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of that around me.

@scdub / scdub.tumblr.com

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stevienick

Catherine O'Hara wearing a glove as a headband in BEETLEJUICE (1988) || Catherine O'Hara wearing a wig as a hat in SCHITT’S CREEK (2019)

Source: blairwitchz
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dailyrothko

Mark Rothko, Untitled, 1968

© Kate Rothko Prizel & Christopher Rothko / Artists Rights Society   

Apologies for posting a couple of inferior scans i would not normally share, but paintings like this complete our picture of Rothko and if they are at least good enough to be enjoyable, I will present them until we can do better.

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romanoff

“She’s had a rough life. Can we please not make it any rougher?” — The Girl with the Dragon Tattoo (2011)

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Elio & Oliver in Call Me by Your Name (2017) Dir. Luca Guadagnino

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dailyrothko

Bonus:

The shifting landscapes of Mark Rothko’s 1969 works

Happy New Year

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nprfreshair

In her four-part show, James Beard award-winning food writer and chef Samin Nosrat travels the globe, talking to home chefs to learn more about the four essentials of great food.

On wanting to make her show about home cooks, not famous chefs: 

“In terms of the power of a platform, and the power of media, there are so many other shows where you can see all of these fancy restaurant chefs, most of whom are men, most of whom are white men, and they’re getting featured. But this show is about home cooking. And often home cooks don’t get credit for their work, don’t get paid for their labor, and more often than not, for the last 10,000 years, they’ve been women. 
So 200 years ago about is when restaurants started, and when restaurants started men entered the kitchen, and there was pay involved and glory and awards and titles, and then the professional kitchen became the men’s place and that’s been reflected in media. This was an opportunity for me to elevate and honor home cooks, most of whom are women and have been women for the great part of human history, and I don’t think that’s always acknowledged by the media.”