anonymous asked:

It's good to hear everything is going well for you and Zero Taffy, but I was just wondering what you are trying to learn through your research... is it just for historical reasons?

“Well, our primary goal is to map the Outer Reaches… first, to try and calculate the exact dimensions of the barrier, and note any potential weak points. And second, to locate and document any technology we find, in case any of it proves useful… ”

“But, um, when I say ‘useful’, I don’t just mean breaking the barrier… our whole existence is almost entirely dependent on the technology we were left with after our exile. Those machines purify our water, alchemize food from raw elements and magic… and they’re hundreds, maybe thousands of years old.”

“So part of our research is to find other ways we can survive, in case those machines ever fail. It’s why Zero found a way to build a Solar Craft out of cardboard… it’s not sturdy enough for anybody but a highly skilled sailor, but it uses far fewer resources.”

“And as for me, I’m researching ways to derive food, water, and medicine from the plants that grow in the asteroid belt. Some, like Glowpeaches and Starberries, were brought here and forgotten in the Civil War… others, like the Bluegreens over there, and Gravity Root like this specimen, seem to have evolved here.”

“Of course the best case scenario would be if we broke the barrier someday… but it helps to prepare for the worst, too.”

everyone jokes about how the Dragonborn might eat a hundred bizarre alchemical ingredients in public to learn their properties, but nobody acknowledges that the Hero of Kvatch regularly fails at picking flowers. like honestly how hard could that possibly be, and yet they can’t seem to master it. ever.


UNIVERSA MYSTERIUM by Santiago CARUSO / Ink and scratch over plastered cardboard, 26 cm x 35 cm

The universal vibration of the snake, as a path to go through the mystery of creation, from the unveiled to the obscure. The seven spirits of the universe, the seven planets of the antiquity, the seven keys of the scale that is the experience of the world.  Music is the question, and can be an answer.


Just before the filming of X-Men 2, I was approached by Gordon Smith of FXSmith to come up with a tattoo design for the Nightcrawler.  Gordon’s dilemma was the challenge of making the tattoos show up on the Nightcrawler’s blue-black skin.  I suggested that an etched scarified effect, inspired by the traditional Maori moko would show up well and would give an added dimension if it were implied that the wounds were self-inflicted.  

My challenge was to create a tattoo design that reflected the psychospiritual dimension of the character who was Roman Catholic and spoke High German.  My wife Raven suggested angelic sigils (i.e. signatures) that would reflect the Nightcrawler’s faith, combined with alchemical symbols that emphasized his spiritual conflict because of his outward demonic appearance and sulphurous smell.  The apparently opposing forces of spirit and form would be balanced and integrated into one harmonious expression of wholeness in the tattoo.

Initially Bryan Singer and his committee wanted only half the Nightcrawler’s face tattooed.  After he saw my drawings, however, and heard our proposal, he decided on the whole face, and, later, the upper torso and arms.  The writers had to rewrite parts of the script to incorporate the Nightcrawler’s tattoos in a new backstory of the character.

Gordon’s special effects team made casts of Alan Cumming’s face, torso and arms and I mapped the designs on the casts.  I was later told that Alan found the whole plaster cast experience claustrophobic and anxiety-inducing; the FX team had to prematurely pull it off his face. Fortunately, the plaster cast stayed in one piece.

Prior to X-Men 2, the tattoos I was asked to do for films tended to be the stereotypical gang members and criminals.  I am grateful that in X-Men 2, I was finally given the opportunity to express in a film the essence of tattoo as a spiritual healing art that realigns body and soul.

“We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infinitesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas.”

-Alan Watts: The Supreme Identity

Man’s origin was as spirit, not a physical body. These souls projected themselves into matter, probably for their own diversion. Through the use of his creative powers for selfish purposes man became entangled in matter or materiality to such an extent the he nearly forgot his divine origin and nature.

~ Edgar Cayce

♡ ☼ ॐ