The Assassination of Jesse James

DOP – Roger Deakins 
Format - Arricam LT 100T, 200T and 500T
Lenses - Cooke S4, Arri Macro, Kinoptik Tégéa and Kardan Shift & Tilt Lenses
Aspect Ratio - 2.35 : 1 
Delivery - Digital Intermediate 4K, 35mm Anamorphic Prints

Notable Strengths – Colour, Low Light, Composition and Framing, Frames Within Frames, Tilt-Shift Lens Sequences, Strong Use of Thirds, Leading Lines, Wide Angles, Establishing Time Period

Instant Camera With Memory

Instant Camera With Memory

instant camera with memory

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Here is how 35mm film is made digital and transferred onto a computer to be edited and blown up to be printed on a lager scale. On the right there is a scanner fitted with cases to place the film in to be scanned. It has the capacity of scanning 4 films a t a time and can scan at varied DPI. The image on the computer on the left is a 35mm film scanned in at 300 DPI which is considered print quality. This image can now be cleaned up and edited in photoshop as now it has been scanned it is now a digital version that can be printed on a much larger scale. And that is how 35mm film is made into digital and then able to be edited and printed. This process is still very much in use today and is still a great way of making film photography digital and more usable in todays photography.

"Wasp on a Window Screen" 11x14in Lumen photo contact print from digital negative enlargement of 35mm film negative, on MG-IV Glossy paper. Full sun exposure for 12hr at -2C. The original exposure appeared nice and pink like previous work, but as it warmed up to room temperature the colour greyed. I partially fixed the paper (1’20”) and then sprinkled some weak caffenol developer onto it and let it sit (4’20”) before rinsing it off and fully fixing out the paper (5’).