'i hate musical'

6

Jackson for Never Ever and Q Stages on Music Core: 170325

#WelcomeBackJackson

*DC Show Writers trying to compare Karamel (who have only been together for like 5 seconds and who have only known each other for like a few months, who are constantly arguing and disrespecting each other, who are painfully awkward and just awful together) to WestAllen (who have known each other since they were kids, who constantly encourage and support each other)

me: “Get the boys, we’re going to war”

2

time to dance // panic! at the disco

8

That’s his story. You wanna hear mine? Hmm? FP was a mess. He was stealing from the company and selling stuff on the side. All things considered, I was pretty generous. [So generous you didn’t give him a second chance?] Of course I did! You have no idea how many times I bailed that man out of jail. Son … when someone is drowning, you can try to save them.

When you say a fandom is dead, it’s a bit of a blow to people who are still producing and enjoying work for that fandom. You’re basically saying what they’re doing doesn’t matter, doesn’t count, which might discourage them from continuing to participate.

If one person is creating content, the fandom isn’t dead.

If one person is consuming content, the fandom isn’t dead.

If two friends are chatting on skype about their OTPs, that’s fandom.

If someone doodles drawings of their favorite characters on a napkin, that’s fandom.

Just because someone is producing content for one fandom doesn’t mean they have to leave another.

Not every fandom can be the big, new, shiny and popular thing.

Not every fandom *should* be the big, new, shiny, and popular thing.

It’s okay to have small, tight-knit fandoms. They can be just as fulfilling and entertaining as the big ones.

Him. He’s the one I want by my side when celebrating good times, and he’s the one I want helping me through the hard times. He’s the only person I want to wake up snuggled next to, the only one that consumes my late night thoughts & my dreams. There’s no one else that makes my heart soar and my mind race and my hands tremble like you do. It’s you, and only you. There’s nothing else I can say, no other words that would be true. You’re the one, why can’t you see that?
—  the words I failed to say around you//

hello yes have i mentioned that i love Marius

IN “DEFENSE” OF JASON DEAN:

Before I start, I’m just going to say that the only characters who didn’t do something shitty in both musical or movie would be Betty Finn, Martha Dunnstock, and Dennis. That’s it. If you try to say anyone else didn’t do one shitty thing, yikes.

Alright. So, Jason Dean is a pretty shitty human being, I get it. But, quote from the author’s note in the Heathers musical script that, I personally think sums it up pretty well before I go into a rambling mess.

“Most villains don’t think they’re villains; they rationalize villainous behavior with “it’s what I had to do to fix my problem.” So it is with Heathers. You’ll get best results when your characters avoid excessive or gratuitous cruelty and negativity and instead play up solutions and hope…Dan Waters had an idea to tell a story about a school as cruel as the real world, and the kids who tried to change it.”

I won’t go into J.D.’s history too much because that’s been played out a million times. What all has he grown up with but Bud’s destructive behaviors, both in his occupation and presumably in his home life? Destruction is all J.D. knows, to an extent.

His main point was to make the world better, and though his execution was poorly picked, he MEANT WELL. “Make the world a decent place for people who are decent.” So, @people who seem stuck that he only did what he did for Veronica, no. The big plan was to stop assholes from being assholes by any means necessary and he overstepped it by a long shot.

To say that Jason Dean is completely a monster is to wash out every other aspect about him, just as to praise Heather Chandler (which, I’d like to point out is just was all the students who fake mourn her are doing) is to erase all the wrong she did.

One of the points of this story is to show that teenagers are humans and they make mistakes, and J.D. is no exception. I’m not saying what he did was right, because it was NOT, but the meaning behind it was GOOD. You have to take in every aspect of him as a character to understand him, to do otherwise is to disrespect the story, the writers, etc.

The murders: Make the world better for better people. Good idea, bad way of going about it.

Going to kill Veronica: Concerned about her fessing up, hope to get her back. Super duper Shitty.

Trying to blow up the school: VERY EXTRA INTENSE SHITTY. He’s incredibly unstable at this point.

Blowing himself up: Kind of redemption, he’s stepping back and realizing that, y’know. This didn’t work and he trusts Veronica to fix things her way.

To defend Heather Chandler, Kurt Kelly, or Ram Sweeney by pulling the “they were only seventeen” card, you have to do the same for Jason Dean.

** THIS GOES FOR BOTH MOVIE AND MUSICAL JASON DEAN LMAO STEP OFF ME WITH THIS ‘MUSICAL JD IS A BETTER PERSON’ NONSENSE.