Important to note: Krillin was advised to stay out of things and try to, if possible, avoid conflict to be the last one standing. They all more or less were.

That’s honestly impressive given his condition. That he not only overcame being shook like this but also refused to just sit idly by and hide is a testament to how far he’s come mentally. 

Jay-Z, photographed in the legendary Beat Street Records during the shooting of his “99 Problems” music video, by director Mark Romanek in March 2004. Hov had a long history with the store, with it being one of the first places to carry his early singles.

Hov wanted the “99 Problems” video to be as auto-biographical as the rest of The Black Album, helping to paint the portrait of where and how he grew up. In a conversation with Romanek he told him he wanted the video to “make a pissy wall look like art.” The task was originally intended to be undertaken by Quentin Tarantino, however during the planning stages Rick Rubin suggested that Hov offer the job to Romanek.

Due to the research and influence of Romanek and cinematographer Joaquin Baca Asay the video borrows visual characteristics from many New York street photographers, including Martin Dixon and Eugene Richards. The video was shot entirely on black-and-white film. Utilizing broken clips of footage captured in Brooklyn’s Marcy housing project, Hov and Romanek created an effective portrait of urban life. Somewhere between the almost photographic imagery and the rapid montage of cinematic movement, Romanek manages to convey Jay’s development and monumentalize his Marcy roots as well as the nature of the projects themselves.

 The video’s final scene, which depicts Jay being sprayed with bullets, was inspired by the ending of the classic 1967 film Bonnie and Clyde. “I’ve always wanted to do a ‘Bonnie and Clyde’-type of scene for a music video, but no one had the guts to let me do it until Jay-Z came along,” Romanek revealed to MTV News. “Jay was a little unsure about it at first, because that sort of imagery has a lot of real-life baggage attached to it in the rap world, but I explained to Jay that it was meant to be more abstract, that it wasn’t meant to be taken literally. He finally decided to trust me and I think he really liked the way it came out.” Hov added: “As far as me getting shot, I just looked at it the same way I would watch Denzel [Washington] in 'Training Day,’ or seeing any other actor, you know? I was just acting out a part. I was trying to show Hollywood I got some chops, too. Maybe I’ll get a little job.”

MTV refused to air the clip before 6 p.m. and asked ask Romanek to edit about ten scenes in the video, but Jay agreed to only blur certain images: "We’re not interested in what MTV likes or doesn’t like. If you make something good enough, MTV will want to show it.” Hov has jokingly said he felt like Madonna at the time, relating to the controversies that surrounded many of her music videos.

In a later interview Romanek would sing the praises of the rapper: “Jay is a gentleman—cool, hardworking, and really funny. This was a longer shoot than he was used to and he sometimes complained (in a totally light-hearted way) that I was forcing him walk all over Brooklyn. But, I think he knew we were making something a little special and that since it was his last video, he was willing to put in the extra work. I think he has similar perfectionist tendencies so, he understood my process and the focus I put on trying to get that extra effort out of him and everyone on the crew.”

  • (Jack and Bitty fighting in the kitchen about a recipe)
  • Chowder: Okay, we have got to explain this thing to Jack to save their relationship.
  • Nursey: It's not about the recipe. They haven't seen each other in weeks. They just need to bone.
  • Chowder: WHAT? GROSS! Nursey, those are our DADS! I mean...[chuckles] That's not what I think. Captain Dad was just my Captain.
  • Nursey: Wow.
  • Chowder: Never mind, I'm teaching Father the recipe!

Trunks: So where’s your happy place?

Vegeta: I’m in a ship in the middle of space. It’s just me and that stupid third class clown and I’m beating the hell out of him. I break a dining room table over his head. Then I rip off his arm and shove it where the sun don’t shine. Then I reach down his throat and shake his hand.

Bulma: Yeah, okay I’m gonna go ahead and schedule you for a psych eval.

  • Jack: Do you want to know how I actually hurt my wrist?
  • Shitty: Yes.
  • Jack: I was hula hooping. Bitty and I attend a class for fitness and for fun.
  • Shitty: Oh, my God!
  • Jack: I've mastered all the moves. The pizza toss, the tornado, the scorpion, the oopsie-doodle.
  • Shitty: Why are you telling me this?
  • Jack: Because no one in the Haus will believe you.
  • Shitty: You sick son of a bitch!!