OHHHHHHHHSFHDJFB GDARE YOU KIDDINGEMEEEEE
ok i have had a LOT of time to think about these parallels.
in itsv, miles isn’t fully spider-man yet. he’s wearing the kids’ costume that doesn’t even fit. peter is the experienced spider-man, wearing the suit, who’s telling him he knows better and that he should sit this one out. but miles doesn’t. he takes his leap of faith and becomes spider-man.
in atsv, miles has a brand-new suit. he’s been spider-man for longer, and he’s had time to figure out what works for him.
peter comments on his new suit design and says it looks like he’s bleeding from the armpits. it’s meant as a joke, but it’s also a subtle nod that a lot of time has passed. peter doesn’t quite get how much miles has changed and come into his own.
in the scene where they have a heart to heart, peter is wearing a bathrobe covering up his spidey suit, showing how he’s out of touch with miles. he’s not the best mentor he can be right now. miles is the one fully displaying the suit. he tells peter he wants to be spider-man in a different way—peter told him in the first movie to “do it like you,” and that’s exactly what miles is doing.
in both scenes, peter thinks he knows better. but miles flips it right on his head and proves that he’s gonna do his own thing.
I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.
Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.
Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.
Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.
Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.
The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.
the fact that reboots used to be like thirty or forty years apart and are now instead like 3-10 years apart is absolutely ridiculous. like are we so trapped in a capitalist hellscape that instead of us naturally cherishing a beloved piece of media like it deserves and looking forward to NEW stories with NEW universes we have to watch the same thing over and over and over again with reboot after reboot after reboot until that media has been so sucked dry that us as an audience are literally sick at the mere mention of it
spiderman and cops. okay. intrinsically tied since the beginning. hobie mother FUCKIN brown the anarchist. gwen's dad pointing the gun at her. being the threat— not fully letting go of the goddamn gun even after she took off the mask. he, in the end, recognizing he cannot be good to her and be a cop at the same time, choosing gwen, and her, in the argument, saying "you're a good cop", saying she understands why he can't be her father instead, saying that being a good cop is not a good thing at all. he gives up his badge and saves himself by it. the narrative saves him and saves gwen too.
miguel and the centralized spider government. okay. how the scale of it and the organization around a single person take the spider people from the heroes of their own worlds to the threat in miles'. lost in the utilitarianism. and HOBIE MOTHER FUCKIN BROWN! THE ANARCHIST! not letting miguel unilaterally decide what the greater good looks like, deciding not to act in its name, deciding to act on his own perception of goodness. every spider person in the facility is indeed a spider person, but only hobie and miles act like Spider-Man. when worse comes to worse.
friendly neighborhood spiderman. spiderman as somebody supposed to exist in the small scale, in community, defiant of the complex social structures of the world. your friend. your hero. thread the needle. defy canon. listen to your gut. be there for those who matter to you. and try and try and try and try against everything against all odds because you're SPIDER-MAN YOU'RE SPIDER-MAN it's YOU and you can DO SOMETHING ABOUT IT
me after watching across the spiderverse
“You have been a fabulous audience! Tell you what, you’re the best audience in the whole world. Take care of yourselves! Good night, Alice! Good night, Agrabah! Adios, amigos!”
Aladdin (1992) dir. Ron Clements & John Musker
Source: jaimeshanice
I want everybody who’s calling Ken a Trophy Husband to know that he’s actually a Trophy Boyfriend, because when Ruth Handler invented Ken in the 1960s, she was adamant that he would never marry her and instead be her “handsome steady”, so that Barbie remained a figure of independence for the little girls and was never put in the position of housewife.
Her house is hers. She bought it and furnished it with money she made in her own job. In STEM, in politics, in healthcare, in fashion, in academy, in customer service. Her credit card is in her name (women in the US couldn’t have their own regardless of marital status until 1974). And it’s all pink and fashionable because femininity and badassness aren’t mutually exclusive. No matter who you are, you can be anything.
That’s why Barbie’s slogan is “you can be anything”. Teaching these ideals to little girls is why Barbie was created. Empowering women and empowering femininity is the original meaning of the Barbie doll. It’s not that you have to be all this to be a woman, but if you are all or some of this, you too are awesome.
And somehow pop culture deliberately changed that narrative. Sexualised, bimbofied, and villainised her, when she actually isn’t responsible for the impossible beauty standards — people are, she’s just a stylised, not-to-scale toy like most others.
Men are frothing because he’s just Ken and I guess they were expecting her to be just Barbie, but that’s exactly what Ken is. Canonically. A badass woman’s himbo boyfriend.
This movie has the potential to change the way we collectively see Barbie radically into what Ruth Handler’s intended, I’m so very excited
Anonymous asked:
she/her? blocked and unfollowed.
what the hell
do u ever see someone elses headcannon for ur fave character and its like….. i completely respect that u have the right to that headcannon, i will not confront u at all and start needless bullshit over that headcannon…. but i will silently sit here and give you the sideways glance of the century
People being like "why is Ken just Ken" and thinking it's a gimmick for girl bossing Barbie clearly never watched Barbie Life in the Dream House because if they had they'd know that Ken is a very smart and capable guy but chooses to dedicate his life to Barbie because he loves her. He literally has a sixth sense for if Barbie is unhappy or needs something and will drop everything to help/cheer her up. Ken chooses not to pursue careers like Barbie does because it would interrupt his Barbie time. Ken is a self imposed trophy husband and I won't let people question his decision!