i want a shirt that has a QR code on it for some kind of horrible malware so that if anyone ever tries to film me in public their phone will automatically scan the code and be reduced to a functionless brick

Modern day Medusa

Graph via this post by the Movement Advancement Project.

Strikes are clearly NOT the reason anything with queer and trans content is being destroyed and pulled from the public eye.

This is really good news! I look forward to seeing the details and voting on it soon.

(And to the SAG-AFTRA strike being similarly and rapidly resolved.)

Edited to make it a gift link, so it should now open for everyone.

sick of this anti-aging obsession. let's go in the opposite direction. i want more characters who are hardened & grizzled & have a face lined with the harrowing tribulations of time--and then halfway through the narrative u find out they're 27

"cis is a slur" i'm completely fine using it that way

#''cis is a slur'' i appreciate ur vision and i think together we can make it happen

"cis is slur" i mean, if you insist

"oh but your favorite shows are going to be delayed by the strikes" my favorite shows consistently get cancelled after 2 excellent seasons bc of the exploitive corporate greed that these strikes are fighting against

"what about all the great new content that's not getting made" what about all the great content that never got made bc the quality of tv plummeted back in 2007--when studios refused to negotiate and replaced writers with reality tv? what great new content are they gonna come up with by replacing writers with AI bots?

studios care about viewership not quality. if you want quality, you need creators & creatives who are respected, rested, well-compensated, and well-treated. because humans do their best work--creative and otherwise--without abusive employers constantly tightening a noose around their throats.

imagine how incredible modern media could be if its passionate creators weren't being constantly sabotaged & traumatized by their working conditions. focus on that

• An Oxford comma walks into a bar, where it spends the evening watching the television, getting drunk, and smoking cigars.

• A dangling participle walks into a bar. Enjoying a cocktail and chatting with the bartender, the evening passes pleasantly.

• A bar was walked into by the passive voice.

• An oxymoron walked into a bar, and the silence was deafening.

• Two quotation marks walk into a “bar.”

• A malapropism walks into a bar, looking for all intensive purposes like a wolf in cheap clothing, muttering epitaphs and casting dispersions on his magnificent other, who takes him for granite.

• Hyperbole totally rips into this insane bar and absolutely destroys everything.

• A question mark walks into a bar?

• A non sequitur walks into a bar. In a strong wind, even turkeys can fly.

• Papyrus and Comic Sans walk into a bar. The bartender says, "Get out -- we don't serve your type."

• A mixed metaphor walks into a bar, seeing the handwriting on the wall but hoping to nip it in the bud.

• A comma splice walks into a bar, it has a drink and then leaves.

• Three intransitive verbs walk into a bar. They sit. They converse. They depart.

• A synonym strolls into a tavern.

• At the end of the day, a cliché walks into a bar -- fresh as a daisy, cute as a button, and sharp as a tack.

• A run-on sentence walks into a bar it starts flirting. With a cute little sentence fragment.

• Falling slowly, softly falling, the chiasmus collapses to the bar floor.

• A figure of speech literally walks into a bar and ends up getting figuratively hammered.

• An allusion walks into a bar, despite the fact that alcohol is its Achilles heel.

• The subjunctive would have walked into a bar, had it only known.

• A misplaced modifier walks into a bar owned by a man with a glass eye named Ralph.

• The past, present, and future walked into a bar. It was tense.

• A dyslexic walks into a bra.

• A verb walks into a bar, sees a beautiful noun, and suggests they conjugate. The noun declines.

• A simile walks into a bar, as parched as a desert.

• A gerund and an infinitive walk into a bar, drinking to forget.

• A hyphenated word and a non-hyphenated word walk into a bar and the bartender nearly chokes on the irony

- Jill Thomas Doyle

A zeugma walked into a bar, my life and trouble.

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)

Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.

Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!

Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks

Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!

Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row

Somewhere or other, C. S. Lewis points out (and I'm paraphrasing here) that every era of writing has its own tropes and its own blind spots; its own failings and its own successes. This is why it's important to read in lots of different eras: so you can see what does and doesn't work, in the long run, and be able to make your own informed choices about how to write.