The title of a short story about a French girl who sprays a man with a garden hose.
(source: The Philadelphia Times, April 12, 1891)
I will never be this witty. What a great title

The title of a short story about a French girl who sprays a man with a garden hose.
(source: The Philadelphia Times, April 12, 1891)
I will never be this witty. What a great title
a friend of mine is a science educator. not a classroom teacher - he does the kind of programs you see in museums, fun experiments with lasers and dry ice and shit.
yesterday, a young girl asked him why he was allowed to pour liquid nitrogen all over his own arm but he didn’t want her doing it. I braced myself for some dumb “well I’m an adult so I’m allowed” non-answer, but instead he surprised me by giving some of the best science (and life) advice I think you can give a young person:
“well, it’s one of those rules designed to keep you safe. and following the rules really can help you stay safe, but they’re not perfect. sometimes, usually because they’re too simple, the rules let you do things that aren’t safe, or don’t let you do things that are safe if you know how to do them. one of the reasons I’m good at what I do as a scientist is I try to understand how things work so I can figure out my own rules for keeping myself safe. and sometimes my rules are little more complicated than what I might hear from other people, but they work better for me. like, I let myself play with liquid nitrogen, but only in really specific ways that I’ve spent time practicing. you should follow the rules you’re given at first, but if you take the time to understand how things work, maybe you can make your own, better rules.”
I loved this response. it’s a great encapsulation of two really important things I think people need to learn and re-learn all the time: on the one hand, listen to genuine authority figures; when someone knows more than you about a subject, don’t treat their expertise as “just another opinion” and act like your ignorance is just as good as their knowledge. but on the other hand, don’t obey anything or anyone blindly. recognize that rules and systems and established ideas are never perfect. question things, educate yourself, question things more.
and then, of course, a parent had to butt in and spoil this wonderful lesson by saying:
“but not the rules mom comes up with!”
everyone in the room laughed. except me. I gave her a death glare I’m pretty sure she didn’t notice.
because no. no. your rules are not above reproach if you’re a parent. the thing about the dictates of genuine authority figures - people who deserve to have power, and to have their positions respected - is that they are open to question. genuine authority figures are accountable. governments can be petitioned and protested and recalled. doctors must respect patients’ right to a second opinion. journalists have jobs terminated and credentials revoked if they fail to meet standards of integrity and diligence. scientists, to bring us back full circle, spend their entire careers trying to disprove their own hypotheses! you know who insists on being treated as infallible? megalomaniacal dictators, that’s who. oh, and parents.
I’m beyond sick and tired of this “my house my rules, this family is not a democracy, I want my child to think critically and stand up for themselves except to me ha ha” bullshit. my friend gave this kid the kind of advice that doesn’t just help people become good scientists - if enough people adopt the mentality he put forth to that girl, that’s the kind of advice that helps societies value knowledge and resist totalitarianism. and her mother shut it down because, what, she didn’t want to deal with the inconvenience of having someone question her edicts about whose job it is to wash the dishes on Mondays?
we already know you’re more likely to be a Trump supporter if you’re an authoritarian parent - and that this is a stronger predictor of your views on the current president than age, religiosity, gender, or race. I’ll say this another way in case you didn’t catch the full meaning: people who believe in the absolute, unquestionable authority of parents are more than two and a half times as likely to support Trump as people who don’t, and that’s just among Republicans. we can’t afford to treat the oppressive treatment of children or the injustice of ageist power structures in our society as a sideshow issue any longer. the mentality that parents should be treated by their children as beyond reproach and above dispute is a social cancer that has metastasized into the man currently trying to destroy the foundations of democracy in this country.
in short: parents, get the hell over yourselves before you get us all killed. and kids, learn as much as you can, and then make your own rules.
My mother is fond of quoting something that happened once at work (she’s the director of tourism for the neighboring county).
She was on the phone with my brother, who wanted to do something (I forget what, I think he wanted to go camping with some friends and she was worried it was going to be too cold that weekend or whatever)
And finally she got off the phone and sighed and said, joking, “When I taught them to question authority I must have laid it on thick, because now they’re questioning mine.”
And it got really quiet in the office. And then her secretary pipes up with “You taught your kids to question authority???”
Like she couldn’t believe that you would.
“You didn’t teach yours to?” Says mom, equally incredulous.
“No of course not!”
And mom says that right there in that moment she realized what was wrong with a huge part of the world.
Teach your kids to question, people.
For a short while as a child I had sanctuary from an abusive home in a lovely home with good parents. One of the things that completely shocked my taraumatized little soul was how deeply the adults respected children’s thoughts, feelings, needs and wants.
Whenever a kid thought something was unfair, the adult would ask why it felt unfair and talk to them about it. Sometimes the reason for the rule or decision was immovable, like, “this isn’t safe” or “this isn’t possible with the time we have and the responsibilities that fill it”, or “homework has to be done even if it’s boring, because it helps you practice skills you will need later on.”
In those cases, the rule wouldn’t change but the child would understand why it was a rule, and feel listened to and respected. And best of all, sometimes even if the rule didn’t change, an adult might help the child brainstorm ways to make it easier to follow the rule, or find alternatives to the thing they couldn’t have.
Sometimes, the rule or decision was for more flexible reasons, like “We can’t do this because you need supervision, and I have work to do which means I can’t supervise”, in which case a child’s suggestions, like, “What if I call a grandparent and see if they’re interested in supervising?” were encouraged and listened to.
This taught the kids, me included, so much more than we ever could have learnt by being shut down by, “I’m an adult and I said so.” The system was designed to teach us to make good decisions and to give us as much information as possible about how to do that before we went out into the world. Teaching us the reasons for certain rules helped us respect them and to understand how to make good rules for ourselves going forward.
In my original household, the central rule was “Do whatever will keep you from getting hurt by the person with the most power.” From this we learned to make choices based solely on fear of consequences, no innate ethical system, so we learned to misbehave without getting caught.
We learned that if you can force someone to do something they don’t want to, you’re allowed to, because that’s how rules are decided, the most powerful person always gets their way.
We learned that asking questions of someone with power over you is dangerous and you have to figure everything out on your own. We learned to keep secrets about how badly we were hurt. There was no oppenness, no conversation, no negotiation or questions or teaching, just fear and hatred and a lot of pain.
Which household do you think taught me the best lessons, the ones I can use to build a healthy and responsible life for myself?
My older son (almost 8 now, god) said to me in a conversation this year, “You can say no to anyone, even grown ups,” and I almost cried with relief.
Just to go back to tdf’s bit: “Whenever a kid thought something was unfair, the adult would ask why it felt unfair and talk to them about it. ” Y'know, after I ran away from home, if an adult had started a conversation like that with me, I would’ve thought it was a trap and clammed up. I’m not sure exactly what I think needs adding here, but there’s something about abusive parents training their children to not trust the absence of power abuse.
A recent cartoon for New Scientist:
p.s. I have a book of science cartoons called 'Department of Mind-Blowing Theories'. Details at tomgauld.com.
You cannot possibly suggest... what infer... you're implying.
How did you and Pratchett decide who's name would come first on the cover of good omens? I know it's a little thing, but since it's not alphabetical I've wondered.
The original plan from 1989 was that Terry's name went first outside the US because he sold more books in the UK and round the world and mine went first in the US because I sold more books in the US.
And that was how things remained until we did the Harpers edition in February 2006, and then, because Terry sold lots of books in the US and we wanted to be on both the P shelves and the G shelves, we did the two editions in the US:
Terry's name goes first on anything to do with the two of us as authors connected with the TV adaption.
It's so interesting to see how well an author is known in certain countries. In my home country, Hungary, the fantasy section is full of Neil Gaiman books and nobody seems to know Terry Pratchett, while in France the shelves are bursting with the Discworld novels.
"we live in an uncaring universe." sorry the special planet full of beauty and animals and food literally growing out of the ground isnt good enough for you. i guess
"we live in an uncaring universe" EVERYTHING ALIVE CARES SO MUCH. EVERYTHING WANTS TO LIVE AND EXPERIENCE AND CARE EVEN PLANTS AND BUGS AND FUNGUS AND MICROBES AND SQUIRRELS AND TURTLES AND DEER. WE LIVE ON ONE OF THE ONLY ROCKS IN THE UNIVERSE THAT WE ARE CERTAIN HAS THIS PHENOMENA AND IT IS TEEMING, OVERFLOWING WITH THINGS THAT WANT TO GROW AND TOUCH THE SUN. WHY ON EARTH ARE YOU FOCUSING ON THE VAST VOID THAT SURROUNDS OUR PLANET INSTEAD OF THE NEVERENDING RECIPROCAL CYCLE OF LIFE THAT WILL CRADLE YOU TILL YOUR BONES DISSOLVE
Goddamn. Okay
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played.
There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know.
As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes.
A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye.
He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone."
Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found.
Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end.
"Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
Those who give up hide-and-seek and not tell the others suck.
hello! i read both demonology and angel (< is that the correct abbreviation? idk) yesterday, and i just wanted to say that i think i might have very possibly fallen in love with your absolutely beautiful writing style.
i also wanted to ask, as both of these are from the perspective of a therapist, and both include very intellectual descriptions of different theories and whatnot, are you perhaps a therapist yourself? or maybe someone who has studied psychology? or do you just happen to be a very smart person who is very interested in this topic?
sorry if someone has already asked this. and if you do happen to answer this, thank you!!
Yeah, I have some experience with counseling psychology.
I am glad you are enjoying my silly little stories! Thank you so much.
I've been thinking about it, and I feel bad about calling them my silly little stories.
First, they're not little. The word count is right there, on them.
Second, they're not silly. At least, they're not wholly silly, and I know the parts that aren't silly matter to some people who've read them.
Third, they're not mine. Or, at least, substantial portions of them aren't.
Good. Don't sell yourself short.
Welcome to Nightvale episode 134, A Door Ajar, Part 1 (march 15th, 2018):
"There was a lot of great memorabilia in the Pancake House, like old postcards and ceramic chickens with human fingers for eyes, and this cool antique jukebox that would automatically play Buddy Holly's "Everyday" whenever someone in town was about to die. I loved that place."
@neil-gaiman: ?????????????????????????????????????
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!
It's a good song. If you go hunting you'll find it waiting for you in The Sandman too...
I bet Death likes a cheery tune.
Ineffable Fandom manifesting S3 :D.
The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.
That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.
I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.
The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.
The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.
The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.
Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.
Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.
It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.
Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.
It really tickled my imagination, I highly recommend the book.
Stardust is set in a more high fantasy setting.
It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.
American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"
It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.
Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.
Just a very nice film with an all-star cast.
Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.
Anansi is a trickster god, so you know things will get funky.
I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.
Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.
'The Ocean at the End of the Lane' is... I have honestly no idea what it is. It is unsettling and disorientating and brilliant in a 'what the hell just happened' kind of way. Highly recommend it.
Hello Mr Neil.
I have this picture of you and Maurício de Souza in my phone for quite a while, today I showed my friend and she didn't believe me it was actually you
As a brazilian he's a big part of my childhood and his histories helped me learn to read, it would make me really happy that you have met him, so I would like to know if this picture is true
It is absolutely true, yes. (Although I don't remember if it's from 1998 or 2002. But someone in the notes will know.)
“someone in the notes will know”
i feel like it must be equal parts terrifying and wildly convenient having a pack of volunteer historians keeping track of your life for you. like if I had one I could ask them if I took my meds already
He has a lot of confidence in us
disability rights involves the right to do fuck all. the right to be a useless member of society and STILL be loved and cared for and have a fair standard of living. human beings are not defined by the capital we produce.
come home with me
its you
its me
Hello Mr Gaiman,
I made this flip-book stop motion animation of Crowley’s swagger!
I hope you don’t mind my defacing of your book, it was for a good cause-
(Now my new goal is to get this copy signed, if you’re ever in London)
That's incredible.
This is incredible, you have even got his swagger down. Wow!
Hello! A rare question about Good Omens season 1 these days, but I just recently rewatched it in Japanese and I noticed something odd that I'd like clarification on. In the English-speaking fandom, it seems generally accepted that during the Globe Theatre scene Crowley agrees to make Hamlet successful while Aziraphale goes to Edinburgh. In the Japanese subs, however, it's implied (and in the Japanese dub, outright stated) that Crowley was the one to go to Edinburgh while Aziraphale worked on Hamlet.
I have no idea how the scene plays out in other languages, as there are woefully only the two that I'm reasonably competent in, but either way, which one is the correct interpretation?
(Funny that I should be asking you this, too - I was a year behind Holly at BMC and I believe we learned Japanese from the same sensei!)
The former is correct. Or at least, it's what I wrote.
I always thought it was Crowley going to Edinburgh, probably because he was the one leaving at the end of the scene. He suckered Aziraphale into going (no one can tell me he didn't cheat with that coin toss), then, when faced with Aziraphale's puppy eyes, agreed to go anyway.
Either way, it's a delightful scene.
I GOT A FUCKING RAISE THE POTATO WORKED WTF
This potato works. Every. Fucking. Time.
Reblogging because it’s a damn potato and I want to encourage people to assume potatoes are magical.
w-what if potato is actually lucky
Hey Mr. Gaiman!
I just finished reading American Gods (it was so amazing, i feel like im not gonna stop talking about it for the next month or so + i really admire the amount of research and energy you probably put into it) and i have a small question. Towards the end of the book i came across something like this:
I was wondering what you meant by the 'God of the Hungarians' (if you remember), since i know that they praise the same God as every other Christian does.
Btw thank you for GO2 it broke my heart, but i really loved it. And thanks for being so active here on Tumblr so fans like me can ask you random silly questions like this.
Hope you take care and hydrate properly, bye!!
Just figures that the God of Hungarians would be described as someone who looks like they scam old people. Spot on.
I had a professor in college who often said, “Inspiration will fail you.” She was very right about that. Many authors wait around to be inspired. They wait for the muse to appear with an amazing idea, one that fills the page with vivid prose and vibrant action. And when inspiration fails to appear, those writers remind themselves that tomorrow is another day, and they don’t write…
When I first got to Woodstock NY, ten years ago, you could drive to Rhinecliff Station and buy a ticket to New York. And then get on the train and go to New York. Now when friends in New York want to take the train to come and see me I have to explain about downloading the Amtrak app and buying a ticket for the train they want to be on and no other train and so on and the ones from countries where there are functional train services think I've lost my mind...
I was at the Edinburgh Fringe last week and went to the box office in person to buy a ticket to a show instead of doing it online, as my phone was off. They sent the ticket to me by email and told me to just show the QR code on my phone at the door.
a graph based on my observations
I would like to apply a Dolly Parton quote to this most excellent graph.