I believe in giving people bootlegs they really want, even if they have nothing to trade, because the whole point of bootlegs is making sure that people who were not able to see their favourite musical for whatever reason get to experience the parts of the show they don’t get from the soundtrack. Bootlegs expand the musical theatre audience to those who live far from New York, or don’t have the money to pay for tickets; people who just want to see their favourite actors or their favourite shows however they can. It is cruel to keep that from someone who so passionately loves musical theatre.
Broadway is all about inclusivity so include those people who are not privileged enough to go to Broadway!
the last 45 seconds of Those Magic Changes from Grease Live
Jordan Fisher and Aaron Tveit
remember when grease live happened and we were all suddenly hit with jordan fisher’s golden voice and he started singing a love song with aaron tveit who was wearing booty shorts and it was the only good thing that happened in 2016
I had to fight too much with this man’s face. Sweet Jesus I still don’t know if I fully understand how it works. BUT it’s very fun to draw and I’ve learnt a lot of things, such as draw: sternocleidmastoid, oris/oculi orbicularis, angry men, very angry men. Did I mention how proud I am of the necks?
I’d totally love to work on Eponine and Gavroche expressions but sadly, I have to keep working on the portfolio so they will have to wait *cries a river*