Alvin-Buenaventura

Death-Ray Covers

Here’s a color pencil sketch of an unused cover for Eightball #23, which Daniel Clowes drew sometime in 2003. 

After drawing, inking, and coloring the finished version of this illustration, Clowes decided it wasn’t right for the issue, wanting something bolder. Here’s another cover sketch:

Based on the above sketch, the image below is the comic’s cover ( the issue was released in June of 2004.)

The finished version of the first cover was eventually made into a large print by Alvin Buenaventura:

The print was available in two versions: one on high-quality paper and another on newsprint, a nod to the paper used in old comics, the kind Clowes read as a child.

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The final publication of Pigeon Press
In the last months before comics impresario Alvin Buenaventura passed away, he completed publishing Sir Alfred No. 3, an oversized comic book/graphic novel by the brilliant Tim Hensley (author of the acclaimed 2010 Fantagraphics release, Wally Gropius). 

Sir Alfred No. 3 is an oblique biography of the world’s most famous film director, Alfred Hitchcock. In fact, despite being numbered “No. 3,” no other issues exist. The comic book is composed of multiple gag strips based on anecdotes found in tomes of film lore in the public library and used book shops. As Hensley’s previous work Wally Gropius referenced the ‘60s teenager genre, Sir Alfred pays homage to '50s personality comics and movie tie-ins. It ends up being something of a cross between Marge Buell’s Tubby, who bears an unforeseen resemblance to the famous director, and Miss Beverly Hills of Hollywood.

The book includes cameos by Salvador Dali, Greta Garbo, Joseph Cotten, Joan Fontaine, David O. Selznick, Edith Head, Gregory Peck, Bernard Herrmann, Francois Truffaut, and a cast of thousands.

It should be emphasized that Sir Alfred No. 3 is more than just a comic book; it is a signed and numbered, limited edition bundle that was produced with a variety of printing processes including offset, letterpress, and giclee printing, as well as blind embossing, handstamping, and diecutting. Each copy of this strictly limited and signed/numbered edition of 1000 comes with a correspondingly numbered giclee print suitable for framing and a custom beverage coaster, all packaged in a mylar sleeve.