40*

please take a moment to imagine the Federation version of Eurovision as @swordfern and I have envisioned it, in a post-DS9 peaceful future:
-Bajor does something very soothing with hand percussion and like…. background eurythmy dancing but the lyrics are utterly heart-wrenching.
-Betazed is always a fan favorite- they really get into the pop ballads and impressive choreography, and of course aim to inspire ~feelings~
-Romulans do the super intimidating acts like that one song about Moscow Germany did one year.
-Klingons just do fucking opera every time, with intense choreography, generally involving weaponry.
-Andorians do… whatever the andorian version of death metal is. imagine andorian headbanging. with those antennae. imagine.
-the new Cardassian Republic, when it finally gains admittance, is intensely earnest and a bit disco. No one really knows how to react to this.
-Vulcan sends one person with a Vulcan lute and they play an extremely logical arrangement extremely well, with no dancers or any illogical frippery… and they repeat this each year. No one ever votes for Vulcan.

►►Super Sentai Season 40 : Which One is Real?

#PLAY HERE TO FULL EPISODE#

Air Date : February 14th, 2016
Season Number : 40
Episode Number : 27
Episode Name : Which One is Real?
Networks : TV Asahi
Genres : Adventure, Action & Adventure, Sci-Fi & Fantasy

Storyline:
The Super Sentai Series is the name given to the long-running Japanese superhero team genre of shows produced by Toei Co., Ltd., Toei Agency and Bandai, and aired by TV Asahi. The shows are of the tokusatsu genre, featuring live action characters and colorful special effects, and are aimed mainly at children. The Super Sentai Series is one of the most prominent tokusatsu productions in Japan, alongside the Ultra Series and the Kamen Rider Series, which it currently airs alongside in the Super Hero Time programming block on Sundays. Outside Japan, the Super Sentai Series are best known as the source material for the Power Rangers franchise.

Casts:
Kazuhiko Inoue, Nobutoshi Kanna, Susumu Terajima, Tsurugi Watanabe, Jôji Nakata, Haruka Tateishi, Minako Kotobuki, Masaki Nakao, Mitsuo Iwata, Shohei Nanba, Naoki Kunishima, Miki Yanagi

The female’s individuality, which he is acutely aware of, but which he doesn’t comprehend and isn’t capable of relating to or grasping emotionally, frightens and upsets him and fills him with envy. So he denies it in her and proceeds to define everyone in terms of his or her function or use, assigning to himself, of course, the most important functions – doctor, president, scientist – therefore providing himself with an identity, if not individuality, and tries to convince himself and women (he’s succeeded best at convincing women) that the female function is to bear and raise children and to relax, comfort and boost the ego if the male; that her function is such as to make her interchangeable with every other female. In actual fact, the female function is to relate, groove, love and be herself, irreplaceable by anyone else; the male function is to produce sperm. We now have sperm banks.

- S.C.U.M. Manifesto (Society for Cutting Up Men) by Valerie Solanas 1967