PJ Harvey - Wheel (2016)

ez király 

Send Me .46 Cents Through PayPal (Cmaratta(at)GmAil.com) And I Will Send You A Sticker In The Mail That Says “Love On And Live RnR” On It.  Dont Forget To Tell Me Your Address, OKay Ily. 


“People ask the question… what’s a RocknRolla? And I tell ‘em - it’s not about drums, drugs, and hospital drips, oh no. There’s more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he’s different. Why? Because a real RocknRolla wants the fucking lot.”

[Translation] Rock & Read Vol 55 Interview with Tatsuya (Diaura)

Hi all, it’s been a while. Here’s a (long) translation of RnR, request from @gumin7​~ Admittedly, I’m not a huge fan of Diaura’s music, but having done quite a number of translations of their stuff, I’ve come to like Tatsuya a lot within the band. So this has been a rather fun translation to do~ hope you all enjoy it :)

P.S. Feel free to send in translation requests for any band. I am not keeping up with the current Jrock trends very well so perhaps some of your requests can keep me up to date (^_^;;;)

Keep reading

vwildmage asked:

There's an official AH Undertale blog out there somewhere. I forget who Michael and Gavin were (I think Ray was Sans) but I know Jeremy was Frisk, Jack was Toriel, and Geoff was Asgore. If you are making a new AU tho, can we make Ray Napstablook? (for the RnR connection, Ghost Ray, and the Ray is Dead jokes)




Fat White Family - Whitest Boy On The Beach (2015)

erről az új Fat White lemezről majd muszáj lesz írnom és nem lesz túl egyszerű.

volt velük interjú a minap a The Quietuson, amiben erről a számról így mesél Lias (az énekes):  

What are you shouting, in Whitest Boy?

It’s the words “de schteiner”, which don’t actually mean anything at all. It’s all just faux German, all those bits in between are faux German. I wanted it to sound a bit like Scooter, and that was a good way of getting into it. A mixture of Hitler’s speeches and Scooter – they’re very close, you know. Once Nathan and Saul had got the right arrangement – we’d done about eight versions of the song – then it was just begging for some sort of energetic vocal. I thought it would fit nicely with that “universe” line, it would nestle in nicely between that Eurotrash/plastic-fascist-with-a-megaphone. And in the middle of it you’ve got this confirmation of… just sex, basically. The background hum of the thing is sex and violence. I wanted them to rub up against each other, to be violent and, like I’ve said, fascistic. Laibach was the reference point for this one, but also that whole [fascist] package is sort of seductive. I wanted to explore that a little bit.

na, az ilyeneket nem érdemes elolvasni mielőtt meghallgatja az ember a Songs For Our Mothers című új lemezüket. ez természetesen nem vonatkozik azokra, akik igazi hólyagoktól szeretnek zenét hallgatni!!