1968 cannes film festival

4

George Harrison, Pattie Boyd, Ringo Starr, Maureen Starkey, Jane Birkin and others arriving at Le Grand Hotel, Cannes, possibly 17 May 1968, the day of the screening of Wonderwall.

Photos © Reporters Associes; Shinko Music

“In January 1968 I was in Bombay, working on the soundtrack for the film Wonderwall - a Sixties hippy movie directed by Joe Massot. He asked me if I would do the music, but I told him I didn’t write music for films. Then he said that whatever I gave him, he would use. That sounded pretty simple, and I thought: ‘I’ll give them an Indian music anthology, and who knows, maybe a few hippies will get turned on to Indian music.’
I worked with Indian musicians at the EMI/HMV studios in Bombay. Mr Bhaskar Menon (later to become the head of EMI worldwide) brought a two-track stereo machine all the way from Calcutta on the train for me, because all they had in Bombay was a mono machine. It was the same kind of huge machine we used in Abbey Road; they’re called STEEDs. I’ve got one in the kitchen now - the one that we recorded ‘Paperback Writer’ on. I came back and added a lot more in Abbey Road, and put the music on the film.
Wonderwall came out some time later, and probably died a death. Ringo came with me to the premiere in Cannes. (I know this because they’ve put out the CD and I’ve read Derek’s liner notes. I didn’t remember it until I saw the photos of us with a rather nice young lady called Jane Birkin who was in the movie.)” - George Harrison, The Beatles Anthology [x]