Until the horror goes.

@scp372 / scp372.tumblr.com

SENDING MY [LOVE] FROM THE [OTHER] SIDE OF THE [APOCALYPSE]
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qquell

“there is no moral. the wolf eats you one day and until it does, the forest is beautiful.”

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gaphic

‘A good tragedy is always both preventable and inevitable’ is one of my main hills to die on. It’s literally so important to me. I’m fucking correct

It’s only tragedy if you convince yourself, for even just a moment, that everything could be ok, despite knowing it won’t be. Tragedy lies in ‘so close, yet so far.’ It’s avoidable because it would only take a tiny alteration to prevent disaster, but human nature is in the way- not maliciously, not knowingly, despite trying so hard.

If it’s just preventable, that’s barely even sad. Why didn’t they prevent it, then? If it’s just inevitable, that’s only marginally better. Why would we weep? Our hopes can’t be dashed on the rocks, we can’t hope.

Every tragedy worth the paper it’s written on could be averted by a single word, a single choice, a single hesitation, but won’t be, because the subjects are only human. Not because they were weak, stupid, or evil- simply human. Their simple humanity makes disaster inevitable.

And in my opinion, the very best tragedy, the very most heartwrenching, comes from the hero making the right decision every time- from their perspective.

It’s when you know you would have done the exact same thing in their shoes, and only because of your perspective as the reader are you able to see what it will cost. That’s what really rocks my socks

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scourgadow

this is some Dave Behaviour. he really would miss Amy so so bad when shes literally only not in the building. and he would look so sad wet and pathetic about it that other people would assume she fucking died.

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Further Americanisms that tell you to check on your American:

been better = in hell

doin’ alright = sad, needs hug

pretty great! = genuine actual baseline. Anything else ranks beneath this. Be Aware.

I’m here, ain’t I? = Defcon 5

Because someone asked, indications that an American is actually Having A Good Day include:

  • Awesome
  • Fantastic
  • Damn Good Day
  • Great Day to Be Alive
  • Dude You’re Never Gonna Believe This
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runcibility

"Livin' the Dream!" - actively daydreaming about swandiving into a woodchipper

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Reread John Dies At The End this weekend, and there’s this one bit that I think really encapsulates the whole vibe of the series. 

In the scene in Las Vegas, when they’re running from the teleporting wig monsters and the group has barricaded themselves behind a door while trying to work out a plan with Marconi, John offhandedly asks why the monsters are bothering to try and brute-force the door when they can just teleport instead. After he says this, the monsters outside stop pounding on the door and are heard murmuring amongst themselves, and the gag is that the monsters themselves didn’t even think to try that until they overheard John. This is actually a fairly boilerplate gag. I’ve seen gags along this line- the heroes accidentally reminding the monsters they’ve got an easy way in- multiple times.

Then one of the monsters immediately teleports in and kills Big Jim.

That’s not an incidental death. Over the course of the novel, Big Jim is revealed to have been one of the first people to figure out the full extent of what’s going on with Korrok’s invasion, he’s revealed to have stunning levels of insight into, and practical experience using the Soy Sauce, and his sister Amy- the last surviving member of the family following his death- is left vulnerable to exploitation by Korrok’s forces at least in part due to his absence, which forms the whole back-half of the novel. Even outside of plot relevance he’s a pretty fleshed-out figure in terms of how he relates to the community of Undisclosed and in John and Dave’s lives specifically. And now he’s dead. The one-off Scooby-doo style whacky-chase scene gag gives way to a genuinely colossal fuck-up on John’s part, a fuck-up with far-reaching implications that get brushed over in the heat of the moment because of the, you know, the incipient hell-fountain. But the innocuous gag mattered! John was careless and it bit him in the ass immediately. And all of the books are threaded through with examples of stock gags that abruptly mutate into something serious, or with heat-of-the-moment, easy-to-overlook fuckups by the protagonists that ripple forward and make the situation even harder to handle. This is such a good series

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jkr actively funds and lobbies for her hate groups and against my country's independence movement with the money she gets from dumb fucks who don't think their dollars count. if you're going to be a moral jellyfish at least simp for a dead bigot.

americans love to treat her like an abstract concept just because she's not paying taxes in their country. last year I had to tell my manager I refused to work on a major account for our healthcare charity bc it was laundering her shitty money. can you put down the racist YA for thirty seconds in solidarity

Meanwhile, fanfic writers are taking JKR's creation and turning it into what she hates. Gender-bent Harriet Potter, gay Harry Potter, Dark Harry Potter (in either sense of the word)... you name it, there's at least one fic to affront every bigot out there, including TERF-type bigots.

cool can you explain to me in small words how this helps my situation as a trans person who lives in Scotland, has to deal with her inescapable celebrity, and bears the brunt of her loathing