Soul II Soul - Back To Life

Posting this because @ropeandcoffee reminded me of it via one of her posts and it got stuck in my head. I’m thankful though cause it brings back good memories from my happy-go-lucky adolescent years lol.

At one point I considered the groundbreaking UK group Soul II Soul to be the pinnacle of amazing music. During that time I was totally inspired/awed by the pure genius and charisma of the group’s leader/producer/songwriter/mascot Jazzy B (especially when I learned he was of West Indian heritage) and I also developed a huge crush on lead singer Caron Wheeler 😍.

I have a feeling that repeated viewings of this music video will lead me to end up lost in a Best Of Soul II Soul playlist for today, so don’t be surprised if you see some more Funki Dred™ music on your dash today lol.

In the meantime… Back to life 🎶🚶🏾🎶 Back to reality 🎶🚶🏾🎶
S   T   R   A   Y

[ An ongoing ‘Assassin’s Creed: Syndicate’ story by Span and QyGuex ]

[ Master Post Located Here ]

C H A P T E R  T W O |

London, 1869, moments later |

Evie stared in disbelief as her brother stood before her.
Her own brother whom had been missing for three months… he was here.

”Jacob… is it really you?

He attacked her. He nearly killed her. He tried to kill her!

“… killed-”, she muttered to herself, “-wait-! Jacob! Have you been the one slaughtering innocents?! You’ve been breaking our Creed?!-”

What was she saying? How was that the first thing that came to her mind? The Creed?! This was her brother… her twin brother; who had been missing for three months up until this very moment. How could she have been so blind? She stayed firm to her orders instead of searching for her own brother.

Jacob… I’m-”

Jacob turned fully to her and roared from deep within his chest. With his mouth parted, it glowed as if fire inhabited him. Steam, mimicking smoke, bellowed from his very bowels. It made Evie recoil slightly and shiver from head to toe. She brought her arm up to brace for what she expected would be an attack.

Yet, nothing had happened.

There was just silence. Evie Frye lowered her arm slightly and saw that Jacob had up and vanished. She didn’t even hear him leave. Did she imagine it all?

”How did he-”

Henry and a group of weathered Rooks came running into the alleyway; their breath precipitated in the cool, London air.

“Are you alright? Why, you’re pale as a ghost!” Henry said, putting his hand to her face to feel how clammy it was from her sweating. “The Rooks told me about your fight on the rooftops…” Henry looked down to see that her arm was bracing her side; blood glistened against the dark fabric of her cloak.

She was injured.

“You’re hurt. We need to get you to hospital.” He put his hand to her shoulder, trying to walk her out of the alleyway - but she gently brushed it off.

No,” Evie spoke shortly, turning to look back to where Jacob was, then her vision trailed to the roof tops. “The creature I fought… it’s the one responsible for all of the murders… Henry, it’s-”

Mr. Green! Miss. Evie!”, another Rook shouted, leaning around the corner of the alleyway. “The beast! It’s done it e‘gain! E’nother one dead! Just a’tta round-about on St. Ive’s Street!”

“We’ll go ascertain it… Miss. Evie,” Henry spoke quickly, his heated breath clouding in the cool air, “-you go with Caleb, he will-”

No, Henry! You don’t- … . . I have to see what it did.” Her eyes were adamant. Strong. She was hiding something, Henry could tell; but with that ‘Frye determination’ radiating off of her, he couldn’t say no.

“Alright, Miss. Frye. Let’s go.”

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On this day in music history: December 7, 1991 - “Black Or White” by Michael Jackson hits #1 on the Billboard Hot 100 for 7 weeks. Written by Michael Jackson and Bill Bottrell, it is the twelfth solo chart topper (sixteenth overall) for “The King Of Pop”. Issued as the first single from Jackson’s eighth album “Dangerous” on November 11, 1991, the single is premiered on radio just days before its arrival in stores. The track is supported by an elaborate eleven minute long short film directed by John Landis (“Thriller”). The clip has its broadcast debut simultaneously on MTV, BET, VH1, and the Fox television network on November 14, 1991, drawing a record breaking viewing audience. However, the extended dance sequence of the film draws controversy due to several scenes of Jackson rubbing and grabbing his crotch as well as destroying a car and breaking windows. The singer issues a statement the next day apologizing, stating that “the violent and suggestive behavior was an interpretation of the black panther’s animal instincts”. The controversy does not hurt the songs’ airplay or sales. It becomes the fastest rising single on the Hot 100 since The Beatles “Get Back” in 1969. Entering the Hot 100 at #35 on November 23, 1991, it pole vaults to the top of the chart two weeks later. Jackson also becomes the first artist in history to have number one singles in the 70’s, 80’s and 90’s. On the UK singles chart, it is the first single to enter the chart at number one since Elvis Presley’s “It’s Now Or Never” in 1960. “Black Or White” also tops the charts in seventeen other countries, and is ranked the top single of 1991 by Billboard Magazine. “Black Or White” is certified Platinum in the US by the RIAA.


On this day in music history: December 7, 1974 - “Kung Fu Fighting” by Carl Douglas hits #1 on the Billboard Hot 100 for 2 weeks, also hitting #1 on the R&B singles chart for 1 week on January 11, 1975. Written by Carl Douglas, it is the biggest hit for the Jamaican born singer. He is inspired to write the song when he sees young kids in a pinball arcade in Soho, London “mock fighting” in time with music playing in the background. “Kung Fu Fighting is initially intended to be the B-side of the song "I Want To Give You My Everything” and is recorded very quickly during the last ten minutes of a recording session with Indian born/British based producer Biddu (born Biddu Appaiah). First released through Pye Records in the UK, there is no airplay on the record at all for the first five weeks after its release. It suddenly reaches critical mass when it begins being played in dance clubs. From there radio picks up on it, setting it on the course to number one. The single is licensed to 20th Century Records for release in the US where it immediately follows its UK chart success. Entering the Hot 100 at #94 on October 12, 1974, it climbs to the top of the chart eight weeks later. “Kung Fu Fighting” is certified Gold in the US by the RIAA.