thru Sept 6:

Leighton’s Flaming June
 Frederic Leighton

The Frick Collection, 1 East 70th St., NYC

This nineteenth-century masterpiece embodies the modern philosophy of “art for art’s sake,” the belief that the value of art lies in its aesthetic qualities rather than in its subject matter. The sensuously draped figure — freed from any narrative context — is integrated into a harmonious ensemble of rhythmic lines and radiant color. On loan from the Museo de Arte de Ponce in Puerto Rico, Flaming June makes its first public appearance in New York City in more than thirty-five years, exhibited alongside the Frick’s four full-length portraits by James McNeill Whistler, another major proponent of “art for art’s sake.”

Auf dem Wasser zu singen
  • Auf dem Wasser zu singen
  • Idil Biret
  • Schubert transcriptions - 200th Anniversary Edition CD7

Franz Liszt (1811-1886).

Auf dem Wasser zu singen” (To be sung on the water, D774) is a Lied composed by Franz Schubert in 1823, based on the poem of the same name by Friedrich Leopold zu Stolberg-StolbergFranz Liszt transcribed the piece for solo piano (S.558, 12 Lieder; No.2) and published it in 1837–38.

“In the midst of the shimmer of reflecting waves
Like swans, glides the bouncing rowboat
Ah, over the joyous, gently-shimmering waves
Glides the soul like the rowboat.
From the heaven on down the waves
Dances the evening glow around the boat.

Above the top of the western grove
Friendly greets us the red glow;
Below the branches of the eastern grove
The reeds rustle in the red glow.
Heavenly joy and the peace of the groves
The soul breathes in the evening glow.

Ah, disappears from me with the dewy wings
On rocking waves, flies the time
Disappears tomorrow on shimmering wings
Just like yesterday and today, flies the time.
Until I myself on more highly radiant wings
Flee from the changing time.”