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Rae

@oddlylovingdreams

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Foreshadowing of the Starklings Connecting Though Skinchanging and Greenseeing

The magical side of the Stark children has been growing steadily since Bran’s very first chapter when they find their direwolves. I believe their magical connections will build toward them being able to see each other at will through their wolves and to even communicate with each other mentally.

In the novels, all of the Stark children are skinchangers. Not only can they enter the minds of their direwolves, but Bran and Arya have extended beyond their specific wolves and skinchanged into other animals – and in Bran’s case, another human being. One aspect of that skinchanging is the ability to connect not just to their wolf but to the other members of their pack. This is how Bran finds out that Robb and Grey Wind are dead and how Jon can see where Nymeria and Shaggy are.

The dream he’d had … the dream Summer had had … No, I mustn’t think about that dream. He had not even told the Reeds, though Meera at least seemed to sense that something was wrong. If he never talked of it maybe he could forget he ever dreamed it, and then it wouldn’t have happened and Robb and Grey Wind would still be … – Bran, ASOS
Far off, he could hear his packmates calling to him, like to like. They were hunting too. A wild rain lashed down upon his black brother as he tore at the flesh of an enormous goat, washing the blood from his side where the goat’s long horn had raked him. In another place, his little sister lifted her head to sing to the moon, and a hundred small grey cousins broke off their hunt to sing with her. The hills were warmer where they were, and full of food. Many a night his sister’s pack gorged on the flesh of sheep and cows and horses, the prey of men, and sometimes even on the flesh of man himself.
“Snow,” the moon called down again, cackling. The white wolf padded along the man trail beneath the icy cliff. The taste of blood was on his tongue, and his ears rang to the song of the hundred cousins. Once they had been six, five whimpering blind in the snow beside their dead mother, sucking cool milk from her hard dead nipples whilst he crawled off alone. Four remained … and one the white wolf could no longer sense. – Jon, ADWD

So while Jon and Bran can sometimes see what the other wolves are doing, they aren’t controlling what they see. Visions of the other wolves seem to be flashing through their perspectives on their own accord, or possibly by the will of the direwolves themselves. Both Summer and Ghost seem to miss their siblings as much as the Starklings do. So far, Arya hasn’t connected to the members of her original pack, possibly because Nymeria is concentrating on the new pack she’s formed. 

What’s interesting, and is the whole point of this post, is that the Starklings aren’t limited to seeing what the other members of the original wolf pack are up to, there is one instance where Bran and Jon speak to each other through their minds. Here’s a passage set during ACOK the first time Jon wargs into Ghost.

Jon?
The call came from behind him, softer than a whisper, but strong too. Can a shout be silent? He turned his head, searching for his brother, for a glimpse of a lean grey shape moving beneath the trees, but there was nothing, only …
A weirwood.
It seemed to sprout from solid rock, its pale roots twisting up from a myriad of fissures and hairline cracks. The tree was slender compared to other weirwoods he had seen, no more than a sapling, yet it was growing as he watched, its limbs thickening as they reached for the sky. Wary, he circled the smooth white trunk until he came to the face. Red eyes looked at him. Fierce eyes they were, yet glad to see him. The weirwood had his brother’s face. Had his brother always had three eyes?
Not always, came the silent shout. Not before the crow.
He sniffed at the bark, smelled wolf and tree and boy, but behind that there were other scents, the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death. He cringed back, his hair bristling, and bared his fangs.
Don’t be afraid, I like it in the dark. No one can see you, but you can see them. But first you have to open your eyes. See? Like this. And the tree reached down and touched him.
And suddenly he was back in the mountains, his paws sunk deep in a drift of snow as he stood upon the edge of a great precipice. Before him the Skirling Pass opened up into airy emptiness, and a long vee-shaped valley lay spread beneath him like a quilt, awash in all the colors of an autumn afternoon. – ACOK

A key part of this passage is that even though the scene takes place before Bran reaches Bloodraven and starts seeing visions of the past through the Winterfell heart tree, his mental form takes the shape of a weirwood. We know this isn’t a real tree that he’s looking through because Jon can see the “tree” growing right before his eyes. So the “tree” Jon sees is really an avatar, of sorts, that represents his brother within the mental landscape. Since this encounter seemingly happens purely through Bran’s mind connecting to Jon’s instead of wolf to wolf, this is likely Bran’s first step into greenseeing, rather then skinchanging. As far as “first steps” go, this is a massive leap because it goes far beyond what Bloodraven is teaching Bran in ADWD. The strength of Bran’s power takes him directly into an advanced form of greenseeing that could prove vital in the Battle for the Dawn.

This also proves that there is no reason Bran will have to stay in the caves beyond the Wall or lose his identity in the end. He has already proven that he can use an exceptional form of his powers while at home in Winterfell without any trees attached to him. 

It’s also interesting that Jon is able to sense Bran’s physical surroundings. At this point, Bran’s body is below the earth in the crypts of Winterfell among their dead ancestors. In-universe, the details of “the rich brown smell of warm earth and the hard grey smell of stone and something else, something terrible. Death, he knew. He was smelling death.” likely help to misdirect Jon so that the news of his brother’s death will seem to be confirmed. But what the details also show is that the mental connection between them isn’t just fueled through Bran’s greenseer abilities. Jon also has the power to reach back and gain information on his brother’s surroundings. It will be interesting to see how far those powers go once they are being consciously wielded rather than subconsciously coming upon them.

An additional bit of foreshadowing for the Starklings mentally communicating during the big battle is this passage from Arya’s TWOW chapter:

There had been blood in it, though, and a full moon overhead, and a tree that watched her as she ran. – Arya, TWOW

While this is a detail seems pretty small it’s extremely significant. Here we are shown what we assume is Bran watching Arya warging into Nymeria and Arya seeing him in return. During all the passages where Bran and Jon see the members of their direwolf pack, there is no suggestion that the wolves they are watching or the humans those wolves are connected to can see them in return. But even in this brief moment, Arya can see that she is being watched while she runs. This is a significant step forward for her in connecting with her original pack.

The question is, is Bran watching through a tree she happens to be passing by or, as with his mental connection with Jon, is he seeing her free from the constraints of a tree. The “tree” that watches her could be an avatar of Bran manifesting itself where he chooses. This is why I believe this detail from Arya’s Mercy chapter is laying the groundwork for an exchange between Bran and Arya that is similar to the one he and Jon had in ACOK. Arya won’t need Bran’s help in skinchanging like Jon did, but they could take the exchange a step further and actually have a full conversation with each other. 

Unlike the Bran of ACOK, the Bran we find in TWOW will be more fully aware of his abilities and eager to use them to communicate with his siblings. Bran’s ability to connect mentally with Jon and Arya and potentially help them connect with each other could be revealed as a game changer for the Battle for the Dawn. They could help each other in coordinating troops, spying on the enemy, and any number of battle tactics. GRRM is slowly building each of their magical journies and establishing the foundation for their abilities to join while doing it in such a way that most readers seem to overlook. It’s going to be interesting to see how his patient plotting pans out. 

(Note: I didn’t include the scene where Arya talks to the heart tree in this meta because I’m not sure she’s talking to Bran. The tree is speaking in Ned’s voice. It’s hard to say if this is the old gods taking on her father’s voice to guide her, Bran taking on their father’s voice, or Ned himself speaking to her from the beyond.)

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Anonymous asked:

People who thinks Arya's a misogynist shoud notice that she repeats "I'm a girl" everytime someone misunderstood her with a boy... She only says the opositte when it's necessary for her safety. It means even liking unconventional thing for a proper Westerosi lady she still consider herself as a girl, so she obviously thinks girls and boys can do the same things. "I can be AS good AS Bran", she said. Not better, not worse. Equal. She's a medieval feminist :)

No one thinks Arya’s a misogynist that doesn’t want to think that. These claims of Arya being anti-feminist are always used as a reason to hate her, question her popularity as a character, or justify why she’s a worse character than another. They also have no evidence ever- because there is none. 

Unless they’re only judging by only the show (which has some very unfortunate, OOC lines that contain anti-women sentiments from not just Arya, but also Brienne and Asha,) no one could possibly read Arya’s chapters and come to the conclusion that she’s not one of (if not the) most feminist characters.

Your examples are important to remember, the fact that she asserts her femininity whenever she can and whenever it’s questioned (outside a life or death situation.) And even when it may have been more helpful to pretend to be a boy, she doesn’t. When she meets the BWB, she angrily corrects Tom when he assumes she was a boy. They could want to rape her now- a fear that has been drilled into from Yoren to Harrenhal- and yet it’s her impulse and desire to declare that she’s a girl. The only time is when she was with the Night Watch recruits (where no girls are allowed, it’s not an option.)

Telling Jon that the women are important too and that she could fight as well as Bran:

She watched her little brother whack at Tommen. “I could do just as good as Bran,” she said. “He’s only seven. I’m nine.”  

She doesn’t even use their genders as factors in her assessment- she’s older by two years, she can do “just as good”.

It’s actually interesting because while Arya notes the differential treatment of the sexes and expresses upset over it, this never manifests as bitterness. What I mean by that is that she doesn’t develop any anger towards men nor does she internalize the sexism and seek to differentiate herself from other women/girls. 

And that, to me, is really amazing. I think it speaks to Arya’s level of understanding and empathy for other people. She’s always been able to connect with people from all walks of life and express affection for people who even treat her horribly (Lommy, Elmar, Hot Pie at first, Bubono.) 

Arya questions (why can’t she be lord of a holdfast or a shipmaker or the High Septon? why can’t she own a sword and learn to fight? why can’t she go boar hunting when even younger Bran is allowed?) but she never gets angry or bitter over it towards others. She still very happily a girl, she just doesn’t see why that makes her any different or lesser. She still has male friends and brothers and not think why do these people who aren’t as good or deserving or anything get these opportunities. She doesn’t even get jealous. She wants to know why and doesn’t accept that she’s any different.

And is there any POV character who values women who work in whorehouses or brothels like Arya does? She takes advice from Merry, never looks down on any of the many whores she meets and encounters, she doesn’t think less of them or scorn them for their profession.

But it’s nor just about valuing the women society considers to be the lowest, Arya always admires women. She looks up to Ned and Jon and Robb of course, but her heroes are women. She wants to be like Wenda the White Fawn, she wants to name her direwolf after Queen Nymeria. 

The funny thing, is that people use their own headcanons or whatever to prove that Arya is anti-women.

SHE DOESN’T LIKE/DO FEMININE THINGS! Except she likes to pick flowers and had dolls growing up and romanticizing her parents’ relationship and what exactly are we classifying as feminine anyway here? What qualities does Arya need to have to be feminine enough for the haters? And, most important question, is it because Arya isn’t pretty enough? Some comments/gifsets unfortunately imply as such. 

SHE WANTS TO BE A KNIGHT AND NOT A LADY! She has never expressed any interest in being a knight and the lady bit is very debatable. And even if it isn’t, it’s the idea of being a Lady as the profession than being a lady as in the gender. That’s not anti-women, it’s anti-highborn life if anything. And why would that be an an issue anyway? Can’t you have a feminine knight? It’s a profession choice, not a sex declaration. 

SHE CARRIES A SWORD AND DOES “MASCULINE” THINGS!! CLICHE! I’m struggling to see how people get this notion. For starters, what is this idea of being masculine when you use examples such as being angry and having short hair to state she’s masculine? And where does this idea that having a sword is cliche? Pretty much every male character has carried one at one point, is it only wrong if it’s women? Why is that bad? And what female character isn’t wielding some blade/weapon at some point? Because even forgetting those considered “masculine” like Arya, we know Sansa and Catelyn both threatened men with knives/blades. Do male characters have a monopoly on survival because otherwise how can you overlook the absolute necessity of this in a world like Westeros?

Being a woman and unarmed won’t save you from abuse in such a violent, war-consumed world, as she learns quickly enough, so Arya has to make do somehow. Not that Arya even carries a weapon for most of Harrenhal when she’s worked as a slave. 

There’s nothing to textually support that Arya has any anti-women or anti-femininity sentiments. She gets jealous over not being feminine enough, that’s the closest you can say.

The reason this started, to be honest, is because people wanted to hate Arya. That’s why it gets continued as well. Arya is a fan favorite (but note, not a fandom favorite by any means,) and some people looked for reasons to justify their hatred and even shame people for liking Arya. (Trust me, I’ve read all these “metas” on the subject. They’re very transparent.)

Anyway, anon, there’s really nothing to be done. It’s not based on textual evidence, it’s not based on anything logical- because if I’ve learned one thing from being in fandom, it’s that character hate is the quickest path to twisting facts and rationality into nothingness. They’re not going to notice Arya’s stance as very pro-women because they don’t want to.

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to everyone who is losing things like concerts and senior proms and commencements and brunches they’d had planned forever and literally anything they’ve been looking forward to i’m sorry. i really am. it sucks and i’m sure there will be people in your life who will tell you to get over it because others have it worse right now and while it may be true that others have it worse that doesn’t make your pain, disappointment, or sadness any less real or valid. keep your head up.

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Happy to step down and let his sister claim the throne of Dorne, Trystane retired to the life of a private lord with his lady Myrcella. And they lived out their days in the warmth of the Dornish sun- far from the politics and treachery of court, happy and content with a simple life. 

@asoiafrarepairs day 4 warmth | tears 

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nobodys
At first the magisters and archons and merchant princes were pleased to welcome the last Targaryens to their homes and tables, but as the years passed and the Usurper continued to sit upon the Iron Throne, doors closed and their lives grew meaner. Years past they had been forced to sell their last few treasures, and now even the coin they had gotten from Mother’s crown had gone. In the alleys and wine sinks of Pentos, they called her brother “the beggar king.” Dany did not want to know what they called her.

𝐀 𝐆𝐀𝐌𝐄 𝐎𝐅 𝐓𝐇𝐑𝐎𝐍𝐄𝐒 𝐃𝐀𝐄𝐍𝐄𝐑𝐘𝐒 𝐈

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Oberyn Martell meme: (¼) four relationships → Oberyn & Obara “The day my father came to claim me, my mother did not wish for me to go. ‘She is a girl,’ she said, ‘and I do not think that she is yours. I had a thousand other men.’ He tossed his spear at my feet and gave my mother the back of his hand across the face, so she began to weep. ‘Girl or boy, we fight our battles,’ he said, ‘but the gods let us choose our weapons.’ He pointed to the spear, then to my mother’s tears, and I picked up the spear. ‘I told you she was mine,’ my father said, and took me.”

Source: oberynymeros
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Let me tell you a fucking thing about costume design. That’s some in depth, difficult shit to learn. And the fact that this goddess can ramble this shit off the cuff means she knows her shit. ELLE WOODS IS A GODAMNED GENIUS AND IT’s NOT A STRETCH TO BELIEVE SHE GOT INTO HARVARD LAW MMMK?

FUCK YEAH ELLE WOODS OR DIE

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alimarko

this movie is literally about an attractive woman who loves to party having to prove over and over again that she’s also intelligent and hard-working to those who judge her based on her looks (who also empowers and fights for other women, and fosters unlikely friendships instead of engaging in girl hate) and if you don’t think that’s some great feminist shit then I don’t know what your problem is

Let’s not forget that in the end when the guy wants her again, she turns him down because she knows she deserves better.

The movie’s director made fun of Reese Witherspoon for taking the part too seriously. He was trying to make a silly movie where you laughed at the sorority girl

Reese’s co-stars have said her hard work inspired them to play their parts with more focus too. This is one instance where a lead actor actually should get credit for the movie being as iconic as it is. If everyone had followed the director’s vision this would have been another forgettable college comedy

I saw this movie for the first time when I was 11 and it’s been my favorite movie since. It’s the perfect combination of stupid comedy,really smart comedy, and powerful female inspiration.

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Sometimes she missed him all the same. Not the cruel weak man he had become by the end, but the brother who had sometimes let her creep into his bed, the boy who told her tales of the Seven Kingdoms. // I grieve for him as well. For the boy he was, not the man he grew to be.