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Illegal's my middle name, darling

@oniongentleman / oniongentleman.tumblr.com

I write, I draw and most importantly, I don't quite remember what a good night's sleep feels like
To Wong Foo Thanks for Everything, Julie Newmar (1995)
Dir. Beeban Kidron

This was such a formative movie

This shit was revolutionary for the mid-90s. Among other things it helped me understand that transgender and cross-dressing were completely separate things.

To this day, I am in awe of the fact that Patrick Swayze not only campaigned hard to get the audition, not only auditioned in dress and makeup, but spent most of the day leading up to the audition walking around LA in dress and makeup.

This was a man who could sing, dance, act, ride a horse, fight, and walk in heels, he had nothing to prove to anyone, and he is MISSED.

Okay, I’m not done feeling about this.

If you’re younger, you may not know Patrick Swayze; he was Taken From Us in 2009. But Patrick Swayze was an icon of masculinity. Men were willing to watch romantic movies because Patrick Swayze was in them.

Patrick Swayze was fucking beefcake.

And this man didn’t just agree to do a movie where the only time he’s not actually in drag is the first three minutes, which involve stepping out of the shower, doing make up, and getting Dressed. He has ONE LINE that is delivered in a man’s voice, and it’s not during those three minutes.

And if you watch those three minutes, you see a stark difference between his portrayal of Miss Vida Bohéme and Wesley Snipes as Noxeema Jackson. (I am not criticizing Snipes’ performance. They were different roles.) Noxeema was a comedy character. Chi-Chi was a comedy character. But Miss Vida Bohéme was a dramatic role, played by a dramatic powerhouse.

When Vida sits down in front of the mirror, she sees a man. And she doesn’t like it.

Then she puts her hair up, and her face lights up.

“Ready or not,” she says. “Here comes Mama.

And while Noxeema is having fun with her transformation (at one point breaking into a giggling fit after putting on pantyhose), Vida is simply taking pleasure in bringing out her true self. And when she’s done, she sees this:

And you can FEEL her pride.

All of this from an actor who, up to this point, walked on to the screen and dripped testosterone.

OH MINE GOD,😳😳 I ACCIDENTALLY 🙈🙈 HATH SENT😳 THOU A PICTURE OF MINE COCK AND BALLS🍆🍆...PRITHEE DELETE IT!❌❌🛑! 'LEST...THOU DESIRE TO LOOK?😏😏 HAHA I JEST..🤣🤣, DELETE IT.🛑❌..SHOULD THEE CRAVE..?😳🙈... HAHA NAY,❌ BANISH IT.🛑🛑..'LEST?🙈😳

Lilanette Week Day 1 Prompt: Trapped Together (quite literally) 

Marinette helps Lila fix her jacket. They get to talking while she sewing and, too involved in the conversation to focus on her needle, Marinette stitches the two of them together.

Maybe Marinette is inviting Lila out after she’s exposed as as liar and the backlash hits hard. Maybe Lila’s heart flutters in the chest (the first it has in a long while) at this clumsy girl with two left feet but quick clever hands and stars in her eyes. She’ll accept the invite, hiding a smile (but never her reddening cheeks) at Marinette’s antics. Perhaps Lila learns to charm the world with her quick wit and sharp smile instead of extravagant stories and flashy adventures. Lila will learn value of creating and living her own stories where she doesn’t need an endless cast of celebrities to make it worth hearing. 

Or perhaps Lila is never exposed but she learns to play the field more cautiously. Marinette and Adrien never say a word. Adrien because for all his reckless preening and prancing as Chat Noir, he is a boy who thinks twice before he speaks. And when he looks at Lila Rossi, he sees a girl who is all too much like Chloe and he softens. Lila’s lies are not his to expose and especially not when he considers how they might reflect on Ladybug. Marinette can not hold back the bitter tang of regret when she looks at Lila. She doesn’t know this girl and she created the tiniest of rifts in her heart for Hawkmoth to squirm into. Her classmates who have been akumatized said it felt like they were sinking into a bog of sickening sweet syrup. Their limbs were heavy, their eyes fogged, but every one of their senses alive and thrumming with anger. There was a giddy, nauseous joy in seeing the city burn and hearing screams in their wake. Marinette doesn’t know if Lila felt the same but she knows that if she did, and if she lies awake at night reliving those feelings, she, Ladybug, Marinette, is the reason behind it. So Marinette tries to pry own Lila’s wall of lies. Bit by bit, she chips away at their foundation, and finds that she and Lila are more alike than she thought.

Lila weaves a complicated pattern of half-truths, lies and honesty, so thickly meshed into one another that it’s hard to pick out what is and isn’t real. But this is how she grew up, watching her parents’ pretty lies and fake smiles, and Lila learns that this is how the world is. She moves from one country to another, an endless parade of changing schools, changing faces, and soon there’s no point in trying to make a real connection when no one is there long enough to listen. Lila is used to people tripping their feet for a taste of her stories and is she really to blame if others are gullible? When she lies, it’s always what people want to hear and she’s learned long ago that few care for the humdrum mundance reality of truth when a well-crafted lie can provide so much more fuel for the imagination.  Try as she might, Lila can’t see why that might be a problem.

Marinette likes to think she’s never lied before and maybe she’s right by some standards. She’s never spent hours and hours crafting together a perfect lie, a story that has just enough truth behind it that no one can fully expose it as a falsehood. Neither has she ever tried to decimate someone’s hard work and reputation because they stumbled into her path to success. Marinette’s lies are clumsy things and she thinks that perhaps, just perhaps, if she had Lila’s polished smooth smile and quick flowing way with words, or Chloe’s arrogant confidence and vicious streak, she might also lie. But she has neither and it’s a thought she isn’t entirely comfortable to linger on. If Marinette is entirely honest with herself, she needs to admit her hatred of liars comes from a place where her truth, the part that is truly amazing and miraculous, isn’t something she can expose, and when she can’t, Marinette Dupain-Cheng, the baker’s daughter, isn’t something that belongs to the same rank as those dazzling golden lies. 

It takes time. It takes days, weeks, maybe even months for Lila to let her guard down for this strange girl who reaches for her with friendly hands and a guileless smile, but eyes that are incomprehensibly guarded and wary. When Marinette finally admits why in an attempt to come clean (and maybe in a desperate bid for Lila to open up to her), Lila smiles and teaches Marinette to hold a better poker face. 

They are not friends, not really, not yet. 

Lila needs to learn the value of the truth, not just as a foundation to build lies upon, but as something with inherent value in and of itself. Marinette needs to pull back the reins on her immediate dislike of anything posing as something other than itself. They both need to grow and understand what they’re worth without a mask.

At the end though, Lila will know who Ladybug is sooner or later and it’ll be a rough ride. 

In one world, Lila doesn’t need Marinette. She has lived a life of lies with only herself for support and there would have been many more years before she eventually collapsed on that solitary path. But in this life, she has Marinette, and with Marinette came others. The road to friendship (and maybe more) is a slow grueling experience but the day Ladybug stands before her and off comes the mask to expose Marinette, Lila exhales slow and hard through her nose before pinching her friend’s cheeks so hard that tears leap to the superhero’s eyes. 

“That’s for ruining my chances with a cute boy and turning me into an akuma,” Lila says, a grin belying her stern tone. “Now we’re even.” 

Marinette hugs her so hard Lila swears her ribs groaned upon the pressure.

In another world, Marinette can never find the right time to tell Lila her truth and Lila worries, and frets, and grows suspicious. When Marinette finally works up the courage to take off the mask, Lila shatters.

On this route, Lila is taken for a villain and Marinette is a lifesaver she clings desperately onto. Here Marinette is a saviour and Lila loves her for being able to see past the lies she told, for being able to know what she did and still be the first to come up to her with open arms and an extension of friendship that blossoms into more. 

Marinette wants Lila to understand. She wants her to know that none of what she did was a lie (but she can’t fully convince herself it came from a genuine place either). 

“Was it fun for you? Playing me for a fool?”

Lila storms away and Marinette isn’t sure if she should follow or not (she does anyway). Whenever an akuma attacks, Ladybug’s first item of business is to find Lila and whisk her away to the safest location. The top of the Rossi’s apartment is often decorated with a superhero, dangling her legs off the edge of their roof, casting frequent glances at the sliver of light gleaming through tightly shut curtains. Marinette has apologized for many things in her life but she’s never had to apologize for breaking, then mending, then breaking someone again. She isn’t sure she knows how.

It isn’t an easy road to recovery. Lila maintains a chilly contact with Marinette, for the sake of keeping the peace if nothing else. Marinette waits and watches and lets her heart break when she hears Lila muffled sobs through her apartment window. 

When Lila cracks, it’s after months of frosty silence and hearing the softest thump of feet landing on her roof. It happens after she is whisked away, stiff and uncompromising, in arms that seem to be trying their best to be both secure yet politely distanced. The changes are small but to the peope who matter, they’re significant. A pair of curtains, cracked open, and muttered thanks when she’s being carefully set on her feet to safety during an attack. On cold and rainy days, there is a window open for her to enter, though there isn’t any conversation (that will take time). When Lila flinches during a thunderstorm and Ladybug reaches cautiously over to brush a hand over hers, Lila doesn’t move away and they both think that it’ll be okay. 

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come to think of it, why wouldn’t someone with superman’s powers use them for physical comedy? like. buster keaton style. or dick van dyke. he is invulnerable and can fly, those are the perfect circumstances for a pratfall. half the time only he is aware that he is joking and he just looks like a clumsy asshole but he knows in his heart that the timing on that gag was perf. add this to my list of stupid fucking headcanons.

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clark sits down too aggressively in a desk chair, rolls backward across basically the whole office before the chair tips backward and he rolls out of it and into a vending machine in the break room that drops candy on his head because he whacked it. lois is laughing so hard she can’t breathe but the joke is on her, he did that on purpose. he planned that gag for days. she is laughing with him, not at him. who is the real winner here. score one for kent.

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at least once he has nearly given lois an aneurysm because his glasses broke and he decided the best way to deal with this was to go full mr magoo. constantly barely avoiding catastrophe. lois keeps having to try to rescue him so he has to plan things so she won’t get hurt. nonetheless he enjoys the change of pace. the next day at work he listens to her regale the office with tales of how clark nearly fucking died like fifty goddamn times when she was walking him home. he feels like he did a good deed giving her a fun story to tell at parties. after lois finds out he is superman there is hell to pay.

This is one criminally underrated Batman villain.

SERIOUSLY THOUGH SHE WAS MY FAVORITE BATMAN VILLAIN

Her physical condition didn’t allow her to age

No one took her seriously as an actress

And even when she was trying to get into a happy romantic relationship (albeit with another villain) he still couldn’t take her seriously as a consenting, sexually active and romantically interested adult

That’s a lot of blows to someone’s psyche 

and Babydoll is both a sympathetic villain and a formidable one

I remember this episode fucked me up a a kid. 

And man, do I wish we could see this Batman again: the Batman that consoles his villains, because the majority (if not all) of them are mentally ill people. And Batman knows this and wants them healthy again, not punished and GOD definitely not dead.

Baby Doll is so underrated as a Batman villain 

but her episode was perfect 

Batman: The Animated Series The story of one fucked up, traumatized little boy, doing his best to help other fucked up traumatized people.

The Batman that cares about the inmates is my favorite. He doesn’t put up with their shit, but he does try to reach out here and there and he’s as human as he can be to them.

When Harley was re-institutionalized, he got her that dress she wanted.

In the comics based on B:tAS, there was a time during Christmas that there was snow and it was Mr. Freeze’s fault, and he was making it snow because Christmas was his anniversary with Nora and she LOVED it when it snowed on Christmas, so Batman let him finish mourning before calmly taking him back to Arkham.

He never, ever gives up on Harvey possibly recovering.

Sure, Batman is going to throw punches and do what it takes to take these guys down when they’re hurting or threatening people. And he’s not going be a complete bleeding heart; he has to protect the innocent. He’s going to take them down and take them back to Arkham, but it doesn’t mean he’s incapable of being a bit human to the ones who deserve it.

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Batman needs become human again

Because it needs to be here:

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Remember that time a young girl with near god-like psychic powers threatened to destroy reality and the only one that could stop her was Batman because he had a previous encounter with her and was tasked with killing her to restore reality.

But instead, Batman sat with her on a swing and kept her company as the girl’s psychic powers slowly killed her.

No?

Fuck you people making me emotional

The. Batman.

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This is MY Batman, not the murderous fascist they’ve made him into.

This is the one true Batman that DC Comics as a whole seems to have abandoned. Two of his Robins he brought into his life because he didn’t want Dick to end up like Bruce & in turn keep Bruce on the side of justice. & Jason because he saw the potential for bad as well as for good & it helped make Bruce be a better person.

today i found out that victor hugo has had more sex than possibly almost any other human that has lived on this planet. 

he had so much sex his biographers straight up gave up trying to document all of his sexual partners. he was reported to fuck up to 3-9 times a day. He had a secret sex diary written in code. He had “official” and “unofficial” mistresses. One estimate was that he had ~200 sexual partners in two years. 

Icon. 

don’t forget that on the day of his funeral all the brothels in Paris were closed because every single prostitute in the whole goddamn city was busy mourning him

Hey quick question what the fuck

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the man reported on his hookups in his diary using latin code words and 2 million people attended his funeral, if that isnt balling idk what is

victor hugo has been dead for 133 slutty, slutty years

You know I went into She-ra thinking it’d just be kinda fun but goddamn Noelle Stevenson you fucking legend you did it again

The Creator of She-Ra Princesses of Power and Lumberjanes everyone

thanks for the big muscular buzzed-undercut ladies in she-ra ms stevenson 

Me: “i’m too poor to invest money in comics”

Also me: *owns every single issue of Lumberjanes including multiples of each copy so I can collect the cover art because I will support and love my gay camp girls*