idk hearing confirmation that your brother is dead by the killer is quite bonkers
Oscar de la Renta - Spring 1994 RTW
happy first Bella From Twilight Depression Month
happy second Bella From Twilight Depression Month
FOUR’S A PARTY
ft. Geto, Gojo and Shoko (together)
𓆩♡𓆪— SYNOPSIS: The popular group of the school seem to have a thing for you
𓆩♡𓆪— WARNINGS: Foursome, Oral (receiving and giving), Tag Team, Double Penetration, Anal, Strap On Use, Face Fucking, Slight Mommy and Daddy kink, Spit (once), Pet Names, Praise
𓆩♡𓆪— WC: 2.4k
Gojo, Geto and Shoko always had a soft spot for you. Despite being the popular group of the school, they always want to be near you. To hold your hands or place small kisses to your lips when you least expect it. You were just too cute. And the trio couldn’t help but to love you, crave you, need you. That is why when Shoko invited you over you thought nothing of it. Accepting the invitation with that pretty little smile of yours.
Until you found yourself laying naked on her bed. Your head in her lap as she kissed down your neck. A wide grin on her face at the small whimpers bubbling in your throat. Gojo kissed down your chest, his smirk never faltering as he sucked your nipple into his mouth, swirling his warm tongue around it. You let out a soft moan, your hands finding their way to grip onto white strands when he let go of the pert bud with a pop.
I LOVE HIM RWARRRRRAAAAGHHH
Otherworld Midwich Elementary School
SAE EUN PARK rehearses “The Dying Swan” for the Paris Opera Ballet
Strategies for creating conflicts between the protagonist and the antagonist that drive the story forward.
Creating conflicts between the protagonist and the antagonist is vital for driving the story forward and engaging readers. Here are some strategies to help you craft compelling conflicts:
1. Goals and Motivations: Establish clear and conflicting goals and motivations for both the protagonist and antagonist. Make sure their objectives are mutually exclusive or directly opposed to each other, creating inherent conflict.
2. Personal Stakes: Make the conflict personal for both the protagonist and antagonist. Connect their goals to their personal desires, values, or relationships. When something deeply important is at stake, the conflict becomes more intense and emotionally charged.
3. Ideological Differences: Explore ideological differences between the protagonist and antagonist. Present opposing beliefs, philosophies, or worldviews that clash throughout the story. This can lead to profound debates and arguments, driving the conflict forward.
4. Obstacles and Challenges: Introduce obstacles and challenges that stand in the way of both the protagonist and antagonist achieving their goals. These obstacles can be physical, emotional, or psychological, forcing them to confront each other in a series of conflicts.
5. Strategies and Tactics: Allow the protagonist and antagonist to employ different strategies and tactics in pursuit of their goals. Show how their contrasting approaches intensify the conflict and force them to outwit each other.
6. Reversals and Setbacks: Incorporate reversals and setbacks for both the protagonist and antagonist. Just when one gains an advantage, have the other seize an unexpected opportunity or achieve a significant breakthrough. This keeps the conflict dynamic and unpredictable.
7. Emotional Confrontations: Create moments of emotional confrontation between the protagonist and antagonist. Explore their personal histories, traumas, or vulnerabilities, and bring them to the surface during pivotal confrontations. This adds depth to the conflict and raises the emotional stakes.
8. Physical Confrontations: Include intense physical confrontations between the protagonist and antagonist. These can be action sequences, battles, or confrontations that test their strength, skills, and determination. Use these moments to escalate the conflict and heighten tension.
9. Psychological Warfare: Incorporate psychological warfare between the protagonist and antagonist. Show how they manipulate, deceive, or psychologically torment each other to gain the upper hand. This adds layers to the conflict and tests their mental fortitude.
10. Moral Dilemmas: Present moral dilemmas that force the protagonist to make difficult choices and challenge their values. Allow the antagonist to exploit these dilemmas, further fueling the conflict and testing the protagonist's resolve.
Duckie Thot by Carlijn Jacobs for Selfridges Online , Feb 2021
The Poppy Field Near Argenteuil, Claude Monet
Usually, I don't like new builds, but this one is pretty cool. It was built in 2005 in lovely Fairfield, Connecticut. 4bds, 3ba, 2.5ba, $1.798M.
Eric's Castle
Not my images/gifs.
Greenish blue vibes
returned to the pacific ocean for the first time in twelve years! promptly collected too many cool shells and bones, which gave me an excuse to improvise a bull kelp mermaid's purse out of a variation on slipstitch. the purse is now loaded up with rocks to keep it stretched as it dries out.
there’s just something about kelp forests… *sigh*
Photos via : : gochagia ○




