This isn’t a request but I just feel like Clark Kent (the reporter) would look really good in your style
Almost Clark Kent. I’ll have to try again sometime haha
Hmm...
Another one

@screwitanddoitanyway / screwitanddoitanyway.tumblr.com
This isn’t a request but I just feel like Clark Kent (the reporter) would look really good in your style
Almost Clark Kent. I’ll have to try again sometime haha
Hmm...
Another one
i’m going to start saying “sorry i was stimming” in an indiana jones voice forever now
our discord unanimously agreed that ratatouille is a mecha and I cried laughing after making this joke
trans_irl
The DREAM
I distinctly remember the first time my dad called me my right name. I was sixteen, I’d gotten my driver’s license not too long ago, and now that I was driving, my dad gave me a credit card so I could get gas, or food if I was staying late at school due to marching band. He was very clear, this card was for food and gas only. Only gas and food. Just those two categories of product. He would be checking the bill. I had no desire to buy anything else with this card.
However. Often when getting food after marching practice, or on our scant breaks, I’d drive my friends to burger king or little ceasers or starbucks or whatever, and sometimes not all of my friends could afford the food they wanted. And well…food is food. I have a big appetite, and as long as I didn’t go crazy overboard and order catering for the whole band, a few extra burgers and shakes wouldn’t stand out on a monthly bill. So I bought my friends food.
I did this for several months, and sometime during that came out to my parents. They both thought it was a phase, and that I would grow out of it. Since they’re not terrible people their approach to me having ‘a boy phase’ was to let me do my thing and wait for me to change my mind. I didn’t change my mind, and eventually they understood that, but that’s a whole other post. The point is my dad didn’t discourage me from transitioning, but avoided talking about it with me. He stopped calling me his daughter, but replaced it with child rather than son, that kind of thing.
But back to the credit card. Eventually I started feeling guilty. TECHNICALLY I was obeying the rule ‘food and gas only’, but I knew I was bending it. I nervously admitted to him one day that sometimes…on occasion…once in a while… I’d buy a friend food. I waited solemnly for his judgement. He walked over to me, put his hands on my shoulders, looked into my eyes sternly and said,
“Zackary, we are Italian. If you let your friends go hungry….” (and here he decided to shake me just for a little emphasis) “I will disown you.”
And that’s when I knew he’d come around. Trans? Fine okay sure, give it a shot. Stingy? Get the fuck out.
Bex divorces Rupert and takes West Ham. Rebecca takes her under her wing and they girlboss it having boozy brunches with Keeley. All the wives of the horrible owners of the other clubs follow suit. Divorce settlements eat man. Women inherit the Premier League.
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron
This was such a formative movie
This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.
To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.
This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.
Okay, I’m not done feeling about this.
If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.
Patrick Swayze was fucking beefcake.
And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.
And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.
When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.
Then she puts her hair up, and her face lights up.
“Ready or not,” she says. “Here comes Mama.”
And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:
And you can FEEL her pride.
All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.
the fact that some of you history-ignorant children in the notes are trying to shit on groundbreaking historical queer cinema because it doesn’t meet 2021 standards is infuriating. sit down, shut the fuck up, and listen to the elders in the room for fucking once
This. If you have never lived in a world where queerness was universally pathologized and criminalized to the point that even IMAGINING a world where it wasn’t constituted a radical and potentially dangerous act, you don’t have any business judging those of us who have for how we survived it and how we found (or still find) comfort in the few imperfect representations we got.
You don’t have to like it. You probably aren’t capable of “getting” it. And to be honest, I don’t want you to! I am glad that young queer people will never know exactly what it was like “back then.” But what you also will not do is refuse to learn your own history and then shit on everything that came before you, because like it or not what came before you is the reason you will never have to get what it was like back then.
On Wesley Snipes’s role Noxeema and John Leguizamo as Chi-Chi Rodriguez.
“I grew up in the ‘70s and even within the street culture, there was a lot of flamboyancy,” Snipes told TODAY of his perception of drag before filming. “Pimps wore the same furs as theprostitutes wore.
“Some of the great musicians of the world, like Parliament-Funkadelic, were very androgynous. So it wasn’t really new for me to see men dressed as women or men dressed as drag queens.”
Snipes attended the famed LaGuardia High School of Performing Arts and then State University of New York at Purchase. He wasn’t a dance major, but most of his friends were. “That exposed me to the world of glam, vogue, drag, transgender and gay people, LGBTQ… but it wasn’t in fashion those days. But it existed and I was around it.”
Not only did “Priscilla, Queen of the Desert” pave the way for “To Wong Foo,” so did films like the 1968 documentary “The Queen” and “Paris Is Burning,” the 1990 doc that chronicled ball culture of New York and the various Black and queer communities involved in it.
Even though he was known for his action roles, Snipes’ portrayal of Noxeema wasn’t the first time he played a drag queen. In 1986, he made his Broadway debut in the play “Execution of Justice,” playing Sister Boom Boom, a real-life AIDS activist and drag nun who acted as the show’s voice of conscience. Snipes pointed out, “Sister Boom Boom did not have Noxeema’s makeup kit.”
On whether he got any pushback for stepping into Noxeema’s pumps, he said, “Not so much professionally but the streets weren’t feeling it, and there were certain community circles. The martial arts community… they were not feeling it at all.”
“In fact, when the movie came out and they would come down the street, I would see them in Brooklyn sometimes, they started listing all my movies. I noticed they would always skip that one. I would correct them, ‘Now you don’t got the full count!’”
Lesser-known than his co-stars at the time, Lequizamo didn’t really anticipate becoming a transgender icon, but he did know that they were working on something special when they started filming.
“Drag didn’t really exist in movies,” Lequizamo, who was nominated for a Golden Globe for his portrayal, told TODAY. “There were straight men pretending to be women to get out of trouble or into trouble but this was not that. I was trying to make Chi-Chi a real life trans character and Patty and Wesley were trying to be real drag queens.” Never fully articulated in the film, Chi-Chi Rodriguez has always been perceived as transgender, something that ending up making an indelible mark on LGBTQ people in the late ‘90s as trans representation in media was limited.
“Chi-Chi was a trans icon, but she also showed us that gay men and trans women can both perform and work in drag side by side, and that those relationships are symbiotic,” Cayne explained.
“It was a powerful thing. I get lots of fan mail from LGBTQ teens telling me how my character helped them come out to their parents,” Leguizamo said. “They didn’t feel like they were seen, so that was a beautiful gift from the movie.”
Lequizamo also articulates that if “To Wong Foo” were cast today, a trans actor should be cast in his role. (And that just may happen, since Beane is developing a musical for Broadway.) “Anybody can play anything, but the playing field is not fair that way,” he said. “Not everybody is allowed to play everything. So until we get to that place, it is important for trans actors to get a chance to act which they don’t. In the project I’m doing, I’m making sure that the person playing trans is a trans person so we can make it legit, make it real. That just needs to be done right now.”
a monumental film in the library of queer history.
it was formative for modern society, too.
there are a lot of action fans out there who learned from their idols that respect doesn’t cost a damn thing to give. i know plenty of people who aren’t queer saw trans women and drag queens presented as people to them for the first time in wong fu. suddenly, strange and foreign queer identities that had only been presented to them as jokes if they’d even heard of them, seemed a little more relatable, and very human.
we’re all just people.
snipes, swayze, and leguizamo were willing to play people a lot of their fans didn’t respect yet or didn’t even know how to respect and demand they figure it the fuck out.
This is a HUGE reblog but I watched this as a little girl on cable TV and I’m so glad I did. GO WATCH THIS AS SOON AS YOU CAN
Just a note: I just checked Amazon because as far as I knew it’s $3.99 to rent everywhere but on Amazon you can rent it for only 99 cents! It’s more than worth it. Miss Vida Boheme is probably my favorite Patrick Swayze character ever, which is saying a lot considering the points mentioned above about him being the guy from Dirty Dancing and Roadhouse.
I haven't watched the episode yet but from seeing all the comments online about storylines not having proper conclusions
We are TOTALLY getting a xmas/new years special
I'd bet my Roy Kent shirt on it
I'm sorry I'm still not over the fact that Phoebe made up a holiday and then called up Jamie Tartt somehow and was like you need to come to uncles day and also bring a gift
And upon hearing thus request Jamie just went sound innit and then not only rocked up but with a heartfelt gift to boot
Like phoebe you are so powerful I love you
Also Jamie is whipped
no such thing as wasting your 20s your 20s are for recovering from whatever the fuck happened to you as a kid so that youre ready to get weird with it in your 30s
ken getting arrested alongside barbie after she punches the guy who smacks her ass presents so many possibilities
They all fucked after this
Rogue, fighter, barbarian
The 118 + revisiting their old traumas in the season six finale
when the barbie movie drops, there should be a trend like the one where everyone wore suits to watch rise of gru. but instead of suits, everyone watching barbie should be dressed up as what they would look like as a barbie doll.