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Hydrogen Related

@riversofstars

Doppel-anger's aesthetic side blog. Robots, dykes, nature, and other pretty things.
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I'm turning 30 this month, and for some reason have become suddenly interested in material possessions. like what if,,,,,,,,my couch was nice. what if my sheets were nice. is this what happens to you??

I think a couple of things combine: you now have enough experience in the persistence of material objects to understand that if they don’t actively fail, they continue to define the shape of your material existence. The four stainless steel forks you randomly bought for your first place are now the forks you might, conceivably, have for the rest of your life.

You also have experience of the world around you. You realize, by comparison with your friends who like nice things, that your forks are shit. Incidentally, you also realise that despite having made choices that were defined by being broke or frugal, you do not actually get points for having shitty thin-handled forks that are annoying to use. You don’t get respect or appreciation or comfort or pleasure. After ten years of use out of $5 cutlery, you have inarguably gotten your money’s worth. You will get nothing else from them. You only get, forever, the experience of using shitty forks.

You have probably lived on your own for a few years now, perhaps even for more than a decade. Some items have fallen behind and been lost, thrown away, broken or failed; both others are still your companions. Depending on how nice they are, this is a source of comfort and frustration. Love to the hiking boots that have lasted! Affection and allegiance to the 20 year old band t-shirt! Disgust to the t-shirt bought last year that is sent to recycling for being so shit. Increasing admiration to the grand-grandmother’s mixing bowl, especially compared to the 2016 purchase of a mixing bowl that couldn’t handle the fast-paced lifestyle. Annoyance, disappointment and sorrow to smartphone case number 241, what the fuck. Smug pride in oneself for having the foresight, in an earlier house move, to splash out on a decent new mattress. As these items persist, you cannot help but notice that quality of materials/items is now obvious and visible, because you’ve spent more time with them. A 22-year old newly in possession of two knives - a cheap shitty kitchen knife and a good one they inherited - will have spent the same amount of time with both objects; when you’re 30, you’ve worked for 8 years with the good knife, while the cheap one (if you even recall ever having it) was thrown out in a fit of annoyance six years ago.

You have, at this point, in addition to using them, also handled and cleaned most of your possessions several times. You have realized, very materially and fundamentally, that you must care for these items for the rest of your lifespan, or theirs.

You are (possibly) out of the early desperate scramble to suddenly, instantly furnish an entire independent life (sheets, mattresses, winter coat, forks) with no money. This naturally led to restrictions on what you chose.

You are (possibly) out of the eaves of how you were raised. Many people spend their early twenties reconciling how they were raised with how they want to live. Perhaps you were raised to feel guilty for wanting things, such as toys or attention, which you later dutifully applied to things like education or new forks. Over time, you will have surprised yourself with how you met, identified, addressed, and reconciled these tensions from your upbringing; through conflict and resolution with parents/teachers/church/internet/social media, you have now arrived at what you have. If you had big things to confront, like coming out as queer, you may have thought this work was done. Now you suddenly find yourself confronting the weird beliefs you have that “you don’t NEED new forks” or “it’s bourgeois to want things” or “NOBODY spend £200 on HIKING BOOTS, what are you, rich?” And you might find yourself feeling like, well, actually, I’m grown-up and I hike and eat, actually.

So yes, I think that when you are 30 you are in the danger zone of getting a new couch.

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surlifen

NO ONE knows how to use thou/thee/thy/thine and i need to see that change if ur going to keep making “talking like a medieval peasant” jokes. /lh

They play the same roles as I/me/my/mine. In modern english, we use “you” for both the subject and the direct object/object of preposition/etc, so it’s difficult to compare “thou” to “you”.

So the trick is this: if you are trying to turn something Olde, first turn every “you” into first-person and then replace it like so:

“I” →  “thou”

“Me” →  “thee”

“My” →  “thy”

“Mine” →  “thine”

Let’s suppose we had the sentences “You have a cow. He gave it to you. It is your cow. The cow is yours”.

We could first imagine it in the first person-

I have a cow. He gave it to me. It is my cow. The cow is mine”.

And then replace it-

Thou hast a cow. He gave it to thee. It is thy cow. The cow is thine.”

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some-stars

This is perfect and the only thing missing is that when “thy” comes before a vowel it’s replaced by “thine”, i.e. “thy nose” but “thine eyes.” English used to do this with my and mine too (and still does with a and an).

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fremedon

The second person singular verb ending is -(e)st. In the present tense, it works more or less like the third person singular ending, -s: 

  • I sleep in the attic. Thou sleepest in the attic. He sleeps in the attic.
  • I love pickles. Thou lovest pickles. He loves pickles.
  • I go to school. Thou goest to school. He goes to school.

The -(e)st ending is only added to one word in a compound verb. This is where a lot of people make mistakes:

  • I will believe it when I see it. Thou wilt believe it when thou seest it. He will believe it when he sees it.

NOT

  • *thou willst believest it! NOPE! This is wrong

If you’re not sure, try saying it in the third person and replacing the -(e)st with -s:

  • *He will believes it when he sees it. ALSO NOPE! 

In general, if there’s one auxiliary, it takes the -(e)st ending) and the main verb does not. If there are multiple auxiliaries, only one of them takes -(e)st:

  • I could eat a horse. Thou couldst eat a horse. He could eat a horse.
  • I should go. Thou shouldst go. He should go.
  • I would have gone. Thou wouldst have gone. He would have gone. 

You can reduce the full -est ending to -st in poetry, if you need to drop a syllable:

  • thou sleepst, thou lov'st.

In some common words–mostly auxiliary verbs, or what you might have learned as “helping verbs”–the ending is always reduced:

  • I can swim. Thou canst swim. He can swim.

Sometimes this reduction takes the last consonant of the stem with it:

  • I have a cow. Thou hast a cow. He has a cow. 

Or reduces the -st down to -t:

  • I must believe her. Thou must believe her. He must believe her.
  • I shall not kill. Thou shalt not kill. He shall not kill.

However! UNLIKE the third-person singular -s, the second person -(e)st is ALSO added to PAST TENSE words, either to the past stem in strong (irregular) verbs or AFTER THE -ed in weak (regular) verbs: 

  • I gave her the horse. Thou gavest her the horse. He gave her the horse.
  • I made a pie. Thou mad’st a pie. He made a pie.
  • I wanted to go. Thou wantedst to go. He wanted to go.

This is different from the third person!

  • *He gaves her the horse. He mades a pie. He wanteds to go. SO MUCH NOPE!

It’s not wrong to add -(e)st to a long Latinate verb in the past tense, but it’s unusual; it’s much more common to use a helping verb instead:

  • I delivered the letter. (Great!)
  • Thou deliveredst the letter. (Not wrong, but weird)
  • He delivered the letter. (Great!)
  • I did deliver the letter. (Normal if emphatic, or an answer to a question; otherwise, a little weird.)
  • Thou didst deliver the letter. (Great!) 

And a couple last things:

1.) Third-person -(e)th is mostly equivalent to and interchangeable with third-person -s:

  • I have a cow. Thou hast a cow. He hath a cow.
  • I love her. Thou lovest her. He loveth her.
  • I do not understand. Thou dost not understand. He doth not understand.

HOWEVER! Third-person -(e)th, unlike -s but like -(e)st, can, sometimes, go on STRONG past-tense verbs:

  • I gave her the cow. Thou gavest her the cow. He gaveth her the cow.

This never happens with weak verbs:

  • *He lovedeth her. NOPE NOPE NOPE!

And even with strong verbs, from Early Modern (e.g., Shakespearean) English onward, it’s quite rare. But you will see it from time to time.

2.) In contemporary Modern English, we invert the order of subjects and auxiliary verbs in questions:

  • Will I die? I will die. 
  • Has she eaten? She has eaten.

If there’s no auxiliary, we add one–do–and invert that:

  • Do you hear the people sing? You (do) hear the people sing.

In Early Modern English, this process was optional, and mostly used for emphasis; all verbs could be and were moved to the front of the sentence in questions:

  • Hear ye the people sing? (Or singen, if we’re early enough to still be inflecting infinitives.)

Do-support was also optional for negatives:

  • I don’t like him. I like him not.
  • Thou dost not care. Thou carest not.
  • She does not love thee. She loves thee not.

3.) Imperative verbs never take endings:

  • Hear ye, hear ye!
  • Go thou and do likewise!
  • Give me thy hand. Take thou this sword. 

4.) Singular ‘you’–that is, calling a singular person by a plural pronoun–arose as a politeness marker; and ‘thou’ fell out of use because it eventually came to be seen as impolite in almost all contexts. In general, once singular ‘you’ comes into use, it is used for addressing

  • people of higher social status than the speaker
  • or of equivalent status, if both speakers are high-status
  • strangers
  • anyone the speaker wants to flatter

‘Thou’ is used for

  • people of lower social status than the speaker
  • family and intimate friends
  • children
  • anyone the speaker wants to insult

It is safer to ‘you’ someone who doesn’t necessarily warrant ‘you’ than to ‘thou’ someone who does.

5.) And finally, that ‘ye’? That’s the nominative form of you–the one that’s equivalent to ‘I’ or ‘we.’ 

  • I  → thou → he/she/it  → we → ye → they
  • Me → thee → him/her/it → us → you → them
  • My → thy → his/her/its → our → your → their
  • Mine → thine → his/hers/its → ours → yours → theirs

Any time you’re using ‘thou’ for the singular, the second person plural– ‘y’all’– declines like this:

  • ye:  Ye are all a bunch of weirdos.
  • you: And I love you very much.
  • your: This has been your grammar lesson.
  • yours: This grammar lesson is yours. 
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The etymology of the interjection pog is so insane like:

1. People are saying "pog" because there is a twitch emote named pogchamp

2. It's called pogchamp because the face of the emote is this guy:

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3. who is a youtuber and streetfighter player who made this face on a video because of a production mishap and later won a competition of the game Pog for which he made a video titled "Pog Championship" that featured this face

4. Pog is a game also referred to as "milk caps" where you stack disks and slam your disks into your opponent's stack to disrupt them. They look like this:

Image

5. The game is called pog because it is commonly played with novelty bottle caps from a drink also called POG

6. The drink is called POG because it's an initialism for its ingredients passion fruit, orange, and guava

7. Passion fruit is native to South America and got its name because Portuguese missionaries used its five-part shape as an allegory for Jesus's stigmata to explain the crucifixion of Christ to the Brazilian natives

8. The word passion comes from the Latin patior which means "I suffer" in reference to the suffering of Christ on the cross

9. The Indo-European root of patior has been reconstructed as *peh- "to hurt" which is cognate with English fiend

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Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

  1. You haven't shown you are considering the design from all angles.
  2. In many games rear view is the main view.
  3. Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

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I'm going to talk about being transfem and butch.

I get misgendered in public a lot. Never cruelly. Just a lot. Which makes sense.

I'm 190lbs of muscle with a deep voice. Which I enjoy. Typically I'm wearing leather and jeans. The vast majority of people are going to gender me as male because my gender presentation is inherently masculine, and other parts of me are also masculine.

This is a problem that cis butches face regularly, and that fact helps me cope with constantly being read as male. But it aches the most when I see other lesbians/queer women.

I don't really get to be 'publicly' lesbian. If I see another dyke on the street, I'm just a man. There's no quiet solidarity there. There's no recognition.

Femmes don't preen under my gaze at a bar. Instead, I have to walk up and explain my whole situation and hope that they're cool. Which is rough, because sometimes they're not. Or, worse, they say they are, but they aren't. Which results in a lot of wasted time for everybody.

It takes a supreme amount of self-confidence to walk up to a cute girl and boldly declare yourself also a girl in a voice that immediately gives some kind of lie to what you're saying.

So, baseline, I'm pushing and establishing boundaries. I'm already testing her just by talking to her. Which makes flirting hard, you see? If I feel like I'm already toeing a line, then I'm not going to make a sly comment about her dress. I am, instead, going to be as non-threatening as possible.

This is a great way to make new friends and acquaintances (I have a lot), but a terrible way to get laid.

So, my point is that if you meet a transbutch girl understand that she's already putting up a LOT of work just be here. So, you know, maybe touch my her arm and give me her a compliment if you're interested.

Hi, me again.

A lot of people relate to what I've said here, which is great. But a lot of people also don't understand what a butch is. I'm not gonna explain that, but I am gonna explain some more about myself.

I enjoy being masculine.

I enjoy having a deep voice. I enjoy dressing in leather and jeans. I enjoy being muscular. And, while I do feel isolated, that's just a result of my condition. Which I accept.

I'm not repressing myself. I'm not 'boymoding.' And, most importantly,

I do not want to pass.

I do not want to look like a cisgirl. I do not want be mistaken for a cisgirl. I don't want to read as feminine. I'm a trans dyke and I'm quite pleased with that.

I'm glad everyone relates and supports, but I think a lot of you are getting the wrong message.

Also, gay transmasc femboys you have my entire heart and I would die for you. You guys get it, may your quest for dick be fruitful.

I am talking, exclusively, to my sisters. Reblog if you feel like it.

Sometimes, I try to write this post over again. I want to nail down the feelings of frustration and isolation that I glazed over in the original. I want to take the nebulous blob of emotions that I'm feeling and pin them to a corkboard.

I'm sure you're familiar with the quiet and often accidental ways transwomen get misgendered: assumptions, requests, warnings, expectations. Things that you can't really say something about without sounding insane. Wounds that get triggered by something completely innocuous. And I'm sure you're familiar with the latent paranoia that comes with all this.

I'm sure you're familiar with the sensation of your teeth on your tongue.

I'm sure you're familiar with the smile, the nod, and the gesture of acceptance. I'm sure you're familiar with standing silently in the circle. I'm sure you're familiar with politely excusing yourself and walking away.

I'm sure you're familiar with taking a long drag off something that's going to end your life sooner or later while you stare at Orion in the night's sky.

I know you know. I know, too.

I know you think about why so many of us fetishize weakness.

I know that you're walking through life this way because you don't have a choice. I know that you choose everyday between yourself and the world.

It's the looks and the whispers or it's death, isn't it?

No need to answer. I already know.

I love you so much.

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itsjanna

Dad at 20/Dad at 67. 

When editing the portraits I made of my father last weekend, I unconsciously selected the one that has the most in common with this self-portriat he did in the Army nearly 50 years ago, which has always been my favorite photograph of him. A happy accident.

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azuremist

Google is going to start scraping all of their platforms to use for AI training. So, here are some alternatives for common Google tools!

Google Chrome -> Firefox

If you’re on tumblr, you’ve probably already been told this a thousand times. But FireFox is an open-source browser which is safe, fast and secure. Basically all other browsers are Chrome reskins. Try Firefox Profilemaker, Arkenfox and Librewolf! Alternatively, vanilla Firefox is alright, but get Ublock Origin, turn off pocket, and get Tabliss.

Google Search -> DuckDuckGo

DuckDuckGo very rarely tracks or stores your browsing data (though they have only been known to sell this info to Microsoft). Don’t use their browser; only their search engine. Domain visits in their browser get shared. Alternatively, you can also use Ecosia, which is a safe search engine that uses its income to plant trees! 🌲

Google Reverse Image Search -> Tineye

Tineye uses image identification tech rather than keywords, metadata or watermarks to find you the source of your image!

Gmail -> ProtonMail

All data stored on ProtonMail is encrypted, and it boasts self-destructing emails, text search, and a commitment to user privacy. Tutanota is also a good alternative!

Google Docs -> LibreOffice

LibreOffice is free and open-source software, which includes functions like writing, spreadsheets, presentations, graphics, formula editing and more.

Google Translate -> DeepL

DeepL is notable for its accuracy of translation, and is much better that Google Translate in this regard. It does cost money for unlimited usage, but it will let you translate 500,000 characters per month for free. If this is a dealbreaker, consider checking out the iTranslate app.

Google Forms -> ClickUp

ClickUp comes with a built-in form view, and also has a documents feature, which could make it a good option to take out two birds with one stone.

Google Drive -> Mega

Mega offers a better encryption method than Google Drive, which means it’s more secure.

YouTube -> PeerTube

YouTube is the most difficult to account for, because it has a functional monopoly on long-form video-sharing. That being said, PeerTube is open-source and decentralized. The Internet Archive also has a video section!

However, if you still want access to YouTube’s library, check out NewPipe and LibreTube! NewPipe scrapes YouTube’s API so you can watch YouTube videos without Google collecting your info. LibreTube does the same thing, but instead of using YouTube servers, it uses piped servers, so Google doesn’t even get your IP address. Both of these are free, don’t require sign-ins, and are open source!

Please feel free to drop your favorite alternatives to Google-owned products, too! And, if this topic interests you, consider checking out Glaze as well! It alters your artwork and photos so that it’s more difficult to use to train AI with! ⭐️

Helpful internet stuff!! ✨