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rhaenyra targaryen defender

@oldvillagecrone

they/them • lesbian • 25

Superman desperately scanning the street during a fight to find the most morally acceptable car to throw at his opponent, knowing that not everybody has insurance, and loss of transportation can ruin a life -

A wave of incredible relief washes over him as he spots the hard geometric lines and silver paintless sheen of a Cybertruck.

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

Without spoiling too much, one thing I like about Superman (2025) is that, unlike Man of Steel, it emphasizes that it's Clark's upbringing, not his biological ancestry, that makes him a superhero.

I've seen a lot of criticism towards the birth scene in 28 years and I find it odd because obviously that scene meant something and no one wanted to actually think about it further than "that was weird"

like for one it shows Isla's character perfectly, she is, for one, a mother and she knows what it's like to deal with pregnancy so her first thought was empathy towards the infected woman, the scene quite brilliantly shows her fearlessness and caring nature in one by having her reach out to her, and shows her quick thinking despite her illness often getting in the way with her almost instinctively knowing what to do to help the infected woman, to me it's on par with the scene of Isla waking up in the night to stop the infected from hurting Spike

on the other side of it you have the infected, the scene shows that, at the end of the day, the infected are actually still people, they're just sick, we see the infected woman in pain, she's alone and vulnerable and struggling, and we see her accept help, and when she gives birth baby Isla is healthy and free of infection, showing that inside the infected are just like everyone else

during the first half of the movie the infected are likened to animals, they are called "it" by Jamie, who also regales the town with highly embellished stories of Spike's kills, they are shot through bushes and with night vision as if they're the subjects of an animal planet documentary, but once Spike goes out on his own we see them in a new light, and this scene in particular is one of the times where the movie highlights the fact that they are still human

if you wanted to go a step further you could even relate the birth scene to the greater themes of the film as a whole, the pregnant infected is isolated from the rest of her group when she needs them most, much like how the UK is isolated from the rest of the world when they need it most, Erik, a character from the outside world, is the only one in the group who doesn't want to help

obviously if you applied real world logic to the scene and the baby it wouldn't make sense but that's not the point of it, you're meant to suspend your disbelief and look past the logistics of it to find the deeper meaning behind it, that's what storytelling is all about

What if your BOYFRIEND was getting DEPORTED and had to move back to CANADA so you decide to MARRY him but then you chicken out so your FRIEND says that SHE will marry him and then he decides to platonically marry your gay FRIEND instead and then you tell them to KISS but you immediately realize they are in LOVE and then the POWER goes OUT because your OTHER friend didn’t PAY the dumb ELECTRICAL BILL

cannot get louis and stack meeting out of my mind now. stack just nodding when louis uses the ‘he french’ defense. bobbing his head in absolute agreement. they would make each other so much worse i actually have been losing my mind over it

crucially of course is the fact that louis is not saying this out of stupidity because he is deeply intelligent. and so is stack. but louis is at all times in incredibly deep denial. just absolutely buried in Cope. and stack operates at all times from the exact same place so i really think they would deeply get each other. however they could not stand to be in the same room for more than 2 hours before it devolves into business talk which devolves into violent arguing and cussing and swearing to never see each other again which they hold to for about 60 years out of stubbornness. mary and lestat of course are reenacting tom and jerry or wile e coyote and the road runner. just absolute cartoonish hatred on both sides

i want a penis but also i would get a boner from a stiff breeze. i would get hard from biting a particularly crisp apple

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queenofmoons-deactivated2024092

Gonna start posting about friends like it’s supernatural

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queenofmoons-deactivated2024092

They were in love here