This is the story of Kenya’s League of Extravagant Grannies who were once corporate and government leaders in the 1970’s but are now retired. They now live the retired high life travelling to exotic and remote areas within Africa to explore, party and enjoy in exclusivity.
We managed to catch up with 3 of them in Somalia soon after they landed. Little is known about them till now…..
The hairstyle currently making you do a double-take is known as Eembuvi Braids, worn by women of the Mbalantu tribes from the Namibia. It’s a style that requires preparation from a young age, usually around twelve years old, when Mbalantu girls use thick layers of finely ground tree bark and oils– a mixture that is said to be the secret to growing their hair to such lengths. The girls will live with this thick fat-mixture on their scalp for several years before it’s loosened and the hair becomes visible. It will then be braided and styled into various gravity-defying headresses throughout their life.
Every black child in grade school is taught Adolph Hitler killed six million Jews and is the worst human being that ever lived. On the other hand our children are taught “The Right Honorable” Cecil Rhodes the founder of the De Beer diamond company in South Africa who killed ten times that number of Africans is a hero and a statesman and if they study hard and do well in school they may be eligible to win Rhodes Scholarships the oldest and most celebrated international fellowship awards in the world. They don’t mention the scholarships are paid for with the blood of their ancestors.
If you don’t know your history, you can expect to continue to be a fool, used and abused by the oppressor.
Beavis and Butt-head, in their AC/DC and Metallica t-shirts, might best sum up the stereotypical metalhead in the popular Western imagination: a young white dude who likes headbanging and hates authority, found mostly in American cities or in Nordic countries with long, dark winters and plenty of old churches to burn. But South African photographer Paul Shiakallis’s series Leather Skins, Unchained Hearts provides a visual alternative to this image. He documents the leather-clad women of Botswana’s metal subculture, called “Marok,” which translates to “rocker” in Setswana.
Last year, Shiakallis met a couple of Queens, as female Marok fans like to call themselves, at a gig in Gaborone, Botswana’s capital. As their Queen alter-egos, these women go by names like Onalenna Angelovdarkness, Amokian Lordess, and Phoenix Tonahs Slaughter.“They had this confidence and freedom about them — they could just let go without feeling they were going to be reprimanded,” Shiakallis tells Hyperallergic.
This type of self-expression is rare for women in Botwana’s conservative patriarchal society. Since mainstream culture often perceives metal as “satanic,” many women of the Marok movement wear more traditional clothing by day and only reveal their brutal alter-egos in their Facebook photos, posing in full metal regalia, often in front of trees outside at night. “I believe facebook allows u to be who u are. only girls who believe in themselvs and aint afraid to express themselves can be rockers, [sic]” one Queen, Phoenix Tonahs Slaughter,told Shiakallis.
“In the most recent attacks by extremist militant group Boko Haram, hundreds of gunmen attacked the town of Baga, leaving up to 2,000 people dead. The majority of those killed were women, children, and the elderly who could not flee quickly enough.
Boko Haram has continually attacked northern Nigeria since 2009; they have targeted officials, civilians, women, children, and have kidnapped girls. In the most internationally known case, the militants kidnapped more than 200 schoolgirls in April of last year – most of the girls are still missing, and attempts by the government to retrieve them have failed.
The news inspired the hashtag #BringBackOurGirls and protests insisting the Nigerian government and international governments do something to bring the schoolgirls home. Since then, at least 100 more girls have been kidnapped.
Boko Haram’s goal is to establish an Islamist state with strict Sharia law in Nigeria. Their attacks often disproportionately hurt and kill women and girls, though boys and men are also killed or are taken and forced to fight for the group.”
Artist Statement Tamara has always felt a connection to ‘everyday folk’, the working class, the unseen and unheard, the true warriors of our time. She realized, however, that many people who may have suffered through a similar struggle, did not want to revisit those struggles. With great thought and consideration for her message, she decided to amend her ideas. Inspired, by the golden period of Gustav Klimt and images of royalty from Egypt and West Africa; she decided to turn regular folk into representations of nobility. It seemed, in her view, to be the only way to allow them to be represented and appreciated for who they were intrinsically; kings, queens and warriors, in their own right, who never had a chance to shine, their austere appearance setting the tone for others to judge them. The embellishments with rich fabrics and gold present an opportunity for these people to be seen. The quilted clothing have a double meaning, on one hand representing a sense of distinction, while also allowing for a bit of nostalgia. The birds in the pieces represent a sense of freedom. It was her way of injecting her personal experiences into each painting and remembering her escape and survival from illness and the dialysis machine.