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@peachyriver

Ravenclaw, F1 and Tennis fan, Aspiring Writer obsessed with théo, seb and lewis sarcastic at times

My boyfriend is trying to explain cricket to me again. “He’s only got two balls to make 48 runs”, he says. The camera focuses on a man. Underneath him it says LEFT ARM FAST MEDIUM. A ball flies into the stands and presumably fractures someone’s skull. “There’s a free six”, my boyfriend says. 348 SIXES says the screen. A child in the audience waves a sign referencing Weet-Bix

The first time he showed me this I assumed he was pranking me

if people haven’t been exposed to cricket before, here is the experience. The person who likes cricket turns on a radio with an air of happy expectation. “We’ll just catch up with the cricket,” they say. 

An elderly British man with an accent - you can picture exactly what he looks like and what he is wearing, somehow, and you know that he will explain the important concept of Yorkshire to you at length if you make eye contact - is saying “And w’ four snickets t’ wicket, Umbleby dives under the covers and romps home for a sticky bicket.”

There is a deep and satisfied silence. Weather happens over the radio. This lasts for three minutes.

A gentle young gentleman with an Indian accent, whose perfect and beautiful clear voice makes him sound like a poet sipping from a cup of honeyed drink always, says mildly “Of course we cannot forget that when Pakistan last had the biscuit under the covers, they were thrown out of bed. In 1957, I believe.”

You mouth “what the fucking fuck.”

A morally ambiguous villain from a superhero movie says off-microphone, “Crumbs everywhere.”

Apparently continuing a previous conversation, the villain asks, “Do seagulls eat tacos?”

“I’m sure someone will tell us eventually,” the poet says. His voice is so beautiful that it should be familiar; he should be the only announcer on the radio, the only reader of audiobooks.

The villain says with sudden interest, “Oh, a leg over straight and under the covers, Peterson and Singh are rumping along with a straight fine leg and good pumping action. Thanks to his powerful thighs, Peterson is an excellent legspinner, apart from being rude on Twitter.”

The man from Yorkshire roars potently, like a bull seeing another bull. There might be words in his roar, but otherwise it is primal and sizzling.

“That isn’t straight,” the poet says. “It’s silly.”

What the fucking fuck,” you say out loud at this point.

“Shh,” says the person who likes cricket. They listen, tensely. Something in the distance makes a very small “thwack,” like a baby dropping an egg.

“Was that a doosra or a googly?” the villain asks.

“IT’S A WRONG ‘UN,” roars the Yorkshireman in his wrath. A powerful insult has been offered. They begin to scuffle.

“With that double doozy, Crumpet is baffled for three turns, Agarwal is deep in the biscuit tin and Padgett has gone to the shops undercover,” the poet says quickly, to cover the action while his companions are busy. The villain is being throttled, in a friendly companionable way.

An intern apparently brings a message scrawled on a scrap of paper like a courier sprinting across a battlefield. “Reddy has rolled a nat 20,” the poet says with barely contained excitement. “Australia is both a continent and an island. But we’re running out of time!”

“Is that true?” You ask suddenly.

“Shh!” Says the person who likes cricket. “It’s a test match.”

“About Australia.”

“We won’t know THAT until the third DAY.”

A distant “pock” noise. The sound of thirty people saying “tsk,” sorrowfully.

“And the baby’s dropped the egg. Four legs over or we’re done for, as long as it doesn’t rain.”

The villain might be dead? You begin to find yourself emotionally invested.

There are mild distant cheers. “Oh, and with twelve sticky wickets t’ over and t’ seagull’s exploded,” the man from the North says as if all of his dreams have come true. “What a beautiful day.” Your person who likes cricket relaxes. It is tea break.

The villain, apparently alive, describes the best hat in the audience as “like a funnel made of dove-colored net, but backwards, with flies trapped in it.”

This is every bit as good as that time in Australia in 1975, they all agree, drinking their tea and eating home-made cakes sent in by the fans. The poet comments favorably on the icing and sugar-preserved violets. The Yorkshire man discourses on the nature of sponge. The villain clatters his cup too hard on his saucer. To cover his embarrassment, the poet begins scrolling through Twitter on his phone, reading aloud the best memes in his enchanting milky voice. Then, with joy, he reads an @ from an ornithologist at the University of Reading: seagulls do eat tacos! A reference is cited; the poet reads it aloud. Everyone cheers.

You are honestly - against your will - kind of into it! but also: weirdly enraged.

“Was that … it?” you ask, deeming it safe to interrupt.

“No,” says the person who likes cricket, “This is second tea break on the first day. We won’t know where we really are until lunch tomorrow.”

And - because you cannot stop them - you have to accept this; if cricket teaches you anything, it is this gentle and radical acceptance.

As someone who Occasionally Enjoys Cricket, I am low key enraged that this is simultaneously utter nonsense and THE MOST PERFECTLY ACCURATE DESCRIPTION OF CRICKET

This is cricket. And indeed, being raised on cricket teaches one that five days with a strong possibility of no decisive outcome is a fantastic amount of time to spend on a sporting fixture, provided the sport is played elegantly. Adelaide’s cricket ground is next to a cathedral, so during slow moments in play, the commentators would commentate weddings.

I don't really think my opinion on this whole f1 twt space is quite the norm rn but here goes.

TUMBLR IS A PUBLIC SPACE. A03 IS A PUBLIC SPACE.

I feel like because of the communities built on these apps people often feel that these apps are private but at the end of the day, they're public apps

Even for the locked fanfics on Ao3 all one needs to do is create an account and they can read the fic.

IT'S ALL PUBLIC.

If the authors of the fics don't want random people to read it or for the drivers to read it, the bigger question is why post it on a public space.

I cannot begin to comprehend how weird I would feel if I knew people were reading, writing and sharing various kinds of sexually explicit content about me without my consent. Whether it's your intention or not, you have to accept the risk when you're writing about a real life person that they MIGHT see it. And you have to accept the fact that the emotions they feel(good or bad) after reading that piece of fiction is down to you. It's your responsibility. It's the risk of uploading content on the internet.

That being said, I also empathize with the anger, anxiety, panic and confusion felt by the people on tumblr here. And I don't think it's okay for someone to host a space sharing this content knowing there's a very good chance the drivers may see it.

But what the f1 fans HAVE to understand is that this is not a storybook. This is not some fantasy land that you can script. This is real life. These people are not characters, they're real people. With families.

They deserve respect and they deserve their boundaries. You also need to introspect about whether writing sexually explicit content about someone without their consent is ethical. Revaluate what you write, the impact it can have and the content you consume.

AO3 is fanspace, not “in public.” You have to click through warning that you’re okay to see the content you’re viewing, if you’re not signed in you have to agree to proceed. Taking fic out of that environment and away from those warnings is violating boundaries of absolutely everyone, including the people who view it.

RPF is fiction. It’s pretend loosely based on the public persona of celebrities that nobody knows and it comes with disclaimers that it never happened. The authors stay in their own corners and do their damndest to keep it away from the eyeballs of the people by whom it was inspired. It’s not really about them, it’s not purporting to be the news or a textbook or a real account. It’s written for fandom by fandom. It’s not a tabloid report. RPF has been thing for many, many decades (or centuries, depending on how you view certain novels, plays and epic poems -- which yes, some were written within the lifetimes of the subjects), just like every other kind of derivative work.

If you’re fine with The Crown, Rocketman, Rush, Primary Colors, Lifetime movie retellings, Frost/Nixon, Calendar Girls, Lennon Naked, The Theory Of Everything, arguably Drive to Survive itself, you’re fine with RPF. However that fiction made money for people, whereas RPF in fandom (where it’s supposed to stay!) is purely for enjoyment not profit, and is often repaid with harassment and scorn. 

as an aside: sharing fic with celebs without their consent is sexual harassment even if you didn’t write it. this goes for showing fic to the actors who play the characters in the fic, too. 

First of all,i want to say that I feel you took this as me attacking you and that's completely not what I meant to say. If it came across like that, I apologize.

I personally don't read RPF and don't know much about 'fanfics' or what comes with it, but I do know that you cannot lump The Crown, Theory of Everything, Rocketman, Rush with sexually explicit fanfics

I completely agree that one's privacy should be respected, and that broadcasting a space was way too much on that users behalf. But, just because they are celebrities and in the public eye doesn't mean you have the right to write sexually explicit content about them and their coworkers.

All I said was, evaluate the content you consume and put out in the world. These are F1 drivers, they're real people not characters in story books.

I don't really think my opinion on this whole f1 twt space is quite the norm rn but here goes.

TUMBLR IS A PUBLIC SPACE. A03 IS A PUBLIC SPACE.

I feel like because of the communities built on these apps people often feel that these apps are private but at the end of the day, they're public apps

Even for the locked fanfics on Ao3 all one needs to do is create an account and they can read the fic.

IT'S ALL PUBLIC.

If the authors of the fics don't want random people to read it or for the drivers to read it, the bigger question is why post it on a public space.

I cannot begin to comprehend how weird I would feel if I knew people were reading, writing and sharing various kinds of sexually explicit content about me without my consent. Whether it's your intention or not, you have to accept the risk when you're writing about a real life person that they MIGHT see it. And you have to accept the fact that the emotions they feel(good or bad) after reading that piece of fiction is down to you. It's your responsibility. It's the risk of uploading content on the internet.

That being said, I also empathize with the anger, anxiety, panic and confusion felt by the people on tumblr here. And I don't think it's okay for someone to host a space sharing this content knowing there's a very good chance the drivers may see it.

But what the f1 fans HAVE to understand is that this is not a storybook. This is not some fantasy land that you can script. This is real life. These people are not characters, they're real people. With families.

They deserve respect and they deserve their boundaries. You also need to introspect about whether writing sexually explicit content about someone without their consent is ethical. Revaluate what you write, the impact it can have and the content you consume.

So the Laver Cup facebook page and twitter account consistently deletes comments/tweets and blocks people who talk abouf Z*erev’s domestic abuse allegations

This is tennis, this is what the ‘gentlemen’s sport’ is really like. The ATP readily jumps and amends the guidelines to regulate motherfucking bathroom breaks but they wont do shit about the violent crimes that occurred on their premises, they just continue to cricket about it. Even though they fucking PROMISED that they would address the issue.

VOMIT INDUCING

Anonymous asked:

I want to live by myself when I move out of my parent's place but I'm really afraid of money problems? I'm afraid that the only place I can afford will be in the ghetto and it'll all be torn apart and I'll only be allowed to eat one granola bar a week. I'm really stressing out about this. I don't know anything about after school life. I don't know anything about paying bills or how to buy an apartment and it's really scaring me. is there anything you know that can help me?

HI darling,

I’ve actually got a super wonderful masterpost for you to check out:

Home

Money

Health

Emergency

Job

Travel

Better You

Apartments/Houses/Moving

Education

Finances

Job Hunting

Life Skills

Miscellaneous

Relationships

Travel & Vehicles

Other Blog Features

Asks I’ll Probably Need to Refer People to Later

Adult Cheat Sheet:

Once you’ve looked over all those cool links, I have some general advice for you on how you can have some sort of support system going for you:

Reasons to move out of home

You may decide to leave home for many different reasons, including:

  • wishing to live independently
  • location difficulties – for example, the need to move closer to university
  • conflict with your parents
  • being asked to leave by your parents.

Issues to consider when moving out of home

It’s common to be a little unsure when you make a decision like leaving home. You may choose to move, but find that you face problems you didn’t anticipate, such as:

  • Unreadiness – you may find you are not quite ready to handle all the responsibilities.
  • Money worries – bills including rent, utilities like gas and electricity and the cost of groceries may catch you by surprise, especially if you are used to your parents providing for everything. Debt may become an issue.
  • Flatmate problems – issues such as paying bills on time, sharing housework equally, friends who never pay board, but stay anyway, and lifestyle incompatibilities (such as a non-drug-user flatting with a drug user) may result in hostilities and arguments.

Your parents may be worried

Think about how your parents may be feeling and talk with them if they are worried about you. Most parents want their children to be happy and independent, but they might be concerned about a lot of different things. For example:

  • They may worry that you are not ready.
  • They may be sad because they will miss you.
  • They may think you shouldn’t leave home until you are married or have bought a house.
  • They may be concerned about the people you have chosen to live with.

Reassure your parents that you will keep in touch and visit regularly. Try to leave on a positive note. Hopefully, they are happy about your plans and support your decision.

Tips for a successful move

Tips include:

  • Don’t make a rash decision – consider the situation carefully. Are you ready to live independently? Do you make enough money to support yourself? Are you moving out for the right reasons?
  • Draw up a realistic budget – don’t forget to include ‘hidden’ expenses such as the property’s security deposit or bond (usually four weeks’ rent), connection fees for utilities, and home and contents insurance.
  • Communicate – avoid misunderstandings, hostilities and arguments by talking openly and respectfully about your concerns with flatmates and parents. Make sure you’re open to their point of view too – getting along is a two-way street.
  • Keep in touch – talk to your parents about regular home visits: for example, having Sunday night dinner together every week.
  • Work out acceptable behaviour – if your parents don’t like your flatmate(s), find out why. It is usually the behaviour rather than the person that causes offence (for example, swearing or smoking). Out of respect for your parents, ask your flatmate(s) to be on their best behaviour when your parents visit and do the same for them.
  • Ask for help – if things are becoming difficult, don’t be too proud to ask your parents for help. They have a lot of life experience.

If your family home does not provide support

Not everyone who leaves home can return home or ask their parents for help in times of trouble. If you have been thrown out of home or left home to escape abuse or conflict, you may be too young or unprepared to cope.

If you are a fostered child, you will have to leave the state-care system when you turn 18, but you may not be ready to make the sudden transition to independence.

If you need support, help is available from a range of community and government organisations. Assistance includes emergency accommodation and food vouchers. If you can’t call your parents or foster parents, call one of the associations below for information, advice and assistance.

Where to get help

  • Your doctor
  • Kids Helpline Tel. 1800 55 1800
  • Lifeline Tel. 13 11 44
  • Home Ground Services Tel. 1800 048 325
  • Relationships Australia Tel. 1300 364 277
  • Centrelink Crisis or Special Help Tel. 13 28 50
  • Tenants Union of Victoria Tel. (03) 9416 2577

Things to remember

  • Try to solve any problems before you leave home. Don’t leave because of a fight or other family difficulty if you can possibly avoid it.
  • Draw up a realistic budget that includes ‘hidden’ expenses, such as bond, connection fees for utilities, and home and contents insurance.
  • Remember that you can get help from a range of community and government organizations. 

Keep me updated? xx

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Reblogging for myself

reblogging for those that follow me that may be starting to move out

yo for the record if you put something in my inbox and i never respond it’s not that i didn’t like it or read it it’s that i very very often see messages and go ‘oh i should respond to that’ and then i fucking forget until it’s like. been enough time to be weird