You know, I was gonna ask how you feeling about your upcoming election but I think I know what the answer is
I’m getting wasted with my parents all day until we get the results for the 1st round tonight. We had 3 bottles of wine and my Dad wanted to open my vodka. My Mom said no, took the bottle off his hands and poured herself a shot. She hasn’t touched it, said she kept it for “the right moment”. My 26 years old brother called, apparently he is also drunk and wanted to know my Mom’s paella recipe so he could “eat out his worry”. That recipe is for 6 people and there’s only one of him (and his gf). It’s chaos. Also the neighbor’s dog is there for some reason and NCIS is playing in the background
hello gin!!! your newest update for 'price of a soul' is amazing! can i ask you to talk about all this symbolism in the comic (and also why do you love to hurt us so much with it)
THIS QUESTION MAKES ME SO HAPPY I’M SCREAMING THANK YOU FOR YOUR INTEREST ANON (actually thank you everyone for your kind asks about TPOAS… THEY ARE THE FIRE IN MY VEINS THANK YOU)
I think the most important thing I wanted to work on this comic is how it is told from Tamashi’s eyes. That’s how I decided to build the characters through the story, for example, what Tamashi sees most is Allen’s face, honest, straightforward, kind, sweet, smiling, always open and welcoming:
Whereas he doesn’t see Kanda’s face, Kanda is always turned to him. And when he does, it’s from an low angle:
I had fun thinking it would be important that we, as Tamashi, know of Kanda what he does: Kanda is the father he doesn’t know anything of. Intimidating, scary, tall, unreachable, always with his back turned on him. (With his back turned to him, but I guess you wouldn’t offer your back to an enemy). I aim to, gradually, expose Kanda’s features as Tamashi grows confident, making him look more human and less of a jerk than what he does now (๑•̀ㅂ•́)و✧
Also have you noticed how everyone bends forward to talk to Tamashi? Or squats down to be at his level? So Tamashi can stare directly at them. It’s a very simple gesture but it’s one that says I’m reducing my world to your perspective because you are as important, which Kanda never does.
The first time I read DGM i had to go through the Alma arc three times to made sure I fully understood Kanda (I keep thinking there are hints of his personality I keep missing, as I do with Allen… DGM is such an amazing artwork) so when I thought of him for this story I wanted to be very careful building the conceptualism around a character that has never forgiven himself and doesn’t want redemption. Can you imagine, you spend your life trying to fulfill a promise of love and then you find out -because you slipped once, only once, you are as human as the rest even if it might not seem so-, that you have a kid you never intended on having, even less with someone you’ll never love maybe not even remember, who kinda looks like Alma when they were kids, who is called Tamashi, who, surprise, is there to bite him in his ass. Tamashi is the perspective of a future Kanda never allowed himself to have and now he’s forced to deal with it (ﾉ≧∀≦)ﾉ Good thing Allen is here to be the bridge between present Kanda and past Kanda, Allen you angel (//▽//)ゞ So, basically, what we see of Kanda is an unforgiving Kanda, intimidating, pretending to not mind when he so clearly does (in the last update with Tamashi sleeping outside of Kanda’s room he spends there looking at the boy how long? Five minutes? Ten? He didn’t awoke Tamashi either, just lets him be. He’s trying to make his way out of this without a fuss but OH YOU WON’T BE SO LUCKY KANDA The denial Is Strong).
Oh! Also I was very careful with colors and including some… … … … little details (୨୧ ❛ᴗ❛)✧
Both panels with the flowers are very important…! they are different types of flowers in different palettes… Allen’s one are somewhat fresh and rainy, so springy, whereas Kanda’s seem to be floating on an abandoned place… Pretty, but isolated (•̀௰•́ ) This is funny because oH WELL SPOILER I GUESS / CRASHES THROUGH THE WINDOW AND FLIES INTO THE SUN