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Sarnie-For-Varney

@sarnie-for-varney

Harley • 18 • "Like a star in the halo of the moon, invisible" - Dr. John William Polidori
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so as I said in a previous post I also went to a screening of The Lost Boys at the Prince Charles Cinema in central London which also had an intro and Q&A with Alex Winter! Here’s the info that I remembered from the session:

- Alex hadn’t actually watched the film since its premiere so he couldn’t remember what happened LMAO (he also said it was really fun to watch it with an audience)

- Alex and Joel Schumacher got into an argument while filming the bridge/train tracks scene because Joel wanted Marko to lure Michael without saying anything, and Alex didn’t know how to do that (quote “you know there’s only so much I can do with ass-less chaps and a mullet”)

- Marko’s death scene caused Alex to go to the hospital with a scratched cornea, as the contact lenses were really uncomfortable and dirt had got kicked into his eye while he was writhing on the floor

- the movie was originally gonna be a retelling of Peter Pan, with the characters having the same names as the original story but they got changed (Lucy was called ‘Lucy’ in honour of Dracula by Bram Stoker)

- a quote that I loved: “David was like the boys’ pimp and then Max was the Head Pimp”

- Alex said that all of them had their own little backstories for their characters, and he always had sort of thought that Marko was really old simply because his name is ‘Marko’ (quote: “I thought it was such a stupid name like, nobody in California in the 80s was called Marko! …Nobody’s been called Marko since like, the 16th century!”)

- a continuation from that point, when asked about his favourite song from the soundtrack he replied with “Echo and the Bunnymen all the way”, which then he added a bit about how he felt that Marko was originally ‘a British dude’ so therefore he likes the British bands

- he also talked about how nobody was really looking after the younger actors on set/when they weren’t shooting so he effectively became “Defacto Dad” by looking out for them

- and he has not seen the sequels (quote: “movies are weird y’know, if a movie is bad you don’t have to watch it”)

- oh also he called Michael a “bimbo himbo type of character”

Nobodies: Murder Cleaner

OPERATION I: 'Quick Dry'

OPERATION II: 'Antwoord'

OPERATION: 'Hot Steel'

OPERATION III: 'Late Checkout'

OPERATION IV: 'Picket Fence'

OPERATION: 'Unholy Ghost'

OPERATION V: 'Bolt Bucket'

OPERATION VI: 'Cold Fury'

OPERATION VII: 'Private Collection'

OPERATION VIII: 'Flight Risk'

OPERATION IX: 'Jackrabbit'

OPERATION X: 'Bad Medicine'

OPERATION IX: 'Cowcatcher'

Anyone else pissed off at the fact that almost every single adaptation of Sherlock Holmes and Irene Adler has them falling in love? Or there being unrequited love (usually on Sherlock's side) even though the novels clearly state that Holmes admired her and the fact that she was able to beat him intellectually.

She also changed his entire opinion on women and their intelligence. He didn't love her, she simply outsmarted him and he respected that. He was impressed by it due to the fact that he is very rarely beaten by anybody. However, Adler isn't the only person to outsmart him in the novels. But she *is* the only woman.

Why can't men and women in media have a single interaction without there having to be this underlying romance? Stop it.

I love Granada Holmes because it is one of the only adaptations that portrays Adler and Holmes' relationship how it actually is: they are rivals.

What I find interesting too is that the BBC version of Sherlock completely romanticises Holmes and Moriarty's relationship. Which is fine, but it isn't at all accurate.

Holmes, while he admires Moriarty's work, despises him. He encounters him at every corner. He's there behind the scenes of every crime he must solve, and each investigation he must lead. I mean, he risks his own life to be rid of Moriarty! They both topple into the Reichenbach Falls. On top of this, Moriarty threatens to hurt the people he loves (whether he wants to admit it or not, he loves them).

In a way, the romanticisation works because they are sort of a Batman and The Joker pairing. Without cases to solve, Holmes goes out of his mind with boredom. We see it in every adaptation. He resorts to drugs or... shooting the wall with his revolver. Though, Moriarty doesn't need Sherlock Holmes at all. In fact, Holmes is in his way. Holmes needs Moriarty much more than Moriarty needs him.

Their relationship, in contrast to Holmes and Adler, is something that I believe is done well throughout most adaptations.