I started out thinking that the whole record was gonna have a ’50s/’60s feeling, like some kind of Shangri-Las, early Joan Baez influences. But as the climate kept on getting more heated politically, I found lyrically everything was just directed towards that. So because of that, the sound just got really updated, and I felt like it was more wanting to talk to the younger side of the audience that I have. I guess it’s just a little more socially aware. It’s kind of a global feeling.