@crossover15 kofi requested the twins meeting Padmé's handmaidens!! (sequel to this)
we're not brave, we're not strong, we're not soldiers...
some winx doodles kek
padme's handmaidens are such an underrated concept. i mean, yeah you can call it women supporting women and leave it at that but like. its so much more intense than that. they basically created the persona of queen amidala together. they assigned her specific mannerisms and tone of voice and breathing patterns and all of them studied that well enough to play the role perfectly. they put all of the derangedness teenage girls put into discovering their own identity into perfecting mimicry instead & they did all that knowing that their role will always be to die in padme's place if it comes to that. idk what insane levels of devotion does it take to be like 14 and you've become so intimately familiar with your friend that you can quite literally become her. there's friendship & traumabonding and then theres "my entire life is dedicated to dying for this woman" and then there's that but with added identity fuckery and thats what the handmaidens have going on with the bonus point of being 14
ok yk what tho. thought on this more. theres something about padme growing up with her closest relationships being ride or die devoted and the way that colours her later relationships. shes a lot more isolated as a senator, with most of her friendships at the time being professional & ofc aside from that, her standards for the intensity of your average relationship arent normal so there could be some genuine failure to connect there. and thats the stage of her life where she begins her extremely intense ride or die relationship with anakin. the fandom acknowledges his attachment, loyalty & murder complexes but i think maybe we should consider that padme might have genuinely liked that about him. im straying fully into my personal interpretation here but i love the idea that on some level, the girl who grew up knowing shed have to send her closest friends off to die in her place and then carry on and do her duty would be attracted to someone who gets to lash out and take revenge and who refuses to accept loss
Oh, wow. I love this addition, especially given the context of Attack of the Clones. The movie starts with her handmaiden getting murdered while protecting her. Padme is upset and grieving literally the entire film, but trying to hold it in. The first thing she does after Anakin goes ape shit is to rush off to the planet where she knows her handmaiden's killer is to start some shit. He's, like, her inspiration.
3.2 Genshin spoilers
My favorite part of the archon quest was when Haithan recruited Nilou off the streets to join the Sumeru avengers
Not "It's a product of it's time" as a way to excuse its problematic undertones but rather "it's a product of it's time" to say that the issues it tackles were relevant then and its stances that now seem milquetoast were radical then, and that heavy handed, cheesy driving home of those viewpoints was sometimes necessary, and our acceptance and normalization of those viewpoints is in large part because of media like it normalizing those viewpoints and imagery, and watching it in the modern day turns into a loving study of history of the masses and public opinion
Yes this is about the original star trek
Job applications: I am very passionate (true!) about normal and useful things (lie.)
i said i was going to arrange a list of my favorite articles/criticism about shakespeare, so here’s my first little roundup! obligatory disclaimer that i don’t necessarily agree with or endorse every single point of view in each word of these articles, but they scratch my brain. will add to this list as i continue reading, and feel free to add your own favorites in the reblogs! :]
essays
Is Shakespeare For Everyone? by Austin Tichenor (a basic examination of that question)
Interrogating the Shakespeare System by Madeline Sayet (counterpoint/parallel to the above; on Shakespeare’s place in, and status as, imperialism)
Shakespeare in the Bush by Laura Bohannan (also a good parallel to the above; on whether Shakespeare is really culturally “universal”)
The Unified Theory of Ophelia: On Women, Writing, and Mental Illness (“I was trying to make sense of the different ways men and women related to Ophelia. Women seemed to invoke her like a patron saint; men seemed mostly interested in fetishizing her flowery, waterlogged corpse.”)
Hamlet Is a Suicide Text—It’s Time to Teach It Like One (on teaching shakespeare plays about suicide to high schoolers)
Commuting With Shylock by Dara Horn (on listening to MoV with a ten-year-old son, as modern jewish people, to look at that eternal question of Is This Play Antisemitic?)
All That Glisters is Not Gold (NPR episode, on whether it’s possible to perform othello, taming of the shrew, & merchant to do good instead of harm)
academic articles
the Norton Shakespeare’s intro to the Merchant of Venice (apologies about the highlights here; they are not mine; i scanned this from my rented copy)
the Norton Shakespeare’s intro to Henry the Fourth part 1 (and apologies for the angled page scans on this one; see above)
Richard II: A Modern Perspective by Harry Berger Jr (this is the article that made me understand richard ii)
Hamlet’s Older Brother (“Hamlet and Prince Hal are in the same situation, the distinction resting roughly on the difference between the problem of killing a king and the problem of becoming one. … Hamlet is literature’s Mona Lisa, and Hal is the preliminary study for it.”)
Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony & Cleopatra Criticism (about more than just reviewers; my favorite deconstruction of shakespeare’s cleopatra in general)
Strange Flesh: Antony and Cleopatra and the Story of the Dissolving Warrior (“If Troilus and Cressida is [Shakespeare’s] vision of a world in which masculinity must be enacted in order to exist, Antony and Cleopatra is his vision of a world in which masculinity not only must be enacted, but simply cannot be enacted, his vision of a world in which this particular performance has broken down.”)
misc
Elegy of Fortinbras by Zbigniew Herbert (poem that makes me fucking insane)
Dirtbag Henry IV (what it sounds like.)
Cleopatra and Antony by Linda Bamber (what if a&c… was good.)
C A R D I N A L W I T C H E S | Glinda (North) - East - South - West
Guys, whoever, no one at all, I have so much to say about The K2, watched it twice now in the midst of a third. A bit obsessed, but really what’s a little obsession like this
I wanna watch it over and I’m not even done with my current stream, but also, I cannot with this.
The antagonist should have been the love interest especially with the story the writers gave her, and that fucking incredible actress, the actual female lead is so bland in comparison, and all I really feel for her is pity on some occasions. This isn’t a slight against the actress, I love her, but the writers did not try with her at all. They made her so monotone, and she rarely shifts from her constant anger. She’s been through so much shit and yeah that’s fucking terrible, but they made her so naive and helpless, and she just shows up sometimes to motivate Je Ha and then goes back to her melodrama.
The fucking chemistry between the male lead and the antagonist compared to what little seemingly forced thing he has with the female lead is like phenomenal it is incredible. The actual romance is disappointing af, it’s just cute in its Korean way, but there isn’t the same substance to it. There’s this sort of complete acceptance between Je Ha and Yoo Jin that there isn’t with Anna. Anna has it, too ig to some extent, but hers is the kind of turning a blind eye and almost “as long as you’re there to save me in my time of need” kind of thing. She relies on him so completely that she endangers the both of them more than once, and it gets really frustrating quickly.
There’s nothing hidden between Yoo Jin and Je Ha, no doubts, they know the best and worst parts of eachother, they know how to hurt eachother and they know exactly what the other needs to pull them back up. they actually support each other for their selfish reasons but there’s this immense respect for each other from the very beginning,
and I would add a yt clip or make a gif of that if I knew how but I’m talking about that funeral scene with the umbrella and the “keep your head up, your enemies are watching” and Yoo Jin constantly giving him free reign to do as he pleases and basically consort with Anna, fully knowing it would not in her best interest;
this^ whole part, where he didn’t have to say shit for her to know exactly what was wrong and figure out exactly how to save him.
I’m annoyed that they ruined the makings of a pretty perfect thing in keeping with the Korean cliché of the angry wronged hero having his walls broken by the sweet innocent girl he saved, and the vile woman whose trauma is not an excuse the way the man’s is and who deserves her misery because she made do with what she had and was forced to become ruthless to ensure her survival the only way she knew how, despite losing all the hope she had and being betrayed by a husband who should have loved her, over and over. She was grasping at straws, and the man she loved thought so little of her that he fully believed for more than a decade that she would hurt a person so dear to him when all she wanted was to be able to love that same person with him. And she was killed off with no one caring for her death in the least, with another man she seemingly fell in love with, living at the expense of her life.
Shen Yan…
My Sassy Princess ep. 5
LAND OF OZ MASTERPOST
Now seems as good a time as any to remind everyone that all of the original fifteen Oz books are public domain and up for free online.
- The Wonderful Wizard of Oz
- The Marvelous Land of Oz
- Ozma of Oz
- Dorothy & The Wizard in Oz
- The Road to Oz
- The Emerald City of Oz
- The Patchwork Girl of Oz
- Little Wizard Stories of Oz
- Tik-Tok of Oz
- The Scarecrow of Oz
- Rinkitink in Oz
- The Lost Princess of Oz
- The Tin Woodman of Oz
- The Magic of Oz
- Glinda of Oz
Happy reading!
pushing daisies really was a modern retelling of orpheus and eurydice in which they knew they wouldnt make it out of the underworld so instead they simply built a life together on the stairs
What are your thoughts on Pike... But he's from the Mirror Universe?
Mirror!Pike: The Inverted Paragon
I have actually thought about this a lot and how the way Pike is as a human being could be inverted in the hands of the Terran Empire. His fundamental traits both grate against the things the Empire stands for and could also be their deadliest weapon.
Fundamentally, Pike is a paragon character, like Superman or Captain America, he eats, breathes, and bleeds what he believes in. He is totally devoted to the ideals of the banner he flies under. We know in the Prime universe he'd be more than willing to give everything up, even die for Starfleet's cause. He is oath and conscience, service and sacrifice, through and through.
In representing the pinnacle of what he stands for, he inspires borderline fanatical loyalty that is only matched by his own devotion. He is, canonically, Starfleet's poster boy and wasn't even aware of it. This can be as much a danger as it is an asset, especially in the Mirror Universe. In my mind there are three ways he could go in this timeline, I call them Claude Frollo, Leto Atreides, and Scorpia respectively. I like all the options so I'll describe them each in turn!
Claude Frollo (True Evil Paragon)
This is the Mirror Christopher Pike that knows exactly what he's doing, he uses his abundant empathy without Prime!Pike's compassion to manipulate and radicalize those under his power. To the point where they are too worshipful and terrified to even think about killing him to go up in rank. He seeks to be feared and adored, and has a reputation for avoiding the more brutal ways of punishing subordinates and taking in soldiers who don't fit the standards of the Empire's purity. In this characterization, Spock is his Quasi Modo, his pet project. Most likely he would seek to prove that Human mutts can be weaponized against inferior races. He may even be so charming as to convince non-Human worlds they'll be safer under the Terran Empire's banner in subordination than facing a pitiless galaxy without their protection. The secret to his success being that he genuinely believes the xenophobic, paranoid bile the Terran Empire stands for, he's just not stupid about it. All that being said, I do think he'd be too loyal to the order of things to make a bid for Emperor, he's content with his little cult/fiefdom as it stands. Unless an opportunity opens up like, say, both Georgiou and Lorca being dead, arises for him to take the throne. This Pike probably also kills Una for being an Illyrian spy and La'an is his right hand with all that Augment Descendant clout and treats her like a princess and daughter to maintain her loyalty.
Leto Atreides (Reluctant Evil Paragon)
This variation of Mirror!Pike is significantly less self-aware and maybe a bit more critical of the Terran Empire's ideals but still willing to play the game because, let's be real, power is one hell of drug even for the best of us. This version seeks to make the Empire better from within, which is ultimately a fruitless task because Terran imperialism is rotten to the core. I'm sure this Pike while definitely equipped with plenty of subconscious racism, is probably as not-xenophobic as he could get away with being in this depraved system, the peak example being making room for Spock to climb the ranks. He's well-loved by his crew, but too hesitant with violence to not get himself killed. Either a subordinate takes him down OR he becomes so well liked by his Terran crew and beyond that Empress Georgiou saw him both as a threat and dangerously too soft, and killed him. This Pike is a dead man before the Discovery even got trapped in the Mirror Universe. Which might explain why Georgiou is so uninterested/unimpressed with him when they interact in season two.
Scorpia (Ignorant Evil Paragon)
This Mirror!Pike believes in the Empire because he's been completely brainwashed by the propaganda it spews. Having been raised on Terra Prime, would have no information to the contrary until he joined Starfleet. I'm sure he spends a solid chunk of his career stifling his cognitive dissonance and sense of honor enough to survive, and eventually thrive as bits and pieces of his soul get ripped out of him. Until eventually something just snaps and he goes completely rogue. Which ultimately makes him either dead, a prisoner of war on either the Empire or Rebellion's side, or hiding somewhere. Mirror!Una probably helped him defect considering she's either an Illyrian who thinks she's human OR an Illyrian spy. Not optimal but at least he isn't a monster? Kinda, he probably had to do some messed up shit to get to Captain in this universe, but at least he feels remorse in this variation! Yay?
"The magic system isn't explained properly" bro as if anyone these days understands how a computer works
Let’s do another poll!
it's the most kpoppiest kpop song to ever kpop









