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SarahTheCoat

@sarahthecoat

mostly Sherlock. The New Semester my dreamwidth
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it's been almost a year since i posted this link, which means i probably haven't updoted any of the lists in the folder, and there may be some new meta writers that i haven't gotten around to including. But the idea is, here's a place to get started exploring series 4 meta (and yes, i still dream of doing earlier "semesters", but it gets harder when people leave fandom/tumblr).

My focus is more on reading the subtext, than trying to sort out "what really happened" in the surface story.

if i can figure out how to do it, i would love to make this a pinned post, since the clicky in my header stopped working last year.

ETA sept 2021, if google's new security measures interferes with the link, message me and i will see if i can get you in.

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This is a subject that really interests me because I (28 years old) had computer classes in grade school where learning how to efficiently type was a big focus. As a result I have a very high WPM (words per minute) count and am an excellent touch typer.

However, I've heard that they started phasing out computer classes in a lot of schools because it's assumed that kids/teenagers already know how to use a computer in this day and age. But smartphones are more popular than computers now, and as result a lot of Gen Z/Gen Alpha kids are able to text very quickly but their typing skills aren't as good.

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This is a subject that really interests me because I (28 years old) had computer classes in grade school where learning how to efficiently type was a big focus. As a result I have a very high WPM (words per minute) count and am an excellent touch typer.

However, I've heard that they started phasing out computer classes in a lot of schools because it's assumed that kids/teenagers already know how to use a computer in this day and age. But smartphones are more popular than computers now, and as result a lot of Gen Z/Gen Alpha kids are able to text very quickly but their typing skills aren't as good.

i took a typing class one semester in jr hi or high school, i forget exactly. so theoretically i learned to touch type. but then several years ago i discovered the dvorak keyboard layout, which is so much more comfortable.

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hachama

Hey, PSA: this is a rough time of year for retail and service industry workers. I no joke enlisted to get out of retail. I did permanent damage to myself to get away from that industry, and I would do it again.

So, be patient with them. A lot of them haven't worked in their current roles for very long, and all of them are over worked, underpaid, and under enormous pressure to make this The Most Wonderful Time for all their customers. Don't make things any harder than they have to be.

a few years ago, i fully transitioned away from giving shopped-for gifts, and instead i either make something, or i make a donation in honor of loved ones to the charity of their choice. (generally, food banks, animal shelters, unhcr, etc) i can't express how much less stressful this is. as in, *zero* stress. none. simple decisions, no angst, convenient, no running around, tiny carbon footprint, the works. added bonus, one less person for retail workers to deal with.

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reblogged

You ever read fanfic so god tier you have to wait for real life to load back in so you spend half the day doing tasks with that dead look in your eye, replaying all your favorite moments?

This is what SHIT'S FUCKED is to me.

Awwwww, thank you <3 <3 Amazing to hear this about a story that was, at least when I wrote it, the single solitary fic in that ship tag. Needless to say it does not get a lot of attention! (Link, for the curious)

Adding on to say that not too long ago (okay apparently it was over a year ago, how time flies) I had this experience with basically the entirety of @justlikeeddie's Good Omens fic, which I highly recommend.

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reblogged

Love the transition from Pacific Daylight Time to Pacific Crying For 20 Continuous Hours For No Apparent Reason Time 🫠

how is it that the shift is one hour, but it feels like four? like, it looks like 10pm out there but it's barely 6?

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I wanna bring us all back for a sec to 'You indestructible little fucker'

Because a lot of people got hung up on this line, thinking Izzy should have lived, that he survived multiple death attempts and this was the proof he's unkillable. But I really think this line does the exact opposite - it portends his death, and not just that, but his sendoff with Edward.

As I've mentioned before, Izzy is a real pirate in the real world. Throughout season 1 he did not subscribe to the 'muppet logic' of the Revenge crew, and continuing in season 2, his injuries don't miraculously heal like everyone else's, including Ed (whose injuries were fatal and should have left him with a cracked skull and brain damage at the very least). He bears his scars, as other real pirates do. As his character grows, develops, and comes to be welcomed into the community of the Revenge crew, we could say he is 'one foot in' when it comes to reaching muppethood. But figuratively, and quite literally, he can never have both feet in and complete that transformation. That lost leg is his tie to the real, bloody, and unfair world of pirating he belongs to.

Izzy didn't survive those other near-death situations because of muppet-logic. He had tenacity, and grit, and most importantly, skill. He wouldn't be able to shrug off yardies like Roach, or a sword to the gut like Ed - Stede's dream literally involves killing Izzy via stabbing. Izzy is the character that things stick to - he's grounded in reality, in the old ways of pirating that have now burnt to the ground.

When Ed calls him indestructible, it's not because Izzy can't die. It's because Ed sees Izzy as a universal constant in his life. Of course Izzy will get back up every time he falls down - no one gets the better of Israel Hands. And in that moment when Ed had gone well and truly off the rails, it's Izzy who reappears from certain death to rein him back in and save the crew. Ed counts on that back and forth, that other presence, always there - for better or for worse, it's stability, it's reliability, it's his normal. Whether or not Ricky was right when he said Izzy was the genius behind the operation, we know that Edward and Izzy together formed 'Blackbeard.' Ed thinks he can't kill Izzy in a way that matters - and he didn't ever kill Izzy himself, he left it to Frenchie and then later gave Izzy the pistol.

But that's where it circles back around to the finale. Ed couldn't fathom Izzy actually dying - he's indestructible. He doesn't know what he'd do without him. It leaves Ed in the vulnerable position of being on his own, figuratively - independent, with no one over his shoulder providing guidance, directing him, or nudging him to be one thing or another. But Izzy tells him, you're ready now. And he is. Izzy isn't invincible, and Edward doesn't need him, doesn't need to hide behind the cold, distant, impenetrable veneer of Blackbeard anymore.

If Izzy could have become a true muppet, he would have brushed off that bullet. But that's not who and what he is - not narratively, and not literally either - he himself says it; "Pirating? Well, this is a pirate ship, and I'm a pirate. So, yeah, I'm good with it." Edward is leaving pirating behind, but it's all Izzy's ever known and it's what he wants to continue being - a real pirate in the real world, and thus, one that faces real consequences and can't keep cheating death. It's a tragedy Ed needed to see, that sometimes, things don't turn out alright - not everyone sails off into the sunset. Some stay behind to run an inn, facing an uncertain but hopeful future with vulnerability and free will, which are both daunting for Edward. Others die a pirate's death - but not without imparting necessary wisdom first.

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I don't mean this in a sadistic way, I mean this in a "I'm like actually concerned for them both but especially Aziraphale way"; I NEED to see Aziraphale just kinda break down in season three. Ugly crying and yelling and just letting his emotions out. They both deserve that, but looking at episode six, it's just like...he was trying to cry the whole confession and was interrupted by the kiss, and then the Metatron immediately taking him away. He NEEDS to cry. I'm sure Crowley will be taking a note from Nina's book (go home to an empty flat, drink himself silly, and have a good cry), but when does Aziraphale get a chance to freely feel all these pent up emotions? Poor thing has shut down by the time he's reached the elevator. He won't ever be allowed to feel it all in heaven. He's holding in some very very big feels, I wanna see him explode, have a full on meltdown, and I want him to know he can come "home" to Crowley after feeling it all. He's been repressing and I'm scared for him if it goes on like this. Maybe it's just cuz I'm autistic, but I just look at these scenes and feel so angry for him, he's having such big emotions and isn't allowed to express them. If I was going through that, I'd be having that meltdown before the kiss even happened, I hurt for him because I can see that repressed pain in his face.

Like just look at this shit. He deserves a good hard cry after all this. Hope he'll be okay.

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dee-morris

oh my HEART now I'm the one who needs a good cry

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inber

Say you break your ankle. You could know everything there is to know intellectually about the injury. Even with this vast knowledge, you will still experience physical pain.

Now take this logic and apply it to things like ADHD, autism, clinical depression, and other less visible/divergent disabilities. You cannot think your way out of feeling.

That is to say: you are not a bad, lazy, or selfish person for struggling, even if you know why you are struggling.

I’m seeing a lot of my friends on here having a rough time rn and, I dunno, I hope this helps a little.

Also:

It’s a weird time of year. Everybody’s stressed out with school and holidays and the days are getting shorter and none of that is your fault and you’re not bad or weak if it affects you. It’s affecting a lot of people. We just show it in different ways.

yikes yes. it's ok to scale back holiday plans too, to speak up about what is Too Much. whether it's travelling with a baby/toddler vs having it (smaller) at your place, or too much cooking or too much shopping, "let's try something different this year"; "i can't do that this year". expect resistance to change, that's how humans are wired, but most of them will come around because they are overstressed too and secretly wishing to take the pressure off too.

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joke’s on darcy, lizzie happens to be besties with mrs collins so do you know what that means? visits. do you know who mrs collins will inevitably bring WITH her???

mr collins. buckle in for some one-sided conversations on the grandeur of pemberley and how there is but one estate only marginally finer, he thinks you will no doubt agree, which can only be, of course, rosing’s park, which can be viewed by his own very humble abode

they’ll all have their dinner and the women will retreat to another room and darcy will stare very, very imploringly to his wife to please, stay. like, please. this man doesn’t shut up. surely you want to talk to him. let’s tag team. please lizzie. he will ask of nothing from you for an entire fortnight if you please actually stay in the same room so mr collins will have SOMEWHERE ELSE to direct his onslaught of ass kissing. lizzie. lizzie.

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ralkana

This is why the Bingleys and the Collinses are invited at the same time.

Meanwhile Lizzie, Jane, and Charlotte are in the parlor, placing bets on how long before Darcy cracks, practically CHUGS his port, and bolts, “WHO WANTS TEA?!?!?!? LET’S JOIN THE LADIES AND HAVE TEA!!!!!!”

lol yes! the regrettable after dinner segregation of the sexes. what sorts of dodges does mr darcy invent to avoid this. "shall we all go for a walk"? someone could play the piano and we could all sing (need all four voice parts in the same room)

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you guys realize it's fine to mourn the experiences we didn't have due to covid right. it's literally fine to be sad that your 20s or whatever didnt look the way you thought they would. "covid took years of my 20s" doesn't mean "i have it worse than everyone else and im dismissing all the bad things happening in the world" it just means man im disappointed that those years weren't what i'd hoped for. we all realize that's a normal response to these circumstances. right

yes. also, interesting mix of discussion in the notes. i love everyone in this bar.

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vidavalor
Anonymous asked:

Hi! I loooove your blog. What's an underrated GO moment that you like?

Hi! Thank you. :) Nice to meet you. I have green tea and raspberry scones for snacks today as I just got back from the bakery. *sets up plates*

You know what little scene I love? I love the bit where Shax comes to the bookshop when Aziraphale is in Edinburgh and, in the middle of threatening Crowley, asks him how to fix the hot water boiler in the apartment. It's a little moment and funny in your first pass watching it but it plays even better on rewatch and once you think about it a little beyond just the initial laugh.

In the attack on the bookshop, we see that Shax is one of those demons that is like the angels in that she thinks of food as human and beneath her. She makes fun of Aziraphale for his human hungers-- for food, for Crowley (who isn't in the bookshop when she's saying this stuff.) So, she's not exactly teaching herself to become a gourmet chef in that apartment now that she's on Earth. She doesn't cook and she doesn't do dishes, really, but... she needs the hot water working badly enough that she's willing to swallow her pride and ask Crowley for help in fixing it, which means her human indulgences are hot showers and honestly? If I'd spent millennia in Hell and got to escape to Crowley's place in Mayfair, you couldn't drag me for a hundred years from whatever tropical rainforest paradise shower Crowley had in that place lol so I can't really blame her. Not to mention that there's not exactly a lot of privacy in Hell, if ya feel me? A lady demon who has finally escaped topside of the fiery pits of Hell might be reluctant to admit it but she might have found one or two things about having a human corporation are not completely horrible... maybe so not completely horrible enough that she's desperate enough to go to the being who has not taught her what Google is for his own amusement for assistance with getting that hot water boiler operational again as soon as is demonically possible lol. (Crowley's canonically excellent taste in showerheads is absolutely the most top of mind meta you're going to find today, I know lol.)

Anyway, this means that Shax interrupted Crowley's afternoon of Operation Lovebirds: Shop Lesbian Vavoom to ask him to make it rain for her in the apartment.

He really hasn't done this much weather in ages.

It's also funny to me that the hot water boiler has rebelled against Shax by giving her two yellow lights (Crowley's eyes) and the solution for it, according to black-clad, silver necklace Crowley, is to turn a black tab on a silver loop. Whether Crowley's apartment is just in revolt against Shax or whether we're poking fun at the fact that Shax appears to have a little thing for Crowley or both, it's amusing.

Not to mention that Crowley's little lesson in locating the "hot water boiler tab" involves finger movements the likes of which have never been used to fix a hot water boiler in all our days lol. Crowley's a free-thinking Cupid. You gotta vavoom with your own damn self sometimes-- he gets it, girl. He's all the flavors of Baskin Robbins, Shax, and he's been on Earth for ages. He knows what he's doing. Take notes lol. If you find the black tab on the silver loop, it'll turn the hot water back on and then if you follow his non-verbal instructions here...

Besides the humor, though, this little moment is also happening in the segment of the story in which Crowley and Gabriel have been puzzling out the origins of gravity together. The heaviness of watching Crowley unable to remember building the universe is balanced a bit here, when they remind us through this scene in which he appears to be explaining something he built to fix his problematic hot water boiler that his curiosity and his need to take things apart to see how they work are not things that can be taken from him and that he rebuilds by literally rebuilding things.

(Aziraphale, we all know you've been breaking things around the bookshop for the last two hundred years and then calling Crowley and telling him that you couldn't possibly use another frivolous miracle to fix it or Gabriel will send you another strongly-worded note and would he please come over... and yes, it is a pipe under the sink again, how did he know? lol)

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I hadn't thought about how physically horrible it would feel to live in Hell. It's a combination of a swamp and a basement with backed-up plumbing. Even with periodic clean-up miracling (and are those rationed? You probably get in trouble for too much miracle-cleaning) you'd start to feel squishy and rotten all over.

Crowley's apartment is grimly austere, but at least your armpits wouldn't mold while you were there, even without a showerhead that's the equivalent of the watch he wears to Warlock's birthday party.

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I’m still thinking about the fact that, at the end of the Job story, Aziraphale apparently couldn’t tell that he hadn’t fallen. What if we consider a course of events where Crowley was slightly less good, or maybe just slightly more lonely. Where Aziraphale hands himself over as a newly fallen demon, and Crowley decides not to tell him otherwise.

It’s not hard to convince the angel, when Aziraphale has already convinced himself. Pulling one over on Heaven and Hell may prove more of a challenge, but that’s a problem for later. First, there’s a visit to the most desolate corner of the Earth that Crawley can find; a salt flat, perhaps, with a few boiling, scarlet springs and hastily-miracled sign reading ‘Welcome to Hell’. It’s not as if the sheltered angel would be able to tell the difference. Anyway, they don’t linger there long—the better to shield the new ‘demon’ from any of the customary hellish hazing, should the rest of the horde suddenly arrive back from their lunch break—or so he says. No, just a few minutes of pointed, meaningful gazing at the bleak expanse of cracked ground (a perfect counterpoint, Crawley thinks, to the sterile emptiness he remembers of Heaven), enough to forestall any question of a return visit, and they’re off again. It’s fine for demons to live amongst humans, so really, not that much has to change, when it comes down to it. Oh, except for the angel’s name. Every demon needs a new name (as does any other being hoping to live a successful life on the lam); and if Crawley, Crowley, decides it’s time for a change of his own, then that can be excused by demonic caprice. Oh, and they should really also probably stick together—Crowley feels responsible for the fluffy white ‘demon’, having had a hand in his fall; it’s only fair that he should have to look out for him, at least until he gets the hang of the job (which, as it turns out, doesn’t involve nearly as much evil as the ‘fallen angel’ had expected, and rather a bit more good). Crowley is also willing—enthusiastic, even—to help him keep clear of any angelic former co-workers (which would have been an appealing offer, honestly, fall or no fall), who might be eager to smite a late-blooming traitor. Best of all, he can recommend all the best human dishes to sample, free of any divine snobbery. In the end, being a demon doesn’t seem all that bad when you get used to it. Not when it means that you’re not alone anymore.

On visiting the newly-opened antique shop (it was always newly opened, despite its furnishings giving off a distinct air of not having changed in approximately four hundred years), there were four impressions that humans tended to form:

  • Firstly, that its two proprietors were European.
  • Secondly, that they were deeply, desperately in love with each other.
  • Thirdly, that, despite all signage to the contrary, they had no intention of ever selling anything.
  • And, lastly, that they were both quite intelligent.

With the exception of the first (over the millennia, they had lived in as many countries as had ever existed, but their only homeland was each other), these were all absolutely true.

On the matter of intelligence, however, it must needs be acknowledged that one of the two man-shaped creatures had spent the past several thousand years caught up in the thrall of a cunning deception; the other had simply never had the heart to confess that he had been present in the room when the committee in charge of geological planning had presented their design report, and was, in fact, very much aware of the difference between the infernal realm and a salt flat.

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I like to think of Crowley as a demisexual virgin. Like, obviously he appears on the surface to be sex on legs. He's the epitome of tall, dark and handsome. Plus, he's got that goddamn walk... And you know he's definitely had occasion. It would be nearly impossible for him to not have been propositioned at least once in 6,000 years, given his job.

Most of his existence has been spent in places where 'sin' breeds. Bars, bathhouses and brothels, just for a start, and we've seen that (at the very least) human women are attracted to him. (I.e. Nazi spy lady and also Mrs. Sandwich) But absolutely nothing can convince me that he has ever even considered sleeping with anyone who has propositioned him.

We all know he has a secret very romantic streak and I think that for him sensuality is likely very tied into that. The one person he's ever loved has been sitting to his right for millennia and if you think for one second that he'd want that sort of intimacy with anyone else, I'd say you're wrong. Who needs a one night stand when you can spend the evening drinking wine with your angel? However, if things between he and Aziraphale were to heat up, I'm certain that the eroticism that has eluded him for his entire existence would hit him and vavoom, it would all start to make sense. Also, this look?

I HAVE THOUGHTS

Crowley enjoys slinking around like sex on legs in great part because he is demisexual; he is able to exert power over others while knowing that he is at absolutely zero risk of succumbing to their attempted flirtations because yes, he has eyes for exactly one being in this universe. He knows these two things are linked, and he's not worried about it.

MEANWHILE

Aziraphale is terrified of his own sexuality. He doesn't understand himself as demisexual. He is love with Crowley and love is Good but he also feels lust for Crowley is lust is Bad so he conceptually understands these as two separate things, wherein one can exist without the other.

So perhaps his clothing being out of style, his mannerisms being just a little off, all of this is designed to keep sexual attention at arm's length because he is afraid that if someone flirted with him, he might just give in to temptation - and he knows he is very temptable, look how easy it is for Crowley to do it to him.

aha, yes, and he's also not very aware of how easily he would actually resist anyone else flirting with him (like that mr brown of brown's world of carpets?), it slides off him like whatever water slides off of, as crowley might say.

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Aziraphale and Trauma

[Just a note that I initially wrote this in response to this post: https://www.tumblr.com/theangelyouknew/732357015604756480?source=share&ref=_tumblr which is full of insightful info. I'm reposting my response here with some minor edits so it's easier to find in tags.]

This is something I actually find interesting within the fandom, because there seems to be this weird divide in fandom when it comes to Aziraphale.

See, I love Aziraphale. I think he's an amazing and well nuanced character, but a lot of the time fandom boils him down into this really simple version of himself. This happens both with people who dislike him and claim he's a bad person as well as with those who want to soften him up and make him more palatable. Aziraphale isn't the only one who has trouble with black and white thinking here!

Things like Coffee Theory remove Aziraphale's agency because the thought of Aziraphale doing something to hurt Crowley deliberately is something they can't stomach. If Aziraphale is acting under some kind of major magical influence, it means that it's possible to brush over the fact that he can - and has - hurt Crowley in the past and it certainly hasn't always been accidental.

There's a lot of Psychology I could touch on here, but it's honestly such a complicated topic that I don't really feel I can do it justice attached to a completely different topic.

But one thing I do want to touch on a bit is how Aziraphale asserts control in his own life via his connection with Crowley, and that touches on something equally complicated, which is something that's probably hard to understand.

Abuse victims are often manipulative.

I don't mean this at all as some kind of slight or insult. I've been an abuse victim myself and it's one reason I know it's true.

Fandom talks a lot about Crowley's trauma and he's got loads, to be sure. I think of that meme about "this bad boy can fit a lot of trauma" and it's very true. I've even seen people mention that Aziraphale has a different kind of Trauma than Crowley, which is also true.

What I haven't seen is someone addressing that the type of religious trauma is a form of CPTSD. CPTSD or "Complex PTSD" is a very specific form of PTSD. PTSD is characterized as being the result of a traumatic event - Crowley's fall, for example, is a good example of PTSD and I can go into that at some point. CPTSD is different because it's not a singular event, it's the result of being in a constant high stress situation. A lot of abuse victims - especially those abused by parental figures or significant others - have this form of PTSD.

A good way to see the difference is in comparing how they relate to their trauma. When Crowley thinks he's lost Aziraphale in S1, it sends him into a spiral. But importantly we see that this traumatic event is causing Crowley to go back to another traumatic event in time, triggering his memories of his fall. This emphasizes how much Crowley's fall defines his trauma. We rarely see him experiencing trauma at the hands of Hell, as he's mostly allowed freedom to handle his job on earth the way he wants.

https://cptsdfoundation.org/ defines CPTSD as "the results of ongoing, inescapable, relational trauma. Unlike Post-Traumatic Stress Disorder (PTSD), Complex PTSD typically involves being hurt by another person. These hurts are ongoing, repeated, and often involving a betrayal and loss of safety."

In humans, this is caused by having no sense of safety in key moments of development. It strips away sense of self, sense of worth and really any agency. We even see the angels using direct gaslighting tactics on Aziraphale in S2, which I'm surprised doesn't get mentioned more often: When they come to the bookshop looking for Gabriel, they mention Gabriel and then almost immediately when Aziraphale asks "you were looking for Gabriel", Uriel outright says a line that goes something like "Did we say we were looking for Gabriel?", leading Aziraphale to fumble and try to remember if they did, in fact, say that at some point (they did).

So, one big thing to know about CPTSD and this kind of abuse related trauma is that learning to lie and be manipulative is often what people have to do to survive. Children with abusive parents will learn how to be manipulative in order to get what they need or avoid losing things they need.

We see this with Aziraphale, time and time again. He could just ASK Crowley for things he wants. A lot of people point out that he could ask and that Crowley would probably give in to him most of the time anyway. But that's not how it works in an abusive home. Instead, Aziraphale maneuvers Crowley into situations where Crowley is forced to give him what he needs or wants.

His lack of agency, as a result of his CPTSD, is also why he needs to be worked into making decisions that he already knows - or at least suspects - are right. That's why they have their little dance every time Crowley has to talk Aziraphale into something by finding the right way to frame it so it makes sense with Aziraphale's strict rule structure. These rules exist as a defensive mechanism too. Having rules makes it easier to figure out how to avoid being hurt and Aziraphale cannot simply step outside the rules because it's Not Safe. Not even with someone he trusts as much as Crowley.

The entire apology dance scene stands out for a few reasons. Everything Aziraphale does in the entire scene is an act that allows him to take control of the situation. He's already won, so to speak, because Crowley is back and Crowley is going to do what he wants. The apology is unnecessary on every level.

This post talks about how uncomfortable Crowley has to be sharing a space with Gabriel. Gabriel is with the abusive team, whether or not he was directly involved with Crowley's fall. Crowley also harbors a severe distress and mistrust of Gabriel because of Gabriel's attempts to destroy Aziraphale, the most important person to Crowley. But it's worth noting that Aziraphale is uncomfortable too.

Another good indicator of how stressed Aziraphale is with all this is that he doesn't eat ANYTHING when Gabriel is in the shop. The only food he consumes in modern era is when he's in the Bentley which is a "safe" space. Gabriel constantly hounded Aziraphale over eating and despite offering Gabriel hot chocolate, we don't see him partaking himself. He does briefly drink to demonstrate how "drinking tea" works for Muriel, but he doesn't seem to drink from his cup at all after demonstrating.

The bookshop is also Aziraphale's safe space, his ONLY safe space - Crowley still technically has the Bentley, and honestly I feel like Aziraphale wanting to borrow the Bentley is actually partially because he needs to get away from Gabriel and the Bentley is the only place that feels safe for him at the moment. Shax ruins any illusion of safety for him, but Aziraphale is much more enthused for his trip in ep3 and a fair amount of it is because he's not trapped with Gabriel.

A small note here, as a thought occurs to me. Aziraphale asserting that the Bentley is "our car" is probably mostly for himself. He's trying to realign his thinking to make the Bentley an acceptable "safe space" for himself prior to the trip.

There is a very different relationship dynamic when it comes to Gabriel and Aziraphale because Gabriel is the constant source of Aziraphale's trauma. He's Aziraphale's superior, the one he has to report to, the one who passes down his missions and his punishments. When Aziraphale takes Gabriel in, he's just invited his former abuser of over 6000 years into his safe haven. This is a hugely uncomfortable thing for an abuse survivor.

Worst of all, because Jim is, for all intents and purposes, NOT Gabriel, Aziraphale can't bring himself to lash out at his former abuser the way he wants to.

That brings us back to this apology scene.

There are two major things going on here and both of them are bad and hurtful toward Crowley. They're also both intensely unfair. I love Aziraphale but this was definitely a dick move.

Firstly: Aziraphale is using Crowley to reassert a sense of control over the situation because he is spiraling. He can't assert control over his life and his shop, which is one thing that he falls back on heavily, and that leaves him scrambling to find somewhere where he can control his situation. He makes Crowley go through this whole unnecessary apology and dance routine because it makes him feel like he has control over SOMETHING in his life right now.

Secondly: Aziraphale is also enacting his own trauma on Crowley. He's treating Crowley the way Heaven treats him. This is a direct parallel to the way Crowley terrorizes his house plants because he can't do anything to the people who actually caused his trauma. This is, obviously, wildly unfair of Aziraphale to do - and I'm fairly sure there are other small moments where Aziraphale does this in a mild way, I'd have to rewatch again.

These are both behaviors common in CPTSD caused by environments that apply this constant state of stress.

I'm not going to say it's right, or that Aziraphale isn't being a bit of a bastard in this moment - he absolutely is - but this behavior does have some obvious triggers that might be easy to overlook. It's just important to understand that Aziraphale is falling into self-preservation habits that are actively detrimental to his relationship with Crowley. It's not just the manipulation, he's also hiding things and lying to Crowley when he really shouldn't be - both things often necessary in abusive environments - but he's doing it because that's the method that he's created that works with his abusive relationship in Heaven and he's falling back on it because he feels unsafe. The trouble is, this survival tactic does not work with Crowley and actively makes things worse because it shuts down open communication entirely.

This makes me think, once again, about the Ball.

Aziraphale starts season 2 under high stress. He and Crowley have had four years since Armageddon, but they’ve spent those for years tentatively working on this life together while also waiting for the other shoe to drop. It’s a really fragile situation and Gabriel’s arrival shatters it.

OP’s point about Aziraphale inviting Gabriel into his safe space — that’s characteristic of this whole season. Everything safe, everything sacred to Aziraphale, the bookshop, the Bentley, food and other earthly pleasures, Heaven/Hell encroaches on. So Aziraphale’s story over this season is him trying to reassert control over his situation, getting increasingly desperate for control. His stubborn insistence that everything’s going to be fine, everything’s going to work out.

The Ball is the culmination of that arc for Aziraphale. He comes back to Soho reeling from Shax’s invasion of the Bentley and immediately throws himself into planning the perfect Ball, the perfect love story for Nina and Maggie (and for him and Crowley). Literally orchestrating the entire thing, literally controlling the outfits, the dialogue, the music and the dancing. The vibe is very ‘This has to go exactly the way he’s envisioning it or he will fall to pieces’ throughout that whole scene. OP makes me think of how he shuts down Crowley’s warnings to his face, pulls him onto the dance floor.

And then Hell storms the bookshop, and Aziraphale does the most drastic thing to regain control of the situation: he throws his Halo. The only thing he can think to do that will make everything just stop.

So thinking of Aziraphale this way, looking at his arc throughout the second season in this light, his reaction to the Metatron’s offer and the way he presents it to Crowley makes more sense. A lot of y’all have pointed out that he never actually verbally accepts the Metatron’s offer. He says “I don’t know what to say” and the Metatron says “go tell Crowley the good news.”

Aziraphale is trapped again, feels powerless again. He doesn’t actually get to make a choice here. That’s clear to him. What he can do, though, during the walk across the street, is convince himself that this is a Good Thing, Actually. They can remake Heaven together, won’t it be wonderful?

The only thing Aziraphale can control in this situation is his own mindset, his own mental framing of what’s happening. I’ve seen people theorize that his enthusiasm in the bookshop is an act, and I sort of agree? But it’s not an act he’s deliberately putting on to hint to Crowley that something’s wrong. It’s an act he’s putting on for himself, that he needs to put on for himself, convincing himself that everything has worked out for the best and he’ll have Crowley and it’s all going to be great.

And then Crowley’s refusal to come with him shatters him. Crowley’s kiss hurts him. And so he hurts him back. “I forgive you.” Fine, go then. I release you. I said “I need you” but I don’t need you after all. And his smile in the elevator, once again, everything is fine, and I don’t need Crowley, and I can do this on my own. Everything has worked out for the best.

Yeah, I have no trouble adding "Aziraphale is trying to convince himself something good can come of this" to my read of the Final Fifteen. Our angel's a bit of a five-dimensional chess player sometimes.

I love all this, and I'm going to add one more thing.

Having the Second Coming to fight against gives Aziraphale back a sense of control.

I believe that him acting out of avoidance by borrowing the Bentley, leaning into that avoidance by throwing himself into planning the ball, and then using the nuclear option in desperation all fit, and that this fits too. Because CPTSD and generalized anxiety disorder are concomitant (someone once described Aziraphale as a suit full of bees and honestly, yes).

The part of generalized anxiety that causes problems is worrying about things that might happen but haven't yet, and that realistically you can't do anything about until they do. Like Jim reverting to Gabriel, or the demons finding their way into the bookshop.

But some people with generalized anxiety are really good in an actionable emergency because mentally, they've been rehearsing for this nonstop for... however long.

The Second Coming is a very clear and present danger and since Aziraphale is going up there alone, he has no choice but to ball up. He has something to fight against.

I'm buying into @sendarya's interpretation that he turns to Crowley at the last minute and mouths "trust me" before getting on the elevator, because he believes he can handle it. He's back in his element. He's been doing subversive damage control for 6,000 years, and mentally rehearsing for it the rest of the time. He's wired for this.

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God only knows what the context of this is

But the Crowley and Aziraphale energy is off the charts

“Look, I’m just saying, it wasn’t my fault if he decided to commit suicide by threatening you.”

“Do you really think our respective offices are going to care?”

“Well, no. I’m just saying it’s not my fault. Anyway, he was a saint to his parish and a demon to his housekeeper. Makes him a double agent. So we’re both doing the right thing.”

“And both doing the wrong one.”

“Well. I suppose you could make that argument.”

“How deep do you think we need to put him?”

“I wouldn’t know, I’ve never hidden a body before. I still don’t see why we can’t miracle him away.”

“Audits, my dear. I’m not sure how your side is about it, but my side audits miracles. Unless you’re really sure about that “both doing the right thing” argument.”

“Whatever. Hold your end higher, would you? He’s heavier than he looks.”

WTF, I love this fandom

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mielpetite

As a medieval art scholar and an obsessive GO fan, this made my whole week.

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ahvahtlom

IT GOT BETTER

good omens heritage post

This is brilliant, and I’m also sure I read a fic based on this very premise!