**women in fiction

Watching Wonder Woman (spoilers)

Feminist recap:

1. Lead actress not naked at any point. Yes, they had sex. No, we didn’t need to see Gal’s boobs for that to be conveyed.

2. This is No Man’s Land — I am no man ⚔️⚔️⚔️

3. Killing the ‘Born Sexy Yesterday’ trope in Amazonian fire

4. Empowering girls who wear glasses, because fuck the idea we are not gorgeous with specs

5. Men are unnecessary for sexual pleasure lol

6. “What I do is not up to you”

7. Challenging the idea marriage is a universal, easily understandable, logical concept. (Spoiler alert: it is none of these things!)

8. There is power in compassion, and magic, which —once unleashed — extends beyond a single soul

9. Challenging the idea women must appeal to men

10. … Without degrading women who prefer to appeal to men

11. Every time Diana did things despite men who told her she was wrong, and every time she stood up for what was right, and every time she was the hero we all needed her to be

12. Stand behind me— Or not?

13. Everything. Every line. Everything was incredible. This is the movie we wanted, needed, deserved, and should have more of. 100 000 more movies like Wonder Woman!!!!!!!!

(I reserve the right to update this list as things come back to me after the initial shock of experiencing something so awesome.)

Legit Tip #196

or - “On Writing ‘Gender Conforming’ Women”

As people started to realize that not all women are the same - because, you know, we’re people - we started getting a lot of stories that featured women who didn’t precisely conform to their gender roles.

This is an awesome, amazing things. I loved that I grew up with female characters who didn’t love fashion, who were nerds, who liked science, etc.

But the thing is… some women do like fashion. Some women hang with large girl groups. Some women LIVE for the latest makeup trends. And that doesn’t make them any less important as characters than the women who don’t fit these supposedly “stereotypical” roles. 

Unfortunately, a lot of writers are scared to create women who have female interests or otherwise conform to society’s standards of what a woman should be like. Maybe they’re afraid that liking makeup and fashion will make her seem shallow. Maybe they have some other reason for being afraid to write these characters.

Either way, it’s NOT something to be afraid of. But there are some things to keep in mind if you want to write this “kind” of woman in your story. 

1. Elle Woods

This is basically the reason I decided to write this post. Legally Blonde to this day remains one of my favorite films. The reason for that? Elle Woods is a total badass. 

You can learn a lot about writing this type of character just by watching that film. Elle is smart, driven, and ambitious, even if she loves fashion and cute small dogs she can fit into purses. She may have chosen law school because she wanted to follow her ex-boyfriend there, but she learned and grew as a character and realized what was really important to her. And also that her ex was a jerk.

All this to say…

2. Let Women Have More Characteristics than “She’s a Woman”

The biggest problem with stereotypical “girl” roles is the fact that these characters usually have no personality beyond the aforementioned liking fashion and makeup and being part of a girl squad. That’s often true whether the girl is a sweetheart or a catty bitch.

Like I already said… Elle may like fashion and boys and the color pink, but these aren’t her defining characteristics. Her defining characteristics are her intelligence and her drive and her ambition - and especially her confidence to stand up for herself even when everybody else is putting her down. 

So when you want to write a character like this, remember. Maybe she’s not so confident. Or maybe she’s super-confident. Maybe she has anxiety issues. Maybe she’s incredibly passionate about her hobbies, which can absolutely include makeup. Nothing wrong with a girl who’s biggest ambition is to become a badass fashion designer. That takes a lot of goddamn work. 

Just don’t let it be the hobby that defines the character. Your hobbies are not your personality, and this is very much true when writing female characters. Two girls who love makeup can have totally different philosophies and ways of thinking about the world.

3. Women are Diverse…Duh

Shocker, I know. But women come in all shapes and sizes and from many different ways of life. So write “stereotypical” women who grew up in poor homes, others who grew up in poor homes, some who suffered abuse and some who have amazing family relationships. I don’t think there’s much else to say. Oh, except…

4. Women are REALLY Diverse FFS

Like goddamn, why is it that only straight white cis women can be the stereotypical girly-girls? Black girls can be super into fashion. I follow trans girls on Youtube who have taught me SO much about makeup. And lipstick lesbians exist. Nothing against butch girls, of course - I say this as a woman who likes women. I’m just pointing out the obvious - a bi, lesbian, pan, or ace girl can love stereotypically girly things too.

5. Love Your Bitches

I’m going to come out and say it - some girls are bitches But just because a girl is a b-word doesn’t mean she’s automatically a horrible person. Misguided, sure, but not necessarily evil like a lot of fiction wants us to think. 

So, love your b-words. Give them a little more attention. Show WHY they are the way that they are and, more importantly, GIVE THEM A CHANCE TO GROW. People change and a bitch can become a better person. Don’t fall into the trap of thinking every bitch needs some sort of grand comeuppance. That’s bad writing and just plain bad for women. (Let’s stop pitting girls against each other. Come on.)

Really, I just want to see better written girly-girls in fiction. Even some of my favorite writers have fallen victim to thinking that strong female characters can’t be the “typical girl”… whatever that is. 

Women’s Work: The First 20,000 years by Elizabeth Wayland Barber, 1996

This is a great book, all about the work of spinning and weaving, how it developed, and how and why it was women’s work. It makes the great point that women’s work is ephemeral - food, cloth, it’s all things that don’t survive archaeologically, so that it’s something that gets overlooked. The author also knows how to weave herself, and has tried out weaving some ancient cloths, pointing out that it’s only by doing something like that that you can work out practical issues. 

One of the things that was really great was the author pointing out that the most plausible reconstruction for the Venus de Milo is of her spinning:

Even better, is that since the book has been written, an artist who makes 3D printed sculpture has made a 3D model of what she would have looked like - and you can buy one for yourself:

Margaret Atwood on What ‘The Handmaid’s Tale’ Means in the Age of Trump
Atwood on whether her dystopian classic is meant as a “feminist” novel, as antireligion or as a prediction.
By Margaret Atwood

TW for sexual assault, gender violence

“Which brings me to three questions I am often asked.

First, is “The Handmaid’s Tale” a “feminist” novel? If you mean an ideological tract in which all women are angels and/or so victimized they are incapable of moral choice, no. If you mean a novel in which women are human beings - with all the variety of character and behavior that implies - and are also interesting and important, and what happens to them is crucial to the theme, structure and plot of the book, then yes. In that sense, many books are “feminist.”

Why interesting and important? Because women are interesting and important in real life. They are not an afterthought of nature, they are not secondary players in human destiny, and every society has always known that. Without women capable of giving birth, human populations would die out. That is why the mass rape and murder of women, girls and children has long been a feature of genocidal wars, and of other campaigns meant to subdue and exploit a population. Kill their babies and replace their babies with yours, as cats do; make women have babies they can’t afford to raise, or babies you will then remove from them for your own purposes, steal babies - it’s been a widespread, age-old motif. The control of women and babies has been a feature of every repressive regime on the planet. Napoleon and his “cannon fodder,” slavery and its ever-renewed human merchandise — they both fit in here. Of those promoting enforced childbirth, it should be asked: Cui bono? Who profits by it? Sometimes this sector, sometimes that. Never no one.”

Read the full essay by Margaret Atwood here

The Handmaid’s Tale by Margaret Atwood

imagine being so bothered by the fact that an audience wants two fictional women together romantically that you feel the need to literally scream invalidation towards the interpretation of a majority of your fans 

Every time you see someone’s bright-and-shiny, remember: They have their own crappy truths too. Of course they do. And every time you see your own crappy truth and feel despair and think, ‘Is this my life?’, remember: It’s not. Everyone’s got a bright-and-shiny, even if it’s hard to find sometimes.
—  Sophie Kinsella, My Not So Perfect Life