no one was taking them away and Nino was going to give them as good of a life as he could. So he tells them that he loves them too, and lets them all refer to him as their father. They call Adrien their Uncle and the girls their Aunts, and Nino will push the couches aside in the living room of their modest home as they all crowd around him with their instruments and sing for them the same song he did when he first found them all, and they play with him. 

Percy Jackson may drool in his sleep, but he likes to point out that Annabeth snores

so, it’s great and all that disney decided to finally let will & elizabeth reunite BUT obviously there are things in canon at this point that i take great issue with, so this post was pretty much inevitable.

  • elizabeth does not stay on that godforsaken island while will is away. the fact that they’ve chosen that narrative, or a narrative at least close to it, irritates me to no end. she’s the bloody pirate king, not some housewife. this literally DEFEATS the purpose of her character and her story arc. the whole idea was freedom from her cage. she thrives as a pirate. why would you take all of that away from her and reduce her to being a woman that had a child and lived romantically alone for twenty years?? 
  • will turner would never expect elizabeth to wait for him. will turner would never expect elizabeth to wait for him. WILL TURNER WOULD NEVER EXPECT ELIZABETH TO WAIT FOR HIM. he would never want elizabeth to be alone and / or unhappy. regardless of how much he loves her and she loves him, that would be such a selfish expectation to put on her shoulders, especially given that he’s immortal and she isn’t. eventually, he’s going to have to live without her anyways. he would want her to move on and find happiness, even if it would kill him not to be able to be there and provide it for her. and even if elizabeth did move on, she would always return every ten years with henry to meet will and spend the day with him.
  • the fact of the matter is that elizabeth wouldn’t even be accepted into civilized society again. she was at the head of the pirates’ war against the east india company with a warrant hanging over her head. just because cutler beckett is dead doesn’t mean that all of that would just go away. she would have wanted posters out there for her, same as jack does. 
  • speaking of jack, elizabeth would literally TALK ABOUT HIM ALL THE TIME. because those adventures, while dangerous and devastating at times, are a HUGE part of her life and her history. they helped to shape her into the woman she is today. what possible reason would she have for not telling henry about all of that? she has no shame in being a pirate, or being involved with pirates. henry would know all about jack, he would know all about barbossa, he would know all about the things that the lot of them accomplished and experienced together. ( and in fact, the line “like the tales of you and captain jack sparrow” actually irks the hell out of me because it more or less erases elizabeth from that narrative as well but wHATEVER )
  • plus i still firmly believe that both jack and barbossa would keep in contact with elizabeth because despite everything, she and jack are still friends, and barbossa is still a mentor to her, albeit an unofficial one, and you don’t just dROP PEOPLE LIKE THAT, especially knowing what she’s been through and how her story was left like???? c’MON
  • it bugs me, too, that henry is even slightly involved with the navy, regardless of his reasoning, like how absolutely dangerous. if anyone found out his parentage, he’d be in way more trouble than he ends up being in, my god.
  • elizabeth remains a pirate, and continues her duties as pirate king. she doesn’t wear dresses. she would be INVOLVED if there was a notorious pirate hunter, dead or alive, who was tormenting pirates all over, and would definitely know if jack was one of the ones threatened by him. the fact that she’s been sidelined makes me SO ANGRY, even more so now, knowing that keira DID come back. she could easily have been included more. in some respects, i’m glad she wasn’t because they’d just ruin her character, but at the same time, HER CHARACTER IS RUINED JUST THE SAME
  • tl;dr i’m salty and elizabeth swann deserves better.

If you ever see that the Kenyon v. Clare lawsuit is ‘just’ about ‘a group of warriors fighting demons’ please ignore it. There’s a lot more to it, and that’s a very derogatory over simplification.

First. The similarities go deeper. A divine patron and creator. Magical blades that glow. Magical tattoos that have a profound, life altering effect on the wearer. A blonde, deeply troubled, enigmatic and abused male who, is the best of his class. It is also thought that she copied and simplified a characters’ sigil in order to create the angelic power rune.

Second. Clare initially called the Shadowhunters ‘Darkhunters’ compared to Kenyon’s Dark-Hunters, which had been around for years before Clare started TMI. Fans made Kenyon aware and she politely asked for the name to be changed, and for Clare to avoid using the phrase. Clare went on to call a group ‘Dark Shadowhunters’. Kenyon’s books are also labelled as ‘A Dark-Hunter novel’, and Clare also began to use the ‘A Shadowhunter novel’ label.

Third. Thousands of Clare’s books were mistakenly printed with the Dark-Hunter brand. These were destroyed, but personally, I don’t doubt it gave Clare one hell of an opening.

Fourth. A main defense has been that Kenyon’s content is too adult to be mistaken for Clare’s. Clare has recently announced work on an adult series.

There is far more than this, but this is what I remember of the complaint. My mother got into the Dark-Hunter books around the time I first picked up City of Bones, and I can tell you now, it took a few weeks not to get tangled in the storylines and mythos. I actually do love both universes, and watch Shadowhunters enthusiastically, but I will always come up in favour of Kenyon.

Ok like a thing is happening and i would very much like to say something 

If you are depressed or sad or going through a tough time 
*It does not give you any kind of right to start stealing other peoples art*

Like
I get that life is hard. It is for a lot of people 
But it does not give you any sort of privilege or right to steal.
Or use it as an excuse.
And especially guilt trip people with it