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having a vanitas moment

@queencorgo

20-Something| fanfic writer (corgo_Queen on AO3), long-term insane about bsd and vnc

God Put a Smile Upon Your Face (Vanitas no Carte; Roland & Astolfo fanfic)

Rating: Teen and Up

Summary: Immediately following the events of Gévaudan, Astolfo suffers from the fatal side effects of overdosing the injections. His vulnerable state and fixed hatred permits a mysterious, demonic force to invade his body. After a series of strange occurrences, Astolfo disappears in the middle of the night leading Roland and Olivier deep into the forbidden layers of the French catacombs where they must traverse a maze of unmentionable horrors to save Astolfo from what has dragged him below. As Roland and Olivier venture deeper and deeper, they realize the lower catacombs are much more than an ossuary, and that returning to surface may not ever be possible.

Characters: Astolfo Granatum, Roland Fortis, Olivier, Noe Archiviste, Vanitas

Relationships: Olivier/Roland, Astolfo & Roland (platonic/familial)

Warnings/Notes: The vibe is "The Exorcist" plus "As Above, So Below." It's generally creepy, but wanted to take a stab at wtf happens to the chasseurs post-Gevaudan. Also there's some slight spoilers for the recent manga chapters

This was THE scene!! The way Barbie was afraid of being perceived as “ugly” and trying to avoid aging just for her to see people in the real world and understand what it really means. The way she softly says “you’re beautiful” and the woman plays along with her by saying “I know”. The way it was her first good experience with someone in the real world. Everything about it was just perfect

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

Modern writing advice: Yes your protagonist should have flaws but ultimately we should root for them and like them from the beginning :)

Charles Dickens: Here is the worst ugliest rudest meanest nastiest bitch you’ve ever met in your life.

Modern writing advice: Make sure your POV character goes through a significant arc! Make sure they are changed by the narrative! Make sure they learn a lesson!

Narrators of every book of the 19th century: the lesson I learned is these people fucking suck, sayonara you freaks

Modern writing advice: It’s all about the character overcoming obstacles and learning! They learn their lesson so they can fix their mistakes and make good choices in the future! It’s a character arc! It’s called growth! Readers love it!

Everyone from ancient times through the 19th century: would you like to watch a Guy fuck up twenty times in a row

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itsjbug

The Barbie movie: "You don't have to be extraordinary as a woman. You don't have to be extraordinary as a man. You don't have to be extraordinary at all. You just need to be yourself for yourself."

50yo newly divorced men: "Erm,,, wow this WOKE FEMINISM is OUTTA CONTROL!!!1!!"

that one scene where ruth shows barbie what it's like to be human and it's just scenes of humans at birthday parties... humans dancing... humans playing in the park... humans doing mundane and everyday things and having FUN meant so much to me. the fact that it didn't include extraordinary things that only a few people accomplish in their lives but rather things almost every human has experienced, or a FEELING that almost every human has felt - joy, happiness, love - was so beautiful and important. you don't need to be the president or a nobel prize winner to be barbie, because barbie isn't about all that. yeah those are things that several barbies HAVE been and it's not impossible to be them, but stereotypical barbie is just... barbie. and she's enough as barbie. she doesn't need to be anything else. she doesn't need to win an award to be happy. she can just go to the gynecologist with the same smile. she's just barbie and that's everything. and who's barbie if not all of us.

We're not appreciating the Weird Barbie enough. It's said in the movie that she helps everyone who need help while they always see her as someone who's not as good as them. She was friends with all dismissed Barbies and Kens, was there to offer support and safe shelter for everyone who needed it in Kendom, without her nothing in the movie would've been alright. When Stereotypical Barbie calls her "ugly and unwanted" she still helps her.

She was representing a woman in women's world who was pushed aside by other women because she didn't fit in but still had more wiseness and kindness than everyone who thought they're better than her.

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prokopetz

I think that if you want relationships depicted in your fiction – whether primary media or fan-work – to be emotionally compelling, there's really no getting around the fact that one of the most compelling relationship dynamics in fiction is "hey, wouldn't it be fucked up if".

The AI issue is what happens when you raise generation after generation of people to not respect the arts. This is what happens when a person who wants to major in theatre, or English lit, or any other creative major gets the response, "And what are you going to do with that?" or "Good luck getting a job!"

You get tech bros who think it's easy. They don't know the blood, sweat, and tears that go into a creative endeavor because they were taught to completely disregard that kind of labor. They think they can just code it away.

That's (one of the reasons) why we're in this mess.

what really got to me about the barbie movie is how the movie is really about how there is still a little girl inside all of us, and when you walk around the movie theater and see all these grown women dressed in pink and visibly excited, it's a reminder of that. but moreso, it's how your mother is a little girl too. and that all comes together in the end when barbie meets her creator. barbie was made so ruth's daughter could be anything she wanted to be, and she named her after her. in the end when ruth helps barbie become human, she is her mother. and when in the end barbie introduces herself as barbara, she is her daugher again. you can be anything, but being human and mortal and imperfect is the greatest gift of all.

I want more stories that explore the angst potential of unrequited platonic love.

Like:

‘You’ve always been like a brother to me but I’ve realised you only come to me when you want something’

‘My surrogate parental figure just sees me as another student/employee/lackey’

‘I raised you like my own child but you don’t even remember who I am’

And of course, the classic ‘You’re my best (and only) friend but I know I’m only one of yours’.

Oh maaaan, platonic pining is such a big thing for me. I think it’s something most of my fandoms have in common … I’ve come to realize that what I really want out of a piece of media is a relationship arc that hits most of the beats of a UST/pining arc, or a classic bickering-lovers/enemies-to-lovers arc, but does it with friendship and/or family relationships. Characters desperately yearning to be friends or family, and not knowing if their love is requited, is so completely my jam in every way.