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taobao-media
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maisonnue_21820083_154019141855165_900478853254742016_n
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Shiro Kuramata
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Thomas van Linge
Fountain (Panic), 2019
whatever portal rosalia opened when she came on the scene, i need that shit to be closed IMMEDIATELY because what the fuck is DIS HUNNY?????
Not yall bring this crazy woman on tumblr😂😂😂
Please give me whatever she’s on. I want to be this high
Reggaeton!?!?!? I think the FUCK NOT.
literaturefeen-deactivated20210
Excessive tanning to the point where you look like you're a different ethnicity should be illegal. Don't @ me trying to argue.
bitch what thee FUUUUCK???????
She isn’t Rosalía, her name is Nathy Peluso and is argentinian
https://www.youtube.com/watch?v=pICv0qQIbeY (link to the original video)
stream-purge-the-poison-deactiv
I dont like the amount of exposure ppl are giving to her rn. i know everyone is making fun of her but what she does its not funny. its straight up racism and i wish she gets deplataformed already bc im sick of seeing her everywhere everytime she drops music.
‘You all realize that nathy peluso stole a song from a black artist Hurricane G. stole her flow, speaks nd sings like she had a cuban accent, its argentine, lives in spain. She uses the accent as a fetish, like she does with afro culture, she calls herself ‘ la mulata’‘
please stop spreading her shit
I knew her funky ass was a clown...
They couldn’t do those braids better?
capacity
Why is being black in this world just an unending sick joke honestly everyone is such a psycho
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heirloombabydoll-deactivated201
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拍照的
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Suzanne Treister 1991-1992 Fictional Videogame Stills
In the late 1980s I was making paintings about computer games. In January 1991 I bought an Amiga computer and made a series of fictional videogame stills using Deluxe Paint II. I photographed them straight from the screen as there was no other way to output them that I knew of apart from through a very primitive daisy wheel printer where they appeared as washed out dots.
The effect of the photographs perfectly reproduced the highly pixellated, raised needlepoint effect of the Amiga screen image. Conceptually this means of presentation was also appropriate in that it made it seem like I had gone into a videogame arcade and photographed the games there, lending authenticity to the fiction.
The first seven works on this page form a series titled, ‘Q. Would you recognise a Virtual Paradise?’
Many of these works were shown in London at the Edward Totah Gallery in March 1992 (view installation) and later that year at the Exeter Hotel in Adelaide, Australia. In 1995 the ‘Q. Would you recognise a Virtual Paradise?’ series was shown in London at the Royal Festival Hall in the exhibition It’s a Pleasure, curated by Leah Kharibian.
Recent venues: Somerset House, London, 2018 view installation ; Akron Art Museum, Ohio, USA 2019 and tour; Moderna Museet, Stockholm, Sweden, 2019/20 view installation
The original Amiga floppy disks which stored the image files are corrupt, but the photographic art works remain.
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