& his children

7

have gotten a few asks about my design for penelope, which I’ve been tweaking for a few months, so here’s the first few sketches I’ve liked enough to share! since she’s helen/cly’s cousin, I wanted there to be some resemblance, while still looking distinct (the second image was a little comparison for myself). also a few atreus house sketches and a helen. specifics in captions as always!

10

Someone in the notes of the last Leyendecker post I reblogged mentioned having difficulty telling his work and Rockwell’s apart, and I know from experience that many people get them confused, which is somewhat astonishing as, to my eyes, their styles are very distinct. Leyendecker was Rockwell’s idol and mentor, but they were very different people and were interested in portraying different aspects of humanity, even when the basic subject matter was the same.

Surface-level, here are some differences:

  • Leyendecker smoothed out faults and imperfections (in the young. he stylized them in the old); Rockwell exaggerated them to mild or moderate caricature
  • Leyendecker approached his paintings as sculpture- even the merest clothing folds are carved out of the paint; Rockwell approached his paintings as drawings- the underlying contour always shines through.
  • Leyendecker used broad hatching brushstrokes and areas of smooth shine; Rockwell used more naturalistic texture and lighting
  • Leyendecker created idolized, larger-than-life figures that feel Hellenistic in their perfection; Rockwell created intimate scenes populated by figures that feel familiar in their specificity
  • Leyendecker’s best and most comfortable work was as a fashion/lifestyle illustrator; Rockwell’s best and most comfortable work was as an editorial/humor illustrator 
  • Leyendecker created beautiful still lives with his figures; Rockwell told compelling stories
  • Leyendecker often created erotic tension in his paintings; Rockwell almost never did.

See below: Two paintings of soldiers with women, but in Rockwell’s there is a clear punchline, and while the poses are contrived for the sake of composition, they’re not self-conscious. The women are pretty- as demanded by the central joke- but not truly sexualized anywhere but in the mind of the young soldier who is being overloaded with cake and attention. 

Contrast Leyendecker’s soldiers with a young nurse. Everyone in this image is posing attractively- no one has their mouth full or ears sticking out. Each crease and fold is sharp and sculptural, and the light picks out their best features- in particular the shoulders and posterior of the soldier facing away from the viewer. There is neither joke nor story, merely a group of beautiful young people, portrayed with deft brushwork and graceful lines. (and check out that hatching! That’s indicator #1 that you’ve got a Leyendecker image)

Leyendecker was very comfortable with “hot young things wearing clothes”, and did them very VERY well, but his facility with idealization came at the cost of personalization, which was fine for fashion illustration, but shows in his domestic scenes: 

Beautiful, but… cold. (Also, that hand on the left- who holds a baby with their hand like that??? Good lord, J.C.) Compare a Rockwell illustration (for a baby food brand, I believe) of a mother and baby: this is clearly a real and individual young mother and baby, interacting exactly how parents and babies really interact.

Even when they did basically the same content, and putting aside posing or composition or anything other than objective visual analysis, it’s still obvious who is who:

  • Red: NR’s smoother rendering vs JCL’s super cool hatching
  • Green: NR’s naturalistic cloth folds vs JCL’s sculptural stylization
  • Blue: NR’s natural lighting vs JCL’s world where everything is shiny

Now go forth, confident in the knowledge that you’ll never confuse a Rockwell or a Leyendecker ever again, and can refute any claim that their styles are ‘virtually identical’. 

Happy birthday space dad !
Team voltron gave him his presents on the 28th this year !

(Bonus when you won’t stop joking about your big bro being 6 yo )

7

I’ve got sunshine on a cloudy day… When it’s cold outside, I got the– OH MY GOD JAGGED FLAMING ROCKS ARE FALLING FROM THE SKY CORAN WE NEED TO SEEK SHELTER IMMEDIATELY

“mothman is bullshit”

fuck him up, bobert

[[available as a sticker and other stuff hither]]

8

MY COMMMISSION DRAWN BY @jakei95 ♥♥♥

Go on commission her guys~! I think she still got some slots there! *7* I mean JUST LOOK AT HOW ADORABLY BEAUTIFUL THESE XTALE KIDDOS ARE ऀืົཽ≀ ͔ ͕̮ ऀืົཽ✧

Art & Xtale by @jakei95
Palette Roller by @angexci
Goth by me

  • Gwen: David, you can't just adopt EVERY child with a terrible home life.
  • David with Harrison tucked under one arm, Max tucked under another, Dolph on his shoulders and Nikki clinging to one leg: My children now.