'this is not good. not good at all.' 'what if they want to shoot each other.'

We all know that Hoth was a simmering mess of hormones and stress and I would pay good money for a soap opera about them. Here are some things which Definitely Happened: 

  • There’s a betting pool going on who takes Luke’s virginity. The favourites are Han and Leia, but Wedge Antilles has pretty good odds, and there’s a small contingent of aliens who are convinced it will be Chewie (after all, who could resist that Wookie musk? Headcanon: most alien races consider humans soft and gross. Most alien races find Wookies absurdly attractive. Han Solo isn’t the ladykiller; Chewie is.)
  • Leia and Han scream at each other in every corner of the base. Everyone is desperate for them to fuck. They do not. The sexual tension is so thick that it could be cut into blocks and sold as wall insulation. More than once they are ‘accidentally’ locked in a supply cupboard in the vain hope that claustrophobia will act as the catalyst that enables their frustration to spark into true love – or at least nasty raunchy cupboard sex. It does not. All that happens is that the offender has legally changed their name to escape the Wrath of Organa. 
  • Someone paints a shirtless Han Solo on their X Wing. Leia is furious. Han is delighted: both at the highly flattering portrait (he has an eight-pack, he is shredded) and at Leia’s fury (you’re jealous princess/no I am not/you’re jealous, hey I can pose like that for you if you –). Hoth’s winter had nothing on the chilly silence that followed that suggestion. 
  • Luke and Leia both have very graphic dreams about Han Solo. Han Solo has very graphic dreams about the twins –  individually, together, he’s thirty fucking years old, why is his brain doing this to him.(Later on they will, individually, realise that due to Luke and Leia’s Force-bond they probably created a circle of Han Solo Sex Dreams: Leia had them, so Luke sensed her lust for Han which intensified his own lust for Han, which led to Luke having Han Solo sex dreams, which led to Leia lusting – and so on, and so on. For the sake of their sanity, they never share this revelation which each other.)
  • Luke is SO COLD. All the time. WHY DOES NO ONE APPRECIATE HOW COLD HE IS. He comes from a desert world. Of course he’s cold! What is all this white stuff? It was pretty for the first fve seconds but holy fucking Force it is so cold it burns and what the hell is going on with that? He bundles himself up in so many layers that he waddles rather than walks. Fearsome Last of the Jedi indeed.
  • Luke tapes a knife to a cleaning droid (disc-shaped things that swish around the base, sucking up dirt) and names it Stabby. Why, says Leia. Luke, the boy from Tatooine, shining and happy despite everything says why not. Why not indeed. Stabby is very fond of chasing Han. Han wants desperately to shoot the fucking thing– but then he sees big-eyed Luke and sharp-toothed Leia cooing over it and, well. A little bit of light stabbing is nothing, compared to those two smiling. 

anonymous asked:

Could you list all of the tropes that you consider "feel good violence"?

Okay, “Feel Good Violence” is very simple as a concept. It’s violence that feels good, when you’re reading it, when you’re watching it on screen, because for the perpetrator violence can feel really damn good. However, that is violence when taken outside of context. It is violence without consequences. It is violence for the sake of violence. Violence that serves no purpose but to prove the character or person is tough.

Protagonist Sanctioned Bullying - Bullying in general is a fairly popular method to achieve “Feel Good Violence” because bullying does feel good. The audience sympathizes with the protagonist, so when the protagonist acts they cheer for it. Its not presented as bullying by the narrative, but it is still bullying. Usually it’s a rival or a character set up to “deserve it”, but sometimes not.

Making people afraid makes you feel tough. Many authors will fall prey to the sweet lure of bullying and not even know it because bullying is violence without fear of consequence. Most often, they’ve been the recipients rather than the perpetrators, and acting as the bully is a very different ballgame. It is an emotional and psychological high. You feel big, strong, safe, and untouchable. Powerful. In their worst incarnations, most superheroes become bullies.

Bullying is all about control, protected status, and freedom from consequences. An entirely fictional world creates the opportunity for all these things, with the narrative itself siding with the bully. Bullying is Feel Good Violence writ large in real life. It’ll follow you into the fictional world just as easily. Power is a high you never forget.

This is very common trope for characters who also act as a means of self-insertion by the author. For them, it isn’t bullying. It’s an example of how awesome their character is and how tough they are.

Everything But Dead - When the only morals applied are if someone died, the rest is sanctioned without comment. There are no narrative consequences for the character’s behavior, and everyone cheers them on. Anyone who calls them out is an acceptable target, usually evil, or the protagonist wins them over in the end because their actions are “justified”.

By Any Means Stupid - This is the “by any means necessary“ trope, where the violence really isn’t necessary and the author just wanted an excuse to paint the room red.

Unprovoked Violence Is Always the Solution - This is the one where the protagonist skips all the other steps and goes straight to preemptive violence against a total stranger, for no reason other than it makes them appear tough. Usually not framed by the narrative as bad, but it is. Oh, yes, it is. Worse there usually aren’t any consequences for the hero physically assaulting someone in a room full of witnesses because everyone knows they’re the hero, right?

Random Violence Before Strangers is A-Okay -  The protagonist disembowels a bully in front of their victim in order to protect them and receives effusive thank yous. Nothing comes from this. The bad guy is dead. We all feel good. All is right in the world. Except… violence freaks people out.

Acceptable Targets - These are people designated by the writer as non-entities and targets for violence regardless of narrative context. A very slippery slope that is ever descending. But, you know, it feels good? Sure, so long as you’re not on the receiving end. This kind of dehumanization happens in real life too, just in case you were wondering.

Beating Up My Source - You have a character who collects information from an old standby, they threaten and beat up that standby regularly to show they’re tough. At what point does this seem like a terrible idea? Never! Hey, they’re a bad person so you feel good, right?

Waving My Gun Around - Trigger discipline is just the beginning of this problem. A gun is not a toy. but you’ll find a vast array of narratives who use it that way in order to look tough.

Killing Your Way to the Top - You can’t really destroy organizations like this. Killing the people at the top will just lead to someone else taking their place. Whenever you create a power vacuum someone will fill it. You can’t destroy an organization by killing. It doesn’t work. But, it feels good!

Must Obviously Be Boy - Because female fighters are unicorns and the mooks have never laid eyes on a woman before. Usually part of a larger narrative issue with violence, but acts as a “get out of jail free” card.

Clear the Building - That time the character decided to knock everyone out to prove that they are tough. Weirder when it happens on stealth missions.

I Am Not Gaining Levels - When you’re reading a book and the character is fighting like it’s a video game. They fight everyone like they’re in an RPG chasing XP. Why? We don’t know, but it makes them feel good.

Let Me Shoot Him Twenty Times - We could call this spray and pray, but let’s pretend for a moment the magazine could run dry.

Magic Bullets - The bullets that go where you want, stop when you want, and don’t cause accidental casualties. You know, like the protagonist blind firing through a wall and hitting a four year old playing in the yard across the street.

Body Armor Always Prevents A Blow-through - Nope!

New to Training, Perfect Sparring - That time the main character took on their evil rival (school’s top/better trained student) in a sparring match and won, especially when it was their first day.

Sparring Just In General - The vast majority of Western media doesn’t understand the concept or purpose of sparring. Many authors seem to think its a UFC match where you just beat each other up and the first thing you do during training to “assess your capabilities”.

Queuing for Combat - This is an old Hollywood trick where the burden of a group fight is lifted as the stuntmen wait their turn to fight the protagonist. Particularly egregious in written action sequences where the author doesn’t grasp the concept of teamwork. It also warps the understanding of how many people its possible for a human to fight at once.

Terrible At Torture - Torture is a terrible way to gain information in general because it doesn’t lead to a confession so much as confirmation bias. The subject will tell you whatever you want to hear because they want the pain to stop. It’s even worse when done poorly, which it is 90% of the time. Usually, media uses it for shock value or to prove how tough a protagonist is. Torture is not putting a blowtorch to someone’s foot and hoping for the best. It’s far, far more complicated than that. Neither torturer nor subject come out of the experience whole. Besides, the unimaginative protagonists say, “screw you!” The clever ones lie.

What Is: Dress for Success - How we dress our characters is often necessary for crafting a sense of narrative realism. This comes in often as a reason for why its so difficult to take female action heroes seriously, but it happens to the guys too. Not a bad trope on its own, but often symptomatic of a larger narrative approach to violence that ends with “feel” and “good”.

Beautiful and Badass - This one is a very specific female fantasy, which is that you can meet all the cultural standards and definitions for beauty while being in direct defiance of them. These are the female characters who are never touched by the combat they engage in. They are always graceful, always elegant, always beautiful in motion and the narrative will pause to tell us this often. “She fights like she’s dancing.” For these characters, their supermodel-esque beauty is a natural extension of their being. They don’t work at it. Combat is incidental. It’s a set piece to tell you how awesome the character is. It generally amounts to nothing, serves no real narrative purpose, but by god the author is going to walk us through it in excruciating detail. Combat and character are separate, and consequences are for other people.

My Instincts Performed A Wheel Kick - Your instincts just don’t work that way.

There’s probably more, but that hits most of the major sins.

Keep in mind that many of these tropes are not issues by themselves. They often work when context and consequences are taken into account by their narrative/setting. Generally, this results in characters with no accountability for their behavior and exhibit no responsibility for their actions. The issue, of course, is that responsibility and accountability are what make well-written violence work. Violence often drives the narrative. It’s part and parcel to who the character is, and their decision making. It’s the difference between a character who presents themselves as tough or skilled and one who actually is.

-Michi

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Jealousy Games 01

Originally posted by jikookdetails

Description: You decide to play a game of push and pull with your ex Jungkook, bringing Jimin along for the ride. 

Pairing: JungkookxReaderxJimin

Genre: Smut (M)

Word Count: 8.4k

Warnings: breath play, dom!Jimin, lots and lots of filth.

A/N: This is chapter one of… well, I don’t know. @ellieljade and I just keep brainstorming more and more for this sucker. To the point of us joking about finishing this when we’re in our 90′s….. Anyway. I hope you enjoy. I’ll be working on part two for Room for Dessert and The Guest House soon.

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I believe Spencer’s twin is coming.

In this post I want to give a list of reasons why Twincer is my prime suspect as AD. I know a lot of these ‘clues’ come from interviews, but they’re still really convincing for me at least. I’ve definitely missed some of the clues from within the show because they’re not as easy to spot - we need to know for sure if Twincer is happening, then we can dig further. (The fun won’t instantly stop once the finale airs.) But for now, enjoy these, and at the end, I give my theory as to the motive.

Please note: none of this is overly new. This is just the summation of everything we’ve been talking about on my blog for the past couple months. I wanted to put all the ideas into one post, rather than 31529 mini posts scattered here and there. I will be updating this as we find more. 

  1. The famous airport scene from 715.
    We all already think it’s weird that "Spencer" asked Ezra to not tell anyone he saw her there with Wren. What’s weirder, is the fact that Wren and “Spencer” were arguing. Amongst muffle, I heard Spencer say "stop calling me that" (let me know if you heard differently). Did Wren have a slip-of-the-tongue moment and call her Spencer rather than the twin’s real name?
  2. Dr. Cochran’s story is very telling.
    We all already know the ambiguous implication that Mary had more than two babies, because Dr. Cochran said he dealt with “two of Mary’s babies”. What’s more interesting is the second baby he dealt with. The first baby (Charlotte) he gave to Jessica. He said that the second baby that he delivered was placed in family county services. This could not have been Spencer, since Spencer was delivered to Veronica within 5 minutes of birth. So, who was that second baby that was placed in family services? I believe it was Spencer’s twin. Why? Dr Cochran referred to that second baby as “underweight but tenacious” - lo and behold, the next episode, Toby calls Spencer tenacious. This was the writers foreshadowing the similarities between this second baby, and Spencer. Twins. 
  3. We all know Hanna’s ‘dream’ in 701.
    It makes no sense that Hanna was able to dream ‘Spencer’ saying the name A.D. since Hanna was kidnapped before these initials were even revealed. Perhaps Hanna was visited by Twincer; the one holding her captive.
  4. A.D. needs to stand for something. 
    Spencer’s twin could literally have the initials A.D., since we know she would be Mary Drake’s child. Her first name would start with A and the D would stand for Drake. 
  5. Brendan and Ian both confessed to being confused by the identity of A.D.
    They needed the backstory to understand it. Is that because they had no idea who has the name “Alex Drake” (for example) ?
  6. Tyler said before 7B aired that “you’ve never met AD. You kind of have. You’ll know what I mean”.
    This can be interpreted in two ways: you’ve never met Twincer but since you know Spencer, you kind of know who AD is. Or. You’ve seen Twincer over the years, but thought it was Spencer. Either way, Tyler’s comment screams twin-theory to me. This could apply to any twin theory, but in this context, I’m using it for Spencer.
  7. Ian said (0:57) that “fans will be satisfied to a point. Right when it seems it’s gonna be really great, it might do a little [downwards hand motion]”….
    That cheeky smile on Ian’s face when he said “it seems it’s gonna be really great”… what could be greater than a liar being AD? Ian could be referring to the fact that they initially show us Troian under the hoodie, making us think Spencer is AD. Then, after commercial break, they will reveal it’s just her twin, hence the “it might do a little [downwards hand motion]”. We will be satisfied to a point, he said. It’ll start off amazing by thinking it’s Spencer, oh wait, it’s another twin.
  8. Ashley said (0:14) that she didn’t even know the A.D. reveal is possible.
    Because she did not expect a second pair of twins to come along?
  9. “It’s like there are two of you living in this house. You, and you’re evil twin, and we’re not sure who’s coming down to breakfast". 
    said Veronica to Spencer in 423. Foreshadowing at it’s finest.
  10. Spencer doesn’t remember this flashback.
    Was it her twin? And oh how coincidental, that the writers tell us a time Spencer doesn’t remember, in the same scene Veronica makes the above comment about Spencer’s “evil twin”.
  11. “Where are they?”
    said Mary as she entered the Hastings house (flashback from 717). Who is they? The twins? She proceeded to say that Spencer is the only good thing she’s ever made. Maybe Mary knows Spencer’s twin is evil, and is neglecting her. 
  12. “You look very much like your sister. Almost like twins”.
    said Mary to Spencer in 701. The writers wanted us to think that Mary was talking about Spencer and Melissa, since Mary was holding a picture of the half-sisters. But, were the writers, and therefore Mary, hinting towards Twincer? Is Mary being blackmailed/forced (by Peter?) to keep quiet on Twincer, and she had a slip-of-the-tongue moment here?
  13. Marlene is very aware of the Twincer theories.
    Back in 2014 she said that Troian sent her an online fan theory regarding Spencer having a twin who is A. Marlene was blown away by it and she thought it was a very well thought out plan with detailed evidence across the series. Watch from 1:35. Whilst you may be saying “there’s NO WAY Marlene spoilt her own show’s ending in an interview!!” - I feel like she had no idea the show would go on for 7 seasons, and once they got renewed, she panicked. “Shit, we need a new Uber A. Let’s go with that brilliant fan theory Troian sent me”. She probably regrets making this interview now. You can tell her passion for Twincer in this interview. She talks so damn highly of it.
  14. Marlene has said that the person who plays A.D. had known for a while.
    We know that Marlene told Troian the entire ending of the show years in advance. “Just like I had story time with Marlene, you all now get story time with Pretty Little Liars” said Troian.
  15. The girl in the coffin in the opening has the exact same black puffy shirt as Spencer.
  16. Why does it seem that A.D. is always going after the Hastings?
    Why shoot Spencer, out of all the liars? Why demand Aria to plant the audio device in the Hastings? Why not ruin the Marin household? The jealous twin wants her ungrateful sister dead, hence the shooting, and the jealous daughter is angry she never got adopted. Too much of the story is Hastings-oriented. 
  17. “They’re all some pretty. Good. Theories.”
    Was Janel’s response to being asked about the Spencer-twin theories. (22:20)
  18. And, I’ll just leave this here. Good one @prettylittlesessions​ !
  19. “Spencer’s” weird comments in 718.
    In 718 “Spencer” says to Toby “you know what its like to be the outsider. Removed from friends and family”. What made her say this? Nothing was said or done in 718 to prompt our Spencer to say this. 
  20. Keegan said there are no more Spoby kisses in 7B.
    “I can honestly say that there is not another Spoby kiss.” Yet - there was one in 718. Either Keegan lied, or that was Spencer’s twin. (10:15)
  21. “It’s somebody you have seen.”
    says Marlene in regards to who AD is. Was she talking about the Spoby kiss in 710, which Twincer referred to in 718 when she kissed Toby again? Marlene was very careful to avoid saying “it’s someone you KNOW”. We don't “know” Twincer. But, we have seen her.
  22. “That’s not the Spencer I know”
    said Toby in 718. Writers are foreshadowing.

Setting all this aside, I want to add my theory on the backstory and motive:

  • Twincer, who’s name is A_____ Drake, was born in Radley, as Dr. Cochran told us in 7A. 
  • Twincer was raised in Radley - not because she needed to be at a psychological hospital, but as a form of daycare, because Mary was deemed an unfit mother, and also she kept Twincer a secret from Peter… he already hated her (to the point of planning her murder, later on) enough for having one baby together, imagine Peter’s reaction to having twins.
  • There, Twincer met and bonded with her sister Charlotte. Charlotte became Twincer’s only friend. (Twincer might even be Bethany, since we already know of this bond between Bethany and Charlotte, and how Bethany was drawing Charles being taken away by a monster. But for this theory, let’s just forget Bethany for a second.)
  • When Mona came to Radley and started telling Charlotte about everything she did to her sister, Charlotte and Twincer wanted to play. They wanted a turn at harassing Spencer and her friends.
  • For Charlotte, as we know, it was the feeling of finally succeeding at something in life that made the game her drug. For Twincer, it was something far darker.
  • Harassing Aria, Hanna, Emily and Alison is all about driving a wedge between the girls. Twincer wants to break up the girls. Turn them against each other. Hopefully by throwing fire at the girls, they will break up, ultimately, to ruin Spencer’s life. Again, jealousy. Twincer’s plan is backfiring because it’s exactly A’s threats that makes Spencer say “we need each other more than ever” and “always stick together”. The writers keep making the point of SPENCER being the one to make the comments about “always” sticking together. Twincer cannot break Spencer and her bitches. This is fueling Twincer’s anger. Nothing is working.
  • That’s why AD/Twincer recently shot Spencer. “If I can’t break the girls up to ruin Spencer’s life, why not just become Spencer?” Twincer shot Spencer in an attempt to assume her identity and squeeze her way into the loving friendship group that she could never crack. “These girls are so loyal to each other… they don’t even break up after even my threats. Damn, I want to be a part of this. It’s my turn to live a happy life. You had your turn Spencer.”
  • Note: I do not believe that AD has been operating since season 1. Mona’s time as A is completely independent from Charlotte and Twincer’s story. Mona started the game, and now someone is ending it, and she wants to know who. Charlotte and Twincer are their own duo; their own A-team, which stemmed as a result of Mona coming to Radley. Charlotte revealed herself - next up in the A team is Twincer, who is carrying on the game she once played with her sister. 
i n k.

Originally posted by shirtlessthomas

chris evans x reader (smut)

warnings: smut, dirty talk, tattoo kink? NSFW GIF. 

prompt: small discussion of tattoos leads to smutty goodness.

a small yawn left your lips as your head rested on your boyfriends chest, the curtains were drawn closed leaving you in a dimly lit room, the only noise surrounding you was your breathing and the sound of his steady heartbeat by your ear. you and chris had been dating for two months but having time together or even alone was a rarity considering his line of work, not that you minded, you loved spending time with sebastian and anthony as well as visiting his parents. his mothers cooking was to die for and you couldn’t stop yourself from melting whenever you saw how they interacted, it was no secret that he was an absolute mammy’s boy.

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Dating Tom Holland Would Include....

  • Constantly bickering with Harrison on who Tom loves more. 
  • Always winning these fights
  • “Sorry mate, but have you seen her? She’s absolutely stunning.”
  • Having all sorts of adventures with Tom and Harrison
  • Because let’s face it, wherever Tom goes, Harrison follows.
  •  But never really minding because as long as Tom is around, so are you.
  • Tom always making sure that you’re okay. 
  • “You sure, love? Okay. I just want to make sure my girl is happy.” 
  • Him wrapping his arms around you every chance he gets.
  • Calling you every kind of cute nickname in the book because he can never just pick one.
  • “Babe, love, doll, sweetie, beautiful, gorgeous, cutie, honey,” All of them.
  • Sometimes finding himself just staring at you because he can not believe how lucky he is to have you.
  • Having to break up Tom and Harrison’s arguments on who loves you more. 
  • “Enough, you two. I swear you guys are like little kids fighting over a toy, and I am NOT a toy.” 
  • “Course you’re not, babe. But, I do love you more than Haz.” 
  • “I know you do. Why do you think I’m with you.” 
  • Tom leaving you with little notes that he placed everywhere.
  • “Hey babe, I love you!”
  • “Did you know you’re amazing?”
  • “You’re my girl, don’t ever forget.” 
  • “Call me when you find this!” 
  • “I could stare you forever.” 
  • “You’re the first and last person on my mind.” 
  • “I miss you.” 
  • Tom begging you to go with him everywhere because he just doesn’t want to leave you. 
  • “Please come with me.” 
  • “No, Tom. I have to work-”
  • “-but, I’m Spiderman. You don’t have to work.” 
  • “Did you just seriously use that line on me?”
  • “Did it work?” 
  • “Absolutely not, you dork. I love you, I do but I promise I’ll come visit. Okay?”
  • “Fine, but you better.” 
  • Always, always feeling guilty because you know that sometimes he gets a little bit of anxiety and stressed and you seem to be the only remedy. 
  • Flying out on the next flight possible.
  • And immediately all the stress and anxious thoughts are thrown out the window the minute he sees you. 
  • Him always whispering in your ear, “Thank you.” 
  • Always reassuring him that he’s earned all the success in his life.
  • Sometimes feeling a little scared that he’ll forget you with his oncoming fame. 
  • Tom reading you like a book and breaking these thoughts from your head. 
  • “You do know that I love you right? And that I wouldn’t be here without you. I’d be a wreck if I ever lost you. Don’t ever think for one second that I could make it without you.” 
  • Feeling reassured until the next time you felt scared. 
  • Tom always going above and beyond in his gifts for you on birthdays, anniversaries, and just because he want to’s. 
  • Him surprising you with a vacation to a place you’ve always wanted to visit. 
  • Following him basically anywhere and everywhere because he will literally get on his hands and knees to beg.
  • Forcing you to play basketball with him even though you know that there’s a reason why you’re not a pro basketball player. 
  • But always seeming to win.
  • Knowing that he lets you.
  • But never questioning it because it was his way of spending time with you.
  • Spending time with his family.
  • Because in a way, they’re your second family.
  • Tom’s mother commenting on how happy she is that Tom has found himself a wonderful girl.
  • His father agreeing one hundred percent and cracking jokes as to when they should expect the wedding.
  • His brothers always teasing Tom about how much you have him wrapped around your finger.
  • Blushing because you would never want him to be “whipped”, but it’s nice to know that you have that power.
  • Tom clapping back with, “At least I’ve got a girlfriend.” 
  • Laughing when they’d all get into a wrestling match.
  • “If I win, [Y/N] is mine!”
  • “No, if I win, [Y/N] mine!”
  • “Bloody Hell! You gits think you’re actually going to win? [Y/N] will always be mine, whether or not I do lose.” 
  • Going to the gym with him.
  • Getting distracted because by God those muscles should be illegal.
  • Him knowing it and teasing you about it.
  • Always getting back at him by doing anything and everything that shows of your figure.
  • Tom throwing down his weights and attacking you with kisses. 
  • Him always being respectful of your boundaries. 
  • Never pushing you to do things you don’t want to do. 
  • You loving him for it.
  • Knowing that you will eventually let him but just not right now because you’re not ready.
  • And him being perfectly okay with that.
  • Sparring with him.
  • Tom being beyond impressed at your skills.
  • Telling you everyday how much he loves you.
  • Begging him to take you to go get icecream even though he can’t really have any.
  • Scolding him when he says, “fuck it,” and gets himself some. 
  • “You’re trainer is going to be pissed.”
  • “So what.” 
  • Shaking your head and enjoying your icecream date with him.
  • Taking Tess out for walks together.
  • Taking a million pictures of her because she’s just so damn cute.
  • Lazy days with Tess
  • Cuddling the poor dog into suffocation until she can’t take it anymore and leaves.
  • Leaving you two clinging onto each other.
  • Tom leaving trails of kisses along your forehead.
  • Holding you tight.
  • Falling asleep in each other’s arms. 
  • Waking up in the middle of night, panicking because your parents are going to freak out.
  • Tom shooting out of bed to get you home.
  • Him trying to help you sneak into your house without your parents waking up.
  • Him mumbling that the two of you should just move out together.
  • Telling him that it would be a good idea but to talk about it later.
  • Tom always gushing about you in interviews.
  • Always being his plus one to the films you want to see.
  • Introducing you to your favorite actors.
  • Getting embarrassed when Robert Downey Jr. finally gets to meet you.
  • “SO, this is the girl you never shut up about? It’s about damn time I finally meet her. [Y/N], it’s so lovely to meet you. I feel like I practically know you with the amount of stuff Tom has told me about you.” 
  • Also getting a little embarrassed but not as embarrassed as when fans stop you on the streets.
  • Getting panicky because you’re just waiting for the hate.
  • But being surprised when it’s nothing but love and awe.
  • Agreeing to take pictures with them and asking to take one of them so you can put it on Instagram as well. 
  • Speaking of Instagram, Tom is forever posting sly pictures of you. 
  • You are literally all over his page.
  • But, it’s okay because he is all over yours.
  • You’ve been trending on #couplegoals for days
  • Threatening Tom with his life if he doesn’t stop posting the selfies you send him. 
  • Him not caring.
  • “I’ll take my chances, babe.”
  • Getting him back on snapchat with the crazy filters.
  • Agreeing to tone down the embarrassing pictures. 
  • But one or two always comes leaking out and you are forever mortified. 
  • Starting a prank war. 
  • You always seeming to have better pranks.
  • Feeling bad and deciding to call it off but not before Tom gets you really good. 
  • Laying out under the stars and talking about the future.
  • Telling each other that as long as you have each other, the future can bring whatever it wants.
  • Tom surprising you with a promise ring. 
  • “We’re both still really young and I know a lot of people our age are getting married but I just can’t imagine getting married at this moment. But at least with this, it’s a promise that you will have my last name, just not right now.” 
  • You accepting it because there is not a damn soul on this earth aside from Tom that you could see yourself with.
SHOOT Reunion Panel

Sarah and Amy had lunch together a couple weeks ago - they are good friends and they have a lot in common so keeping in touch is fun.

Sarah’s favorite things about Shaw: her eating food with knives.
She also says Shaw’s foreplay would have been cutting each other and punching each other and biting.
Shaw was masculine and always equal to the boys - never portrayed otherwise. That was her most favorite part - how tough and violent.

Amy’s favorite part about Root? “I think Sarah should answer.”
Amy loved getting to flirt with and annoy Shaw, because Sarah is good at portraying the anger. “But I knew she loved me.”
“Both the characters kind of ran things - the girls in charge” - Amy on Shoot

Sarah’s fave ep was 6741!
Sarah took the role because it went to dark places you don’t get to go to on TV.
Sarah’s fave scene: end of 6741 by the carousel! It was very challenging but will always be the 1st thing she thinks of when thinking of POI
Sarah says “I only look good because Amy makes me look good.”

Amy says she liked the part (in 6741) “was when Sarah was biting me”
Amy says she loves their first meeting - the iron and all the sexual tension.
“Was this relationship always meant to happen?” Sarah: (shouting) YES! F**K YEAH!!

“How do you prepare to do a different version of the character, like in 6741?” SARAH: Acting is a lot of human psychology and we are all more than just one thing. With actors you find the closest part of you to the character; she tried to tap into herself there.
Sarah: “There were plenty of times when I was playing Shaw that I didn’t know if I was doing a good job.”
Sarah: I wasn’t supposed to emote much, but we aren’t like robots.

SS: “Kissing Amy is like biting into the most succulent peach. It’s sweet & juicy & just a little wet. It’s better than your dream, sister.”

Someone asked them to improve a scene and Amy says “Hasn’t someone here written some fanfic? … We’ll do a stage reading of anyone’s fic.”
Sarah and Amy acting out Root coming back alive.
“Root.”
“Did you miss me?”
“Is that you?”
“Are you ready for this?”
“I’ve never been more ready”
“Look behind you”
(They [fake] kiss)

Someone asked about SHOOT kinks and Amy just said “we’re gonna keep things ziptied.”

Sarah says Shaw definitely realized she loved Root back in s4; that at the beginning she didn’t have a thing for Root & took her by surprise
“In an alternate universe the two of them were together and made little SHOOT babies.” - Sarah
Sarah says in s4 the flirtations started working, like when Root picked her up on the bike & when Shaw realized she needed Root to help her
Sarah says 6,741 was a result of the fans feedback on Twitter.

Amy says that Root got her hacker skills from playing Oregon Trail.

Sarah said kissing your friend is like kissing your sister.

Amy says the weird part is the audience of the cast and crew when shooting, but she was glad Sarah was there.
Amy also said that there’s not a person she’d rather have that experience with than Sarah. (About shooting 6741)

Amy says Root made the decision in s5 she did because if she chose Shaw, there would be no world anyway.
Amy also says that being The Machine was the closest Root could get to having both.

Sarah likes doing films because you can take more chances and move at a slower pace.
Amy likes TV because you gain a family in the crew & the characters get to evolve and change. “But I guess shows can be cancelled.”

“In canon we see Shaw has a PD, and Root probably does as well, how does that change the way you approach the characters?”
Amy says that’s where you got a lot of quirks of the characters, but you just play them as truthful to what’s on the page.
Sarah says she remembers she had to look up Axis II disorders to learn how to play things accurate.

Sarah loved working w/Bear b/c the takes were different because you had to work w/what he wanted to do. “You’re not gonna out cute the dog”
Amy telling a story about how they were shooting outside and it was SO COLD they were both getting frostbite but they had to keep shooting. But then the animal handler came & had to take Bear because it was too cold for him, so she was jealous.

When asked, “Did Root have a crush on Hannah?” Amy said, “She was before your time, you don’t have to be jealous.” To Sarah.

Talking about new projects- Sarah: It’s kind of like a TV version of Inception. She goes into people’s subconscious to help them.
Sarah also did an Amazon pilot called “Halfway House” where she plays a meth addict.

Amy says she’s afraid to talk about her new project.

Sarah closes the panel by acknowledging the support of fans and is thankful because they’re why they are where they are.

Thank you to starrymag
It’s a [Tinder] Date! (Part 3/3)

Summary: Thinking he needs to find a date, Natasha signs Steve up to Tinder. In Queens, Peter Parker does the same to you. It’s a match!

Word Count: 3,405

Part 1 Part 2

A/N: Almost a month later, but this fic is officially done :D I hope you all enjoy this fluffiness. 

Originally posted by mackievanstan


Work managed to distract you enough to not keep looking at the clock every five minutes. Despite part of your brain telling you that there was no way you had a date with Captain America, there was another part that couldn’t help but to hope this was true. And so, you found yourself daydreaming of showing up to the restaurant and seeing him there. What would you even say to him? What kind of greeting would you use? Would you address him as Captain, or maybe Mr. Rogers, or just Steve?

By the time you got home, you had a few outfit options in mind and made a beeline to the bathroom, taking a shower before you got started on getting ready.

Peter came around as you were choosing between four different outfits you had draped on your bed. He helped you picked the one that was form-fitting, waggling his eyebrows playfully.

“We gotta tease him,” he said.

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10

It’s a long-standing tradition for the sitting president of the United States to leave a parting letter in the Oval Office for the American elected to take his or her place. It’s a letter meant to share what we know, what we’ve learned, and what small wisdom may help our successor bear the great responsibility that comes with the highest office in our land, and the leadership of the free world.

But before I leave my note for our 45th president, I wanted to say one final thank you for the honor of serving as your 44th. Because all that I’ve learned in my time in office, I’ve learned from you. You made me a better President, and you made me a better man.

Throughout these eight years, you have been the source of goodness, resilience, and hope from which I’ve pulled strength. I’ve seen neighbors and communities take care of each other during the worst economic crisis of our lifetimes. I have mourned with grieving families searching for answers – and found grace in a Charleston church.

I’ve taken heart from the hope of young graduates and our newest military officers. I’ve seen our scientists help a paralyzed man regain his sense of touch, and wounded warriors once given up for dead walk again. I’ve seen Americans whose lives have been saved because they finally have access to medical care, and families whose lives have been changed because their marriages are recognized as equal to our own. I’ve seen the youngest of children remind us through their actions and through their generosity of our obligations to care for refugees, or work for peace, and, above all, to look out for each other.

I’ve seen you, the American people, in all your decency, determination, good humor, and kindness. And in your daily acts of citizenship, I’ve seen our future unfolding.

All of us, regardless of party, should throw ourselves into that work – the joyous work of citizenship. Not just when there’s an election, not just when our own narrow interest is at stake, but over the full span of a lifetime.

I’ll be right there with you every step of the way.

And when the arc of progress seems slow, remember: America is not the project of any one person. The single most powerful word in our democracy is the word ‘We.’ 'We the People.’ 'We shall overcome.’

Yes, we can.

And if you’d like to stay connected, you can sign up here to keeping getting updates from me.

President Barack Obama 

anonymous asked:

Simon and Jace bonding over the horror of interrupting Magnus and Alec?

this is hilarious cause you sent me this 2 weeks ago and now it’s so relevant

at first it’s just slight interruptions, because jace interrupting them doesn’t just end there. it doesn’t end after he’s apologized for killing the mood and it doesn’t end after he’s finally settled into magnus’s space. no, it of course continues and it’s horrible because he just keeps doing it. they’re finally kissing and magnus’s weight against alec is so fucking sweet up against the front door. it’s everything he’s been craving, his fingers sinking deep into the muscles around magnus’s shoulder blades. magnus is kissing him like all of that anticipation rolling under alec’s skin, all stormy, is reciprocated, mirror image. and just as alec’s lips part, a low sound thick in his throat as he slides his hands down, pressing magnus closer… someone clears their throat.

alec goes still very slowly and as he does magnus gets the hint and pulls off of him. and it takes a minute but they glance over and there’s jace, with that same perturbed look on his face. “i’ve got to…” he points towards the door. and alec feels his jaw tensing up before it actually does. magnus makes a low noise of understanding, raising his brows and pulls away to open the door, letting jace through and alec just licks his lips, reaching up to rub at his forehead, trying not to allow the annoyance rumbling through him to take hold. but it does anyway and he shoots jace a glare as his blond brother heads through the door. magnus has this look on his face like he just swallowed sour milk and alec lets out a heavy sigh before he reaches out to try and pull magnus back in.

but magnus just chuckles, taking alec’s fingers and squeezing them. “i think the mood has been sufficiently killed.”

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Writing is Hard, pt 9: Sexting

Summary: You send Dean some dirty pictures.

Read Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8

Warning: Smut, taking pictures during sex

Word Count: 2600ish

A/N: This is all written with love for fan fic. I’m teasing, not putting it down in any way. Hope you enjoy! (Sorry, tag list is closed!) XOXO


You hold up the phone, then almost instantly put it down.

This is stupid.

No. This isn’t stupid. This will be hot. Just do it.

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anonymous asked:

Hey! If you're still taking prompts, could you write about neil and Andrew having a conversation about Neil's past? Like the stuff he had to do to survive and the stuff he went through with the worlds shittiest parents? Also I'm pretty sure neil has killed people like it makes complete sense so maybe andreil talking about that?

There’s a band of pale blue light nipping at the tops of the trees and sharpening the silhouettes of the houses, but everything else is fresh and dark. Andrew smokes with the pack clenched in his fist, the cherry of the cigarette winking at the street lamps winking at the orange moon.

Their front porch isn’t like the rush of the rooftop, but he can get that same jitter of fear from Neil nowadays, and he’s more portable. He’d left him knotted in the bedsheets an hour ago, and knowing he’s inside somewhere at his back is burning him up. Andrew inhales and focuses on the exhale, the way the smoke still tries to hurt him when it should’ve given up. He likes that nicotine doesn’t leave him alone.

Neil slips out the front door and lets the screen door clatter, and Andrew knows that he’s upset before he sits down two steps below Andrew, holding his own head.

He doesn’t ask; just smokes fervently. The moon bobs its head sympathetically, wind catches the smoke and breaks it over Neil’s head like water on rocks.

It occurs to Andrew that Neil isn’t going to start this conversation, because he likes to think things through on his own, solve them wrong, and tell Andrew about his mistakes later. He’s insufferably convinced of his own problem-solving abilities, then obsessed with the mechanism of his own missteps.

“What?” Andrew asks impatiently. He flicks ash from his cigarette and holds it out in front of Neil’s face. Neil sidles through his own tangled thinking for long enough to glance up. He leans forward and sucks the smoke from between Andrew’s fingers.

When he looks away, gusting smoke from his open mouth, he says, “Matt called. We fought.”

You fought,” Andrew guesses.

Neil looks agitated, blue in the choked light, eyes black and furious. “He was being unfair. He keeps trying to tell me what’s right or wrong lately, because he thinks I’ve been— been deprived, like my experiences were outside of humanity, or morality, and it’s so— condescending.”

“You’re only realizing this now? All of the foxes are condescending. It is the only way they can avoid their own failure.”

“This was different,” Neil says, shaking his head. “I can tell when they’re saying things because they want to see my reaction, and this wasn’t that. He meant what he was saying.”

“And what was that?”

Neil goes gagged silent. He shifts backwards up to Andrew’s stair without looking at him, settling into the groove worn into the wood.

“That killing someone makes you a monster. That murder is the worst thing you can do to a person.”

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To those Americans who haven't heard, or don't understand:

I know tumblr is American centric, I know that when attacks happen across Europe they get commented on, reblogged, information flooding my dash as my friends reblog. But, once again, an attack here in the UK is seeing little notice. So please, don’t ignore this. This attack is one that has taken 22 lives. 59 people have been injured. Children have died. Children.

Don’t ignore this. Please.

The Manchester Arena isn’t the first, or last terrorist attack that the North West, that England has seen. We’ve lived through the IRA bombings from the 1970s to the 2000s and then 7/7 in London in 2005. The IRA Bombers were known as the 10 pence bombers because they would go to a phone box, pay 10 pence and inform police or media that there was a bomb.

At this present moment in time, we’re horrified and in shock from it all. We’ve had bombings in Warrington, in Manchester before (my family had a terrifying time when an IRA bomb detonated in the Arndale Centre and my great-aunt was working there that day) and it’s stuck with us. Our memory of the Arndale Bombing in the 1990s by the IRA is a memory the community has in the North West.

We know the fear, the horror, the mind-numbing terror.

But we also know the feeling of needing to do something, to help. Taxi drivers turning off their metres. Local shops and businesses taking in the displaced. Do-gooders and kind people who just want to help offering to ferry loved ones to and from the city so they can find their missing loved ones.

This is something we do here.

We don’t have the lingering concern of school shootings, or attacks by men or women who own too many guns and have too little stability.

But we know bombers. We know terrorism. Whether it’s made by our government, by policy, or by wars we shouldn’t be fighting. We know this.

I had a friend ask me “why Manchester?” when I told them about the attack. My initial answer was that it’s a big, important city. It’s a good target for bombers to hit. Like London. Like Liverpool. But the truth is… In the UK, we have lots of cities, lots of places that are good targets because we live on top of each other. Our lives intersect on so many levels and our cities reflect this. So it’s not so much “why Manchester?” but more “why now?”, “why a concert?”, “what is gained by this?”

When the IRA bombed Warrington in the North West in 1993, their intention was to sow terror and to put pressure on the British government to withdraw from Northern Ireland. We know that they wanted Ireland to be united. We’ve known that for years.

What does Islamic State want? What does Daesh want? To sow terror, certainly. But what else? What else does bombing an Arena full of young women—girls, mothers, daughters, sisters—gain them?

This is what is so horrid for us here in the North West. We’ve lived with the knowledge of bombings being possible for decades. It’s ingrained in our past. My mother, my aunts and uncles. My brothers. My family. We’ve lived it all. We live it now.

So don’t ask, “why Manchester?” we know why. We know why. Warrington. Arndale. The Manchester Arena. We know why it’s us in the North West.

Inexorable (1)

So I thought, why not combine that shit and make it a mini-series or something? I really hope you two anons enjoy it! No idea how many parts there will be. We shall see. Gif isn’t mine, cred goes to the owners! 1,560 Words

Pairing: Jeon Jungkook x Reader 

Genre: Fluff, a little crack, (Eventual) Smut, Mafia au!

Part 1 | Part 2

Everyone’s heard of blind dates – never of blind marriages, not even in the mafia world. Yet, here you were, walking down the aisle, your hand latched onto your father’s arm, towards a young man you had never seen before. 

You hadn’t even gotten the chance to speak to him, let alone this being the first time you actually got to see his face. There was so much rage bubbling inside you at the moment, but it was all hidden behind a small smile.

Combining two mafia organizations together was a huge deal; something bosses usually agreed on with the exchange of girls, but considering Red Python was one of the most powerful organizations in the country, they wouldn’t want just any girl. They wanted a suitable bride for the heir of said organization.

And your father, being the great, generous man he was, suggested you.

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The Smart Way

A long time ago, I worked at a big-box store, pulling boxes off trucks, stacking them on pallets, and sending the pallets out to the sales floor to stock. It was hot, tiring, and not particularly fun, but they paid me, so that was good enough.

I had a coworker that those of us in the warehouse liked to call Crackhead. Crackhead wasn’t really a bad guy, but his choice of vice was really beginning to affect those around him. Unfortunately, he had an industrious, git-‘er-done attitude, which management absolutely loved; if a supervisor told him to run head-first into a brick wall, he’d do it with a smile. Which, I suppose, isn’t all that bad either, at least as far as management is concerned. Except… “charging head-first into a brick wall” was his go-to strategy. If the boxes on the beat-up conveyor belt got stuck, his solution was to shove as hard as he could, slamming the boxes into each other until something broke or fell off and everything started moving again. Of all the breakage we experienced that wasn’t broken in transit, 90% of it was from Crackhead. We lost gallons of paint because he wanted to know what the bottom of the paint box looked like. We lost a case of shampoo because he opened it to see what it smelled like, and dropped it on the cement floor. We even lost our lunch hour once because he somehow broke the time-clock so we couldn’t clock in or out for lunch, and told management that everyone had “totally had taken lunch already” and “oh man, those guys are so lazy, they want two lunch breaks.”

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our little family pt.5 | park jimin

Originally posted by jinsthighs

Pairing: Father! Jimin + Reader

Genre: Fluff/Angst + parent au

Word Count: 3.2k

Summary: You were just a pre-school teacher, a simple dream that came true as you always adored children. But what you didn’t know, was how one child and her very special father would change you dream forever.

Parts: 1 2 3 4 5

AN: SO I though this was going to be the last part BUT it’s not, I’m so sorry but the next part definitely will and again I’m so sorry for the wait, things had been a little rough at school with exams and just life *ugh* but I hope you enjoy this!

“Hey, what’s wrong man?” Taehyung asked worriedly, as Jimin sat down in front of him, his head buried in his hands as he let out a long sigh.

It had been a couple days since he’d last seen you, and honestly it was destroying him. Every day he’d go to Jieun’s preschool, expecting to see you there, but you weren’t.

But in all honesty, even if you were, he didn’t know what he’d do. What would he say to you after what happened? Would he act like it never happened? Would he bring it up? Would you bring it up?

“I–” he started before grumbling, “I just don’t know what to do Taehyung-ah.”

Prying Jimin’s hands away from his face, Taehyung looked at the boy and teased, “It’d be easier for me to help if you told me what’s actually going on.”

Jimin gave him a look, before sighing again and spilling out everything that happened in the last 3 weeks. From the day he met you,m to the club incident and to last Friday, to where Jimin had messed up big time.

“So you were about to kiss her and then you just..didn’t?” Taehyung asked in disbelief, “Are you freaking crazy? Why?!

"I–” Jimin exasperated before taking a breath, “I couldn’t do that to her.”

He stirred the small spoon he held in his coffee cup as he continued, “I didn’t want to because she deserves someone much more than me. She doesn’t deserve to be held back with someone who’s a single father and–”

“Did she say that?” Taehyung interrupted softly making Jimin look up at him with widened eyes.

“Did she say she didn’t want to be with you? Because I think it’s up to her whether she thinks you’re deserving or not and in all honesty man? You’re hell of a good guy.” Taehyung finished, with a proud smile on his face.

“Just look at the way you raised Jieun. She’s one of the most beautiful kids I know and the sweetest too? Why? Because of you.” Taehyung said softly, making Jimin chuckle, “Even after Herim left you, you still stayed strong. Why wouldn’t she deserve you?”

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Yuri on Ice interview translation - Animage 2017/01 (p20-23)

I was going to post this last week but gave priority to the BD stuff. This will be the final interview from the booklet that came with January Animage! There’s still an interview with Kenji Miyamoto left untranslated, but it will be taken care of by @whiteboxgems​ whenever she has time! I’ll reblog it when it’s around.

This is actually 2 interviews, I’m posting them together because they were one after the other and (main reason) because the second one is very short.
A few notes below to better understand the interviews.

The first one is with Yuuichirou Hayashi, the one who created the ending (ED = ending by the way) footage. I have the feeling someone previously posted translations of the captions under the ED screenshots, but I don’t remember where and I’m pretty sure it was just the captions and not the interview parts, so here you have it complete. This one is pretty interesting because he explains in detail how they created the ED, and has some extra information on cut scenes etc. Definitely a must read in my opinion!

The second one is a short interview with Kayoko Ishikawa, the one who did the costume designs. Here you might think: didn’t Chacott design the costumes? I’ll explain. It’s more or less like with Mitsurou Kubo and Tadashi Hiramatsu: Kubo created the original designs for the characters, from scratch, and Hiramatsu transformed them into designs specifically created for animation, therefore with simpler lines, detailed expression sheets and so on. Likewise, Chacott did the original designs for the costumes, from scratch, based on the indications by Yamamoto and Kubo, and then the anime’s costume designer simplified and modified them so that they would be suitable to be animated. (Before actually animating them there’s a further step: the anime’s color designer is going to decide the exact colors, shadows and highlights included, that will be used inside the anime. I translated an interview with the color designer Izumi Hirose some time ago)

I usually don’t add pictures but this time I felt that it would be better to add them as an immediate reference. However, they are just for reference and are not meant to be visually stunning, so please bear with the quality because I just took photos of the magazine with my phone and quickly edited them.

Translation under the cut! (kind of image-heavy)

***If you wish to share this translation please do it by reblogging or posting a link to it***

***Re-translating into other languages is ok but please mention that this post is the source***

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No One’s Roasted Like Gaston.[Oneshot].

no one writes FANFICS LIKE EMILEE.

Originally posted by luuuuuke-evans

Title: No One’s Roasted Like Gaston.
Pairing: Implied!- Gaston x Reader.
Rating: T.
Words: 2,231.
Summary: Gaston thought he was undeniable to women and even some men. Has he finally found his match?


There was nothing particularly notable about the early mornings, at least, not anymore. The sky above was it usual mixture of pinks, purples and some lighter hues of blue as the sun rose and lit up the clouds, giving them a rather unique looking glow. There was a small wind, but not chilling, and brought in the lingering scent of meadows and trees. You got used to those aspects and they slowly became the norm. You began to not notice them at all, and remarked them as being every day life. If one wanted to really shake things up in a morning routine, they would count the cobblestones that made up each walkway in the village. But, that’s the thing. No one ever wanted to shake things up. They wanted things to stay the same for that is the way they had been living for as long as anyone could remember. With change came the unprecedented fear that something terrible would happen as a result.

It was the hustle and bustle of such a small village did leave one breathless and forgetful on occasion if you didn’t pay attention to where you were going and why you were going there in the first place. If one was aimlessly walking in the morning time while the sun peaked into the valley, one might be trampled by those selling goods and merchandise. Some too expensive, and some not expensive enough and left you wondering whether you had been scammed or if you had gotten a good deal.

Aimless and mindless were surely your vibe this beautiful morning. You had nowhere to be, nothing to do or see and so you actually took your time to walk through the village during one of the busiest times of day. There was a variant of smells, some of which you happened to thoroughly enjoy. Fresh bread, springtime air, a small caddy on the corner before the village square that was selling freshly picked roses. Contrary to the flowers smelling divine, the actual vibrancy of the colors caught your attention and dwindled you to stay and admire them for longer than you had intended . Vivid reds, pastel pinks, yellow whites. It looked as if these flowers belonged immortalized in a painting for the entire world to enjoy.

Smiling at the vendor who was a few feet to your right, you plucked a light, dusty pink rose out of one of the buckets full of water. It dripped down your fingers onto your wrist causing a small shudder to shoot down your arm. Miraculously, it looked as if a skilled painter had dipped their brush in the sky during dusk, mustered up enough color to splotch onto the petals of the flower. Some parts were darker than others, but all around, it was a very delicate and soft appearing flower.

“Beautiful.” You could hear someone behind you say. And without the need to turn around and see the speaker, you were already well aware of who it was. Probably looking at himself in the reflection of a window again, you snickered quietly. It was as if you could see the bright red uniform from your peripheral vision and it was already giving you a headache. Setting the flower back into the metallic bucket, you gave the vendor one more glance over and polite smile before drawing your attention to your left, with the unsuccessful hope of getting out of there without Gaston being connected at your hip.

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Bygones of the Sun | 02 (M)

Originally posted by hobismole

Genre: Angst/fluff/(future)smut || dance captain!hoseok, bad boy!au, uni!au

Pairing: Reader x Hoseok

Length: 5.0k

Summary: Jung Hoseok was once the sweetheart of the school, the dance captain whom every girl, including you, can’t help but fall head over heels for. But like the force of the ever-glowing sun, everything that rises must also set. A year of inactivity later and he’s now the school’s resident bad boy. You’re a firm believer of allowing the past be the past, and yet you can’t help but wonder where the risen sun has gone into hiding—because perhaps its shadows have out-shined its own radiance.

01 | 02 | 03

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Be A Good Girl - Smut

Originally posted by hothothotgg

Author: @dumbass-stilinski
Rating: NSFW 18+
Pairing: Stiles Stilinski/Reader
Words: 4,294
AN: PURE FILTH. I apologize in advance. Thanks to @writing-obrien and @celestial-writing for their input and Chloe for worrying that I was killing the poor reader here. Trust me, she can handle it lmao.


To say that Stiles was a bit of an exhibitionist was an understatement. He liked to fuck you wherever and whenever he wanted, and he got off on the fact that you could be caught at any moment. It had surprised you at first, the normally sarcastic and awkward boy hadn’t struck you as the type, but he was kinky as fuck, and good at what he did. He could leave you a writhing, panting mess with just his words, and his mouth and tongue were more than you could handle sometimes. His fingers were a godsend, and he knew how to get you off quicker than you could do it yourself. On top of his insatiable daddy kink, things with him were never boring.

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