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and she was

@petitelappin / petitelappin.tumblr.com

Sarah Catherine "Sadie" Lappin. She/they. 25. Illustrator & historical interpreter/reenactor. New England, USA. This is my art blog.

If I’ve already said this to you, I’m sorry, for repeating, but I can’t remember.

So you know that drawing you did of the 9 yo girl on Halloween who’s dressed as her OC?

I showed your drawing to my grandmother and she loved it so much she printed it out and hung it up on her wall. She has a little corner of her room where the puts pictures and quotes that make her especially happy, and she hung it there to look at every day. Any time I’m in her room she shows it to me again like “remember that?”

Anyway just wanted you to know how much joy you’ve brought to the two of us

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Oh my god!! That makes me so happy!

I love whenever I can make art about something that made me smile, and post it with no idea whether or not it will make other people smile, but it turns out it does.

hi! so, your job as a historical interpreter is literally my dream job, and it seems like there are a lot of different paths to jobs like this. would you be willing to talk a little about your journey to this job and what you’ve found helpful in getting it? tysm!!

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I'd be happy to!

I have a BFA in studio arts (illustration) with an art history minor, so this job wasn't at all something I had in mind until the listing popped up during a job search. I was searching for an entry-level job in a museum (preferably collections care) or in an adjacent field, but it was late 2020, so a lot of museums weren't really hiring, and the ones that were were looking for qualifications I didn't have, and private art restorers were looking for couriers with their own car, which I also didn't have, so when I saw a historical interpreter position was open at the site I now work at, I was desperate enough that my stage fright and anxiety did not matter to me anymore.

The hiring process for my site involved a short audition as part of the interview where I had to memorize both an excerpt of one of Abigail Adams's letters that was assigned and a second period-appropriate monologue (I ended up choosing one from Mercy Otis Warren's 1776 farce "The Blockheads", a decision I agonized over). I hadn't acted since high school prior to this, but for some reason I still can't fathom, they hired me.

I think the best thing you can do is just apply whenever you see an opportunity, even if you're not sure you have the qualifications yet, and let whoever is in charge of hiring decisions figure that out. I wish I had more advice! I have plenty of advice about doing the job itself, but as for the hiring process, I'm still mystified, even though, over time, I've gotten more confident in my skills and feel less like I accidentally tricked my work into hiring an art student instead of an actor.

Let me know if you have any questions about anything though!

I am once again thinking about Seth Ingersoll Brown (or Browne). I've been digging into his family life again. Maybe it's wishful thinking, but he just strikes me as a genuinely kind man trying his best to do right by the people around him. I know that's a lot to ask of a dead man, though.