FUCK YOU. HIEROGLYPHICS DANCE PARTY 𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓀟𓀢𓀣𓀤𓀥𓀠𓁆𓀢𓀣𓀤𓀥𓀠𓀟

No more equating special interests with media. Sit down and learn about deceptive marketing

Learn about how to recognize dark patterns it is a critical skill

Pride history posts on here seem almost exclusively to revolve around Stonewall which can leave the impression that America is the only place where anything important ever happened and obviously is not true so I have compiled a few links where you can learn about LGBTQ history in other countries! Feel free to add

The Brunswick Four and the Toronto raids in Canada 🇨🇦

Queer icons like Virginia Wolf, Oscar Wilde, and Freddie Mercury in Britain 🇬🇧

Cultural revolution in Weimar Germany 🇩🇪

The drag scene in Nigeria 🇳🇬

Gay and lesbian Mardi Gras in Australia 🇦🇺

Frida Kahlo and Mexicos fraught history 🇲🇽

Gay samurai in Japan 🇯🇵

Queer narratives erased by colonialism in Pakistan 🇵🇰

The modern world’s first legal same-sex marriages in the Netherlands 🇳🇱

The honoured Mahu (transgender individuals) in traditional Hawaiian culture 🌺

Hidden queer communities in communist Poland 🇵🇱

Husbands in ancient Egypt 🇪🇬

The Athens pride festival in Greece 🇬🇷

The Homosexual Movement of Liberation in Chile 🇨🇱

Gay rights protests in India 🇮🇳

404 compilation (he's coming out tonight please be happy for him)

hey y'all artfighters

have this (a link to my artfight page ;) )

and an intro maybe too

please reblog this if you can!

If you people start giving Hobie Brown the Eddie Munson effect I'm going to start killing. His ass would not be listening to arctic monkeys be so fr

i like never do this & im sorry to hijack yr post (especially seeing as you are a person i do not know!!) but another thing im seeing on these playlists is an absolutely abysmal amount of black artists. spider-punk is and has always been a black character, and black people are frequently pushed out of alternative and subcultural spaces, so i'm going to offer some black punk artists i personally enjoy for i guess playlist consideration aimed towards some of the ppl in the notes, although this isn't definitive & hobie's taste will of course not necessarily be my own.

also to note before we get into this is that punk is a culture of resistance. hobie in specific (though i don't know how much of this will be part of his characterization in the spiderverse trilogy going forward---he's pretty different in atsv, which isn't a bad thing) has been depicted in the comics as a homeless teenager living under a fascist government. regardless of whether or not that depiction is accurate for this version of hobie is irrelevant for now; the point i'm making is that his attachment to punk is not purely aesthetic in nature. i think keeping the radical aspects of punk in general and of spider-punk in specific in mind are important when discussing the character.

anyway.

this post has gone on long enough you get the gist. & if you actually feel inspired enough to want to make a 100% accurate spider-punk playlist, get into your local scene and see what's playing there. it's what he would want, probably.

i'd also recommend big joanie, soul glo, the muslims and minority threat!!

ewhat the fuck whered his joy go

[ID: a quick, not-very-detailed pen doodle of ratafak sitting on the ground. messy writing says “i am just s i am just sitting here.”]

hi. i’m not american. WAS ANYONE GOING TO TELL ME THAT THE OFFICIAL ARBY’S SLOGAN IS “WE HAVE THE MEATS” OR WAS I SUPPOSED TO FIND THAT OUT FOR MYSELF TODAY JUST NOW

WE HAVE THE MEATS???????????? WE HAVE THE FUCKING MEATS????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????

numbers one rule of america Sometimes There’s Bupy Dawg Weeanie Dog

oh me i kill him wethands style

Cas: i love you 🥺

Dean for the past few days on tumblr dot com:

True crime podcast but you realize as you're listening that the host is just describing episodes of Scooby-Doo

The Red Spot club & restaurant - Staten Island, NY (1987)

Designed by Steve Cottone 

“A musician with Mack Hackett and the Tacky Jackets and Jimmy James and the Jumping Flames, Steve Cottone had been performing in various Greenwich Village nightclubs when his life’s work was abruptly curtailed: He broke his hand. This sudden bit of bad luck, in an otherwise promising career, prompted his decision to open an antiques store. And, as a result, Blast From The Past was born. This newfound opportunity in the world of furniture heightened Cottone’s appreciation for the craft, and became the catalyst for his next, new venture: An illegal nightclub with an ice cream parlor facade. Shortly thereafter, a customer and recent million-dollar winner in the New York State Lottery asked Cottone if he would consider joining him in a partnership. The two subsequently moved to Staten Island and began work on the conversion of a funeral parlor into Red Spot. Red Spot (name derived in part from a Kandinsky painting and the gangster hangout in the original Dragnet television series) is an extension, in Cottone’s words, of his own “adolescent psyche of surrealism, 1950s lines and forms, and, believe it or not, George Jetson”; Or a subterranean dream: The designer has exploited color to full pitch and made unnatural use of angles in executing archways, railings and the `Jetsonian’ television set. Artifacts from modern-day American culture (the Cadillac, hairdryer and garden hose) have been playfully enlisted to serve as the not-so-anonymous background.

As the evidence suggests, this is no ordinary installation; Consequently it would be foolhardy to expect a routine explanation of how it was built. (Cottone wouldn’t give you one anyway.) He did say, however, that he retained the shape of the 2,500-sq.-ft. room—with the small exception of adding a false wall that is lit from behind for dramatic effect. He approached the walls as if they were huge canvases and painted abstract image upon image on them. The ‘‘Cadillacbar,’’ a concept Cottone dreamed in his sleep, involved rebuilding the shell of the car around a fully-operating bar. Because of Cottone’s highly imaginative use of New York’s junkyards, the project cost (containing all materials) was amere $105,000.

Scanned from a 1987 issue of Interior Design Magazine

One of the most exuberant examples of the Googie-Kitsch & Diner-Kitsch styles I’ve seen

Why'd you even order sweet tea if you're gonna get rid of all the good stuff