I’m belowdesire over there, if you’d like to follow me.
The domestic Villaneve we all need
KATY O'BRIAN as Jackie LOVE LIES BLEEDING (2024) dir. Rose Glass
[ID: a tweet from Yara Eid reading "I keep writing and deleting cause I can't find the words to describe the level of loss we Gazans are feeling right now. Can you imagine your whole world being wiped out? Everything. The level of destruction we're seeing is beyond any words. Our homes, our landmarks, our schools, our universities, our restaurants, literally everything. Israel's intent was to always remove Gaza from the map. They destroyed our city intentionally. They bombed our ancient landmarks to remove any proof of Palestinian history… I just can't explain what I feel when l'm seeing all of my favourite places flattened. My whole city flattened. Everything I grew up with flattened." //End ID]
“The fear of being fat is the fear of joining an underclass that you have so readily dismissed, looked down on, looked past, or found yourself grateful not to be a part of. It is a fear of being seen as slothful, gluttonous, greedy, unambitious, unwanted, and, worst of all, unlovable. Fat has largely been weaponized by straight-size people — the very people it seems to hurt most deeply. And ultimately, thin people are terrified of being treated the way they have so often seen fat people treated or even the way they’ve treated fat people themselves. In that way, thinness isn’t just a matter of health or beauty or happiness. It is a cultural structure of power and dominance.”
— Aubrey Gordon
Happy International Lesbian Day! Here's some super brief book recs to celebrate
Books dealing with love, loss, longing and abandonment
This is How You Lose The Time War is a short but beautifully written epistolary novel between two agents on opposite sides of a time war as they slowly fall in love.
Our Wives Under the Sea is one of the most beautifully written debuts I've ever read about a woman whose wife comes home wrong after they thought she'd died at sea and how it feels to grieve the loss of someone who's still in your home.
Lucky Red is a western novel about a young girl working in a brothel who meets her first female gunslinger and falls head over heels for her, and the consequences that come with loving dangerous people.
Body horror galore
Camp Damascus is about a young woman living in a super conservative christian town built around the worlds most successful conversion camp and the horrors that are uncovered there when praying the gay away fails.
To Be Devoured is about a woman whose fascination with the local vultures turns into obsession and the urge to know what carrion tastes like overtakes her life and leads her down stranger and stranger paths.
Chlorine is about a girl whose entire life revolves around being a competitive swimmer, and how abuse, neglect, and obsession with being the best takes its toll on the young women caught up in these destructive cycles.
Flawed character studies
Big Swiss is about a woman who has a kitchen floor reset in her 40s, moves away and starts a new life as a transcriber for a sex therapist and becomes obsessed with one of his clients before inserting herself into this poor woman's life.
The Seep is a speculative sci-fi set in a future where there's been a quiet alien invasion that has given people the ability to make almost any changes to their own bodies and what that world feels like to someone who doesn't want to partake.
Milk Fed is about a woman in therapy who feels cut off from almost everything until she meets another woman who triggers in her a melding of sex, hunger, and religion and where that takes her. Huge trigger warnings for ED content. It gets tough, y'all.
Fantastical wlw books
Bitterthorn is an amalgamation of fairytales retold as a slow burn sapphic love story between a sad young girl from a cursed land and the evil witch who takes her as a companion in the latest of the generational sacrifices made to appease her.
All the Bad Apples may be set in contemporary Ireland but it is a fairytale following a young girl as she travels across the country looking for a sister she refuses to believe is dead and the people she meets along the way.
Gideon the Ninth needs no introduction on this site but for the sake of formatting - lesbian necromancers in space who find themselves in an isolated murder mystery plot. It's not a romance but it is a love story and this series will change your life if you let it.
Translated novels
Boulder is a short character study following a free spirited woman when she accidentally settles down with the woman she loves and how love and resentment can take up the same space in your chest when life doesn't turn out the way you hoped it would.
Notes of a Crocodile is a cult classic coming of age story about queer teens in Taipei in the 1980s. It was written in the 90s so please keep that in mind if you choose to read it.
Paradise Rot is about an international student studying in Australia and her growing obsession with her housemate as they share a space that allows no privacy. I've never read anything that feels stickier.
Extract from Refaat Alareer's course on English poetry in 2019:
"Of course we always fall into this trap of saying, 'she [Fadwa Tuqan] was arrested for just writing poetry!' We do this a lot, even us believers in literature. [We say] 'Why would Israel arrest somebody or put someone under house arrest, she only wrote a poem?' So we contradict ourselves sometimes; we believe in the power of literature changing lives, as a means of resistance, as a means of fighting back, and then at the end of the day, we say 'She just wrote a poem!' We shouldn't be saying that. Moshe Dayan, an Israeli general, said that 'The poems of Fadwa Tuqan are like facing 20 enemy fighters.' Wow. She didn't throw stones, she didn't shoot at the invading Israeli jeeps, she just wrote poetry. And I'm falling for that again—I said she just wrote poetry.
And the same thing happened to Palestinian poet Dareen Tatour. She wrote poetry, celebrating Palestinians' struggle, encouraging Palestinians to resist, not to give up, to fight back— She was put under house arrest, she was put into prison for years. And therefore, I end here, with a very significant point: Don't forget that Palestine was first and foremost occupied in Zionist literature and Zionist poetry.
When the Zionists thought of going back to Palestine, it wasn't like 'Oh, let's go to Palestine.' It took them years, over 50 years of thinking, of planning, politics, money and everything else. But literature played one of the most crucial roles here.
Palestine in Zionist Jewish literature was presented to Jewish people around the world... [as] Palestine is a land without a people for a people without a land. Palestine flows with milk and honey. There is no one there—so let's go. [but] there were people—there have always been people in Palestine. But this is an example of how poetry can be a very significant part of life." [13:05-14:40]
credits to @/protosemite on X for the transcription.
Prof Refaat Alareer was killed by an israeli airstrike that targeted his house 2 days ago.
nothing in the world makes me more evil than just being kind of annoyed
me when i'm in genuine agonising distress: i'm so sorry if i'm bothering you with my childish histrionics :/
me when i'm just in a bit of a bad mood: i hope hydrogen bombs fall on every living thing in the universe
what’s an identity card
its a colonial documentation system that states our palestinian identity and determines our residency and what places we can / cannot go.
there are 5 ID systems enforced by israel:
1. Gaza Strip ID: if ur a palestinian who holds this ID, you can’t live anywhere in palestine except gaza (i believe this has been in effect since 2007)
2. West Bank ID: if u hold this you can’t live anywhere but 40% of the West Bank due to military checkpoints and settlements (i have this ID)
3. East Jerusalem ID: if u hold this u can have access to most areas in palestine but israel can revoke ur access whenever they want if you live outside of jerusalem
4. israeli ID but held by palestinians: can access “israeli-only” cities but still cannot reside in most towns in israel
5. jewish/israeli ID: if u hold this ur free to live anywhere throughout “israel” . u can even live on the palestinian territories (60% of the West Bank) as a settler
Adding to no. 4; Palestinian citizens of Isr@el are not equal citizens by any means. They can’t really buy land outside of their ancestral villages/cities that remain standing, and many villages that were destroyed in ‘48 are still there as rubble, they can’t go back and rebuild it. The Palestinians from Tiberias who were displaced to Nazareth and are now citizens, can’t actually go back to their homes in Tiberias, they can rent a house but can’t buy land that is theirs in the first place. Same thing for a Palestinian from Safad who was displayed to Akka.
They are also discriminated against and there are a lot of crimes against them that are ignored by the police, they’re also discriminated against in places of education and even the workplace. Moreover, their cities do not have much funding and so run into a lot of problems, economic snd urban, etc.
There’s also the fact that Palestinians with these four different IDs can’t really get married in peace, even if they’re in love and want to. For example, a Palestinian from Jerusalem and Ramallah can’t get married and live peacefully together in a stable future, because the Palestinian from Ramallah who holds card 2 such as I and roxstar can’t move to Jerusalem as a resident, and if the Jerusalemite were to secure work in Ramallah, as well as a house, their status is reduced to become lower, like that of their spouse. It’s a really long humiliating process to acquire Jerusalem residency for the Ramallah Pali, and it doesn’t work most of the time.
A Palestinian from the West Bank can marry a Gazan but the Gazan can’t live in the West Bank; the Palestinian from Hebron for example needs to move to Gaza. So their status is demoted, you can only move down, never up. A Palestinian with citizenship, say from Lydda, can get married and move to Jerusalem with their spouse but if their spouse doesn’t become naturalised they’re doomed and bound to live in Jerusalem, where Palestinians are treated horrendously, with constant raids, hate crimes and marches, homes being stolen, constant displacement and ethnic cleansing (if any of you remember Sheikh Jarrah from two years ago…yeah), etc.
This also applies to Palestinian citizens of the entity and west bankers. They’ll get legally married but can’t live together in peace, for example if a Palestinian from Haifa and a Palestinian from Jenin were to get married, the one from Jenin will 99% of the time not be able to acquire permanent residency or citizenship to move in with their spouse in Haifa, the one from Haifa will be able to visit them in Jenin and…that’s about it. They’ll struggle to move there if they can due to very low income, switching cities and becoming occupied/treated the same as their spouse, their children will have parents who are effectively separated and it won’t be a healthy dynamic in that household. The mum from Jenin for example will always be lower in status to both the father and her children. She’ll always be stateless and can’t have freedom of movement. A lot of these sorts of couples are forced to live abroad to live and love in peace, which is what Israel wants, less Palestinians in Palestine.
This system is created to sow discord and cause a rift between the different ‘classes’ of Palestinians, and yet it has never worked, Palestinians remain as united as ever. They still love each other and get married, they still fight for their families and their futures.
Unwilling wunk
Bruh you got fuckin grabbed
One of the key things that I was encountering in popular discourse, as well as in official discourse, as well as in some scholarly discourse on caste, was what I would say is a liberal understanding of caste from an anti-caste position, which interestingly, and very dangerously in some way, coincided with the right-wing understanding of caste, with right-wing too thinking of themselves as anti-caste.
So I captured this as the five tropes [...] And the first one is that caste has modernized, and it's even in some way democratized because of the political ways in which previously historically marginalized castes have come in a big way into Indian politics. And so we really need not worry much about caste today, it's a thing of the past. It's also got its economic equivalent, which plays out in some kind of an argument that says, well, for an underdeveloped economy like India, caste is actually good for the growth of capitalism because you have trust when you actually make transactions and you save transactional costs. So there's a literature arguing that.
And then there's a third trope, which is what I actually focused on, which is that caste is now no longer just the hierarchy, in fact, it is not the hierarchy. It has become from a vertical into a horizontal structure, and it's just a benign difference. And this I call as the culturalization, which I'll say a little bit more about, but there are to these three political, economic and cultural tropes, I see two bookends. One is that admittedly caste exists, but it is existing in a benign, normal way. It is defined, so it exists in those cute matrimonial columns where people ask for the same caste. And so it just exists in these privatized spaces, and that really doesn't have a whole deal to dictate in terms of monopolization of wealth or inequality. It's just there.
And then on the other hand there's another bookend, which I call the brutal abnormal to the benign normal. You have the brutal abnormal, which has to admit that there are some incredible violent things that erupt from time to time, and it's only from time to time. And therefore the even more, pretty troubling word is the Atrocities Act, atrocity in some way connoting exceptional or extraordinary, whereas caste violence is ordinary violence, everyday violence. So when those things happen, it always happens in some backward part of India, not in the rest of India.
[...] And that we have to pose the question and ask the question, how does caste persist and what is the durability of caste, which then helps us understand how caste legitimizes itself. And I think in the legitimization aspect, that is where I unwrap some of the things on culturalization. So -- what indeed is culturalization?
The book is largely written against a scholarly trend that I saw, and still see, of asking us to think about the transformations in caste as an ethnicization of caste. That is, instead of a vertical hierarchy, which is what we think of when we think about caste, we are invited to consider that caste is now just about difference, it's on the horizontal plane. And so we can devote ourselves to thinking about how caste has ethnicized. Now, that to me is not at all what is happening on the ground [...] there is hierarchy, there are all kinds of inequalities, and there are appeals to fairly traditional forms of belonging, such as blood and purity and things like that. [...]
So culturalization then is really caste repackaging itself as culture. Caste in some way taking up the grammar of culture in order to present itself as benign horizontal difference/identity. And in doing that, what culturalization is is a depoliticization of caste. It is, in fact, I have even called it a counterrevolution of caste. It is the most recent form of the legitimation of caste.
Corncrake Nights - Tom Hammick , 2023.
British, b. 1963 -
Oil on panel , 9 1/2 x 11 3/4 in.
I visited the palestinian children’s relief fund (PCRF) website today to make a donation, and they’ve got a secondary donation pool being sent specifically to target humanitarian aid and support for long-term recovery in gaza. If you have the funds and want to donate, the PCRF is one of the recommended charities to donate to if you want to help.
other people could word things better than I did here, but I just wanted to make sure word gets out about the ability to directly financially support the people trying to help gaza right now.
In case you’re worried about where your donation money is going, charity navigator gives PCRF a 97% reliability rating (link to the page here).
(Tangent, but while pulling up that page I found a warning about a scammer claiming to be the PCRF, keep an eye out for any potential emails like the one on this page (linked here) prompting you to donate to a bitcoin wallet)
star
i hate the phrase 'none of these words are in the bible' because it's either true for Every word in the english language (the bible wasn't originally in english) or for None of them (i could translate the bible badly enough to contain any word at all)
i hate the phrase 'none of these words are in the bible' because it's either true for Every word in the english language (the bible wasn't originally in english) or for None of them (i could translate the bible badly enough to contain any word at all)
✝️ Thirty-six of these words are in the Bible! ✝️
what translation
King James Version 👍
do you not consider the word 'bible' on the cover and title pages to be in the bible?
The swiftness and brutality of Hbomberguy’s complete evisceration of James Somerton’s career cannot be overstated.
Can somebody give a tldr of what happened? I've only seen reactions.
James Somerton is a white gay business major who built a 337k subscriber, ~3,500patron career as a content creator (derogatory) on youtube by serially plagiarizing the work of other queer theorists.
The image you see of a lot of text on screen highlighted in a bunch of different colors is the script of one of his earliest and most important videos color coded by who a particular passage was plagiarizing as he read their words out loud as if they were his own without credit.
Hbomberguy and Kat together identified 18 distinct victims of somerton's creditmongering in this one video alone, as well as plagiarism of equal measure in at least half of his catalogue of videos with the rest of the catalogue still being highly suspicious but not yet identified as plagiarized.
In addition to the plagiarism, he's also being called out for misogynistic beliefs which tend toward being the only thing of his own which he injects inbetwixt the words of others, his use of identity as a shield from criticism, his darvo-ian tactics of denying a plagiarism occured (using the following he built to SLAPP in the court of public opinion), and his 'film studio' Talos has over the course of several years and $64K dollars donated to it expecting it to make indie films has produced NOTHING but movie posters created using stock image assets packs and more empty promises.
Hbomberguy decided to use his 1.3m subscriber base worth of clout to destroy the man's career with two hours of non-stop evidence and receipts (with a two hour preamble on the details of other plagiarists's activities to establish a baseline).
zwoelffarben's summary is supremely good. I would like to add a few bullet points about the details that make this just so unbelievable to watch.
- "Plagiarism" can cover a wide umbrella of pulling from sources without citation... This is in fact THE most egregious kind you're imaging. Verbatim, word-for-word reading out of articles written by small-time queer authors that James simply pretended were his own words, research, and opinions.
- He stole the words of not one, but TWO different people who died of the AIDS epidemic. Stole their words and voices and gave none of it to their memory.
- Nearly everything plagiarized was verbatim, save for a few intentional word-replacements: He would take "homosexual" and replace it with "queer". "Trans" and replace it with "LGBT".
- He would occasionally skip over parts of articles while reading them verbatim if those parts were anecdotes that clearly did not belong to him, like one belonging to a trans writer talking about their trans experience.
- He did, occasionally, interject his OWN few sentences... exclusively to include misogyny. In the middle of reading someone else's words about Ted Bundy, James interjects his own sentence about the "hordes of white women swooning over Bundy." He claims it's all "straight women" denying the gay rep in Yuri on Ice in the comment section of his YOI video. HBomb checked. There are no such comments. He has a "women have it easier" rant about ND Stevenson and Rebecca Sugar... who are transmasc and nonbinary respectively. (But hey, misgendering is cool if you don't respect their assigned gender right?) He repeatedly shits on the "straight woman" author of Love, Simon, despite her being bullied into coming out as bi due to exactly this, and when she gently asked him to stop deriding her as a straight woman fetishizing the gay experience, he continued to do it and acted like she'd blown up at him.
And maybe you're wondering "He copied so much verbatim. How did no one catch him?" They did. People did catch him. And he got them bullied into silence by claiming the people who noticed the plagiarism were sending death threats, were doxxing him, were anti-queer trolls, and were lying. The main person who caught him asked HBomb to keep her name out of the video and talk about her as little as possible due to the enormous harassment she'd been through.
He preached so much about being a voice for queer people, about how people needed to support him since he was doing this kind of work for queers no one else was... while stealing from, silencing, and squashing every small-time queer author doing the ACTUAL work that he lifted in order to fund his massively lucrative internet career.
6, 7, 13 for femslash asks!
Omg, thank you for the ask! I'd actually meant to reblog it just for reference, because I wanted to link it someone I know who writes Warrior Nun femslash. XD But I will certainly take the opportunity to answer!
6) A femslash ship you feel like you’re alone in shipping
Salvor/Gaal from Foundation. 🤷
7) Did you see a change in femslash fandom since the time you started fandom?
My first femslash pairing was Liz/Tess from Roswell and I read fic on some kind of Roswell fic archive. My other early femslash ships were, like, Rory/Paris (Gilmore Girls) and Peyton/Brooke (One Tree Hill), which I read fic for on ff.net, and then I read Grey's Anatomy femslash on livejournal. So, yes, I'm seen changes in fandom. 🤣 Although there I mostly just mean changes in platform (and whole that can affect interaction), but the biggest change is that now there are a lot more shows (I mostly get in fandoms for shows or RPF) with canon f/f pairings. I'm much more used to shipping non-canon pairings and assigning zero significance to the canon status of a pairing. I also see a lot more concern about whether the literal content of a ship is "healthy" and objections to ships that aren't "healthy," although that probably existed outside my orbit back in my earlier fandom days.
13) Did you already write original femslash? If so, what was it about? If not, what would it be about if you did? If you would never, why?
I haven't but I wish I could! I would write about a shapeshifter monster who seduces a mortal woman probably based on Dom from Mr Robot. And also about some kind of spy/assassin who betrays the organization who hired them to team up with the target whom they've seduced (she would voluntarily reveal the truth to her target/lover because [clenches fists] I just love people taking risks to get closer to each other). I once imagined writing some human merchant sailor/mermaid historical fiction story set in Southeast Asia that involved a persistent communication barrier and explorations of non-sexual eroticism (particularly rope play), and collaborative scheming that resulted in both parties thwarting encroaching political/economic rivals in their respective worlds.
But I wouldn't write anything because I can't write. 😩



