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Roleplayer and Lover of Musicals/Movies

@scoobycool9

GHD Musical Fanatic and Scooby Doo Obsessed
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Hey, PSA:

On your phone, go to Settings> Security and Privacy> Privacy> Other Privacy Settings> Ads> Delete Advertising ID

Then go back to Other Privacy Settings> Google location history> Turn off Location History &/or Turn-on Auto-Delete (you can set a time period of how long to keep it)

Then, staying on Other Privacy Settings, go to '+ See all activity controls'> Web & App activity> Turn off (you can also turn-on Auto-Delete for here too)

Then Scroll down to Personalized ads> My Ad Center> Turn Off Personalized Ads.

Google has no business knowing/storing everything you do online, and knowing/storing where you go everyday. Turn it off.

These instructions are for an Android phone, IOS might be different. If you have IOS or another operating system feel free to add on with your own map to where they've buried these settings in your phone to help others.

The fact that there’s an actually functional website for the library of Babel is one of those things that fucks me up more and more the more I think about the implications.

So, if anyone hasn’t encountered the concept of the library of Babel, the idea comes from a story of the same name by Jorge Luis Borges, which is set inside a seemingly infinite library which contains every possible combination of letters, periods, commas and spaces that fits within 410 pages.

So like… It isn’t THAT out there that someone was able to make a digital version of it. Making an algorithm that randomly generates every possible combination of those 29 characters within that space and making a website that lets you explore those combinations are things that are pretty squarely within the scope of things you’d expect someone to be able to make a computer do.

But it begins to get pretty out there when you start thinking about all the things that are technically contained there (and that someone randomly browsing it could THEORETICALLY stumble upon) just by virtue of being one of those possible combinations of letters, spaces, commas, and periods.

Somewhere in that website there IS a book that specifically mentions me by full name before giving an accurate, excruciatingly detailed, 410-page long physical description of me. There’ also many more books that SEEM to be that but are actually factually inaccurate. There’s also versions of all of those containing every possible combination of every possible typo, spelling mistake, and grammatical error.

Somewhere in that website there IS a book that’s a perfectly accurate prediction of how and when I will die narrated in third person over the course of 410 pages. There’s also a book that contains the exact same events narrated in first person. Not only for me, but for every person in the world. There are many more that claim to be that but are actually inaccurate.

Somewhere in that website there IS a book that’s completely blank except for the world’s funniest dick joke written right at the end of the very last page.

But chances are no one browsing that website is EVER going to see any of that because for every book we would consider useful, interesting, or even intelligible there are millions upon millions upon millions more that are just completely full of gibberish from cover to cover.

Every single thing I will ever write (barring punctuation marks that arent periods or commas and the letter ñ) is already contained somewhere on that website.

I have a volume from the Library of Babel! it’s one of my most treasured books.

on the second to last page, about halfway down it reads “OH TIME THY PYRAMIDS” a singular grain of order in the sea of chaos.

The library of babel contains every book to ever exist and moreover it contains all information that can be encoded in a finite string of characters from its alphabet.

I cannot overstate how much I love the Library of Babel. it’s wonderful, it is my heart and soul.

at last we created the perplexing nexus, from the novel “wouldnt it be weird if there was a perplexing nexus?”

If you see this you’re legally obligated to reblog and tag with the book you’re currently reading

No Excuse to Lose, by Dennis Conner and John Rousmaniere.

Oh that’s a loaded question. I’m technically reading…..

Two By Two by Nicholas Sparks ( Untouched for over a year and half or so)

Dune by Frank Herbton ( Untouched for about a year)

The Plot by Jean Korelitz ( Untouched for about four months)

Daphne and Velma Buried Secrets by Morgan Bardeen ( Last opened last Monday)

Against the Tide by J. Elle ( Last opened last Sunday or two weeks ago, I can’t remember which)

The Spear Cuts Through The Water by Simon Jimenez ( Starting for book club this Wednesday)

I did just finish Summer Sons by Lee Mandelo just yesterday though

150 Angst/Horror Prompts

  1. “The screams all sound the same…”
  2. “You’re gone… I watched you disappear…”
  3. “We all watched it happened, and time stood still.”
  4. “It feels as if time hasn’t passed”
  5. “I feel stuck. And everyone is moving without me.”
  6. “They keep staring at me.”
  7. “What if I never get better?”
  8. “Why wont they wake up?”
  9. “You said they’d come home. Where are they?”
  10. “I used to think I didn’t deserve love. Now I know that it’s true.”
  11. “We found you crying. What happened?”
  12. “Who hurt you?”
  13. “You’re scared…. and broken…”
  14. “I don’t deserve this. I don’t deserve you.”
  15. “What did I do wrong?”
  16. “It’s so cold…”
  17. “Am I going to die?”
  18. “Please answer me.”
  19. “Nothing ever goes right!”
  20. “Why do you have to ruin everything?!”
  21. “Why do you hate me so much?”
  22. “Things will be better this way.”
  23. “I swear to god if you jump-”
  24. “I trusted you.”
  25. “I never thought this would happen.”
  26. “This is all my fault.”
  27. “You’re the worst mistake I’ve ever made!”
  28. “Are you even listening?”
  29. “Why are you always so sad?”
  30. “Why have you been hiding this from us?”
  31. “… Where did all of these scars come from?”
  32. “Were you drinking again?”
  33. “I gave you everything and this is how you repay me?”
  34. “Did I ever even matter to you?”
  35. “Would they even notice if I vanished?”
  36. “What if I end up being forgotten?”
  37. “I don’t know what I’d do without them.”
  38. “I don’t think I can make it.”
  39. “Why are you being so nice to me?!”
  40. “You’re supposed to be yelling at me! And… and hitting me! Why aren’t you doing that?!”
  41. “Please don’t look at me…”
  42. “I never want to see your face again.”
  43. “You’re dead to me.”
  44. “I wish I never met you.”
  45. “Why do you look at me like that?”
  46. “I found those medical papers in your room… Why didn’t you tell me?”
  47. “Are you going to be okay?”
  48. “Stop lying to me!”
  49. “Please, just breathe.”
  50. “Where did you go?”
  51. “I thought you died.”
  52. “Why are you doing this to yourself?”
  53. “I just wanted to help…”
  54. “It hurts so much.”
  55. “Why can’t I stop thinking about you?”
  56. “I can’t feel anything anymore.”
  57. “It never mattered anyway.”
  58. “I’ll just be forgotten.”
  59. “There’s too much going on!”
  60. “I can’t think like this.”
  61. “You will never be good enough.”
  62. “It’s okay. They’re gone now.”
  63. “Why did they have to be so cruel?”
  64. “I hate you!”
  65. “I didn’t mean it… Please forgive me.”
  66. “Get out of my head.”
  67. “Put the pills down.”
  68. “I can’t hear you.”
  69. “My eyes hurt… why can’t I see?”
  70. “Bad dream?”
  71. “My throat feels tight.”
  72. “I-I can’t breathe!”
  73. “Please help me!”
  74. “I think I broke my leg-!”
  75. “Quiet- I can hear it.”
  76. “I want to cut your hand off so I can hold it forever.”
  77. “Nothing could go wrong!”
  78. “Where am I?”
  79. “What did you do to them?!”
  80. “Where are they?”
  81. “Will they be okay?”
  82. “Don’t turn around. It’s behind us.”
  83. “Breathe slowly, show no signs of fear.”
  84. “I think it’s touching me.”
  85. “Hey, who turned out the lights?”
  86. “There’s something in the kitchen.”
  87. “Did you hear that?”
  88. “Please tell me it’s just you down there.”
  89. “If this is a joke it isn’t funny!”
  90. “Where are you? I’m scared.”
  91. “My light wont work.”
  92. “This is all your fault!”
  93. “Wake up!”
  94. “Why aren’t they breathing?”
  95. “Please tell me this is fake.”
  96. “Just shut the hell up.”
  97. “You’re the reason why I’m like this.”
  98. “I thought you loved me.”
  99. “If this is what you think is best…”
  100. “Am I just a toy to you?”
  101. “Nothing ever mattered to me.”
  102. “I am damaged.”
  103. “The weakest must go…”
  104. “I can hear it calling my name.”
  105. “I feel so sick.”
  106. “I’m tired of living in a life where I’ll never be happy.”
  107. “All I can think of are those rainy days.”
  108. “Why can’t things just be the way they always have been?”
  109. “Do you not care anymore?”
  110. “I would rather die.”
  111. “I’m tired of getting wounds that will never heal.”
  112. “Why am I always so tired?”
  113. “Is this what sadness does to people?”
  114. “You mean to say that you’ve never been touched?”
  115. “Please don’t touch me.”
  116. “It feels gross.”
  117. “It burns.”
  118. “Stop! Turn it off!”
  119. “Why are you doing this?!”
  120. “Why can’t I make you happy?”
  121. “I don’t need you anymore.”
  122. “You were never useful to me.”
  123. “Why are you still here?”
  124. “You have a lot of nerve showing up here.”
  125. “Please don’t shoot!”
  126. “When they died, I feel as if I died with them.”
  127. “Life isn’t worth living without you.”
  128. “I need you. Why do you always leave me?”
  129. “I thought I told you to leave.”
  130. “Why is the window open?”
  131. “This was the worst mistake I’ve ever made.”
  132. “I had a dream where I killed you.”
  133. “I had a dream where I killed myself.”
  134. “Why won’t this nightmare end?”
  135. “God must hate me.”
  136. “I think the medicine is starting to kick in.”
  137. “That wasn’t there before.”
  138. “Who are all of these people?”
  139. “I don’t remember who I used to be.”
  140. “I deserve to rot.”
  141. “We all know you hate me. Just admit it.”
  142. “You promised me nothing would happen.”
  143. “The creature is staring at me again.”
  144. “We found you in the snow. What the hell happened?”
  145. “Can you hear me?”
  146. “Why am I always late?”
  147. “This is all my fault.”
  148. “They hate me, don’t they?”
  149. “I just want to look at you.”
  150. “I don’t want to fall asleep. I’m scared.”
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I don't think any video game I've ever played that tries to deliberately play up the "liminal spaces" angle has ever achieved even a quarter the liminality captured by sheer accident in the act of backtracking in a certain brand of late 1990s to early 2000s console RPGs.

You know the ones – from that era where the idea of linear, event-driven stories had just caught on, but the practice of putting the world map itself on rails wasn't yet de rigeur, so you could in theory revisit anyplace you'd ever been, including the areas that literally only existed for the purpose of one specific setpiece.

When you returned to such an area, all of the monsters and NPCs would be gone, and there'd be no music or audio ambience because no non-event-related soundtrack for that area had ever been written, which made the game's regular sound effects seem conspicuously louder. Just wandering around in this empty, silent backdrop; maybe you'd run into an NPC the devs forgot to dummy out who still acts like the event is ongoing, repeating now-contextless lines of dialogue and gesturing frantically at thin air. Maybe you'd stumble upon a treasure chest you missed the first time around, and the "item get" jingle would crack like a gunshot. Maybe there'd even be a room where the devs neglected to unset the event flag, and you'd suddenly be assailed by pulse-pounding techno heralding the approach of absolutely nothing.

Like, forget the Backrooms – give me a game that plays with that.

so I didn't know if female jesters had been a thing in the past and looked it up and was introduced to mathurine the fool, who gave one of the best burns in history in a silly little way.

also she apparently stopped an assassination?? amazing.

[ID: She was known for her extravagant costume as an Amazonian warrior, complete with shield, armor, and a wooden sword. She was famous for her sharp wit, and there were many anecdotes about it. One of them was an occasion, in which a lady in waiting complained that she did not like having a fool at her right side, upon which Mathurine jumped to the lady’s other side and announced: “I don’t mind it at all.” /end ID]

Circus performers (1940s, 1950s)

There's an essay I've never written about the relationship between superheroes in American Comics and costumed performers in American Circuses of the same period, and how the comics characters were the circus performers, and I will probably never get around to writing it. But then I see photos like this and wish I'd written it 30 years ago.

"genre-savvy" no i want a genre-unsavvy protagonist. scratch that, i want a genre-deluded protagonist.

i want a protagonist who is convinced until the last possible moment that they're in a lighthearted romcom--despite the proliferation of slasher murders. give me a soccer dad who is just so determined to enjoy family vacation, despite the fact the kids summoned an eldritch deity from the lake. a preteen who is experiencing a coming-of-age saga and annoyed their parents aren't emotionally present (the parents are distracted by a literal zombie apocalypse). endless possibilities

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genre-dysphoria

A very clear romance novel to the reader but the narrator/ main character is touch-averse/asexual

"why do we even have that lever" is made funnier by the fact there are only 2 levers to begin with (disguised as a pair of tusks on a statue)

i find the implications hilarious:

  1. kronk only had to remember the location of one lever, and couldn't even manage that
  2. but on the other hand, it's easy to get two identical unlabelled levers confused, this one's on yzma tbh
  3. yzma only needed to make one lever to begin with, but she actively chose to turn the second tusk into a functioning trapdoor. she could have just...just not connected the second tusk to anything. it didn't need to have a function
  4. upon reflection, this also answers the question itself: "why do we even HAVE that lever?" it's because yzma herself specifically designed it as a booby trap. "why do we have that lever?" because yzma had it built to keep people out of her secret lair! yzma made the very purposeful choice to put that lever there! and then both she and her inept henchman immediately forgot about her own booby trap! yzma that is YOUR LEVER!!!!!

why do we even have that lever? because you built it yzma. these are the machinations of your own design yzma! YOU ARE TANGLED IN A WEB OF YOUR OWN WEAVING YZMA! YZMA THAT IS YOUR CROCODILE!!!

shout-out to everyone in the notes claiming that kronk pulled the wrong lever on purpose. you are so right, this is the face of a himbo who knows what's up

#the best thing about kronk is that he is very very competent just at nothing in his actual job description #yzma keeps him around so she can be competent-passing in comparison but she is ALSO a dumbass! #dream team

the thing that gets me about about barbie is that barbie land wasn’t even purposefully a matriarchy, barbie land came about because of the way little girls were playing with their barbies, it wasn’t created by mattel it was created by the people using the toys, so the fact that the barbies ignored the ken’s and had girls night every night wasn’t because they had some bias against him, it was just an accurate depiction of how kids play with barbies. I had some ken dolls as a child and they were essential to the plot in the sense that of course my barbie has a boyfriend because that represented the world i saw around me, but also he didn’t have any purpose in my dream world because i was only interested in what the girls were doing because they represented me and how i wanted to be, I wanted girls night every night I wanted the girls to be president and austronauts and not because of some inherent feminist idea but because I was a girl and I wasn’t thinking about boys, ken was an accessory. this movie wasn’t made to change the world but it showed a different perspective than what we usually see which I thought was fun. Men don’t have to be the centre of all our stories and its not even because we hate them, sometimes we’re just not thinking about them

my friend asked me if it was worth watching «Nancy Drew», and i said i started watching a show in which a red-haired detective has sex with a long-haired handsome guy, and now they've broken up a thousand times, they're cursed, and Nancy talks about past lives with a guy i definitely wouldn't want to see last season. and, oh yeah, she didn't have sex with a long-haired guy.

the guys from tumblr, whose gifs i believed: what the fuck?

But is it worth it? Yes, absolutely.

I sent a letter today - something I haven’t done for years

It’s full of plastic bread clips

It’s for Science

At the risk of loosing some mystery, I think I should add some context:

There’s this website-I mean, scientific organization called the Holotypic Occlupanid Reasurch Group.

They are a group of abiologists who study and classify Bread clips.

I found a species that has not yet been described:

Yay for citizen science 👍

wtf?

Apparently HORG is widely appreciated by pediatricians since knowing exactly what kind of Occlupanid a child may have swallowed makes removing it safely much easier

IIRC this is actually part of the reason HORG was started. A man swallowed a breadclip and the clip closed around part of his tissue linings (in his intestines I think?). The specific shape and flexibility of the clip were significant determining factors in the removal process, as some bread clips have spikes and prongs that would have made extraction more complicated. They started the taxonomy so they could work out extraction techniques for each type.

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are you fucking kidding me occlu like oculus or close and panid like bread. its a fancy word for breadcloser

happy very specific archive thursday, everyone