Not just any paper maps, they had textbook sized atlases of the entire delivery area with each street meticulously mapped out.
These were insanely handy and a new edition came out just about every year to stay up to date on construction and road changes. I remember stocking my car with these for any of the cities I tended to travel to because they were the only way to actually get anywhere unless you wanted to call a friend and get very in depth instructions on how to get there.
no i am NOT interested in these “hot singles” in my area what i WANT is hot ENEMIES in my area!!! i want a meaningful hateship with someone who’d try to kill me on sight!!!
firstly, how dare you
oh my god this New Yorker article about the Titan holy fucking shit fuck???
Some notes: 1. the electrical system was designed by engineering undergrads who were working as interns. 2. because it is illegal to take passengers on an unclassed experimental submersible, they called the passengers "mission specialists" & instead of buying tickets they made donations. 3. the satellite beacon was held onto the outside of the sub with zip ties. 4. when Lochridge (the whistleblower) quit, Stockton Rush asked HIS FINANCE DIRECTOR if she wanted to be the pilot and she was like "sir I am an accountant" and the experience of having her biss ask his accountant to be the pilot made her so freaked out that she ALSO quit the company 5. the carbon fiber used to make the hull was bought from a deep discount from Boeing because it was past its expiry date for use in airplanes
AND MUCH, MUCH MORE
when hozier said "if im a pagan of the good times, my lover's the sunlight" and when hozier said "no grave can hold my body down, i'll crawl home to her" and when hozier said "i slithered here from eden just to sit outside your door" and when hozier said "heaven is not fit to house a love like you and i" and when hozier said-
I want to know how Hozier's brain works. Like, how do you come up with a metaphor for gluttony that's also about the destruction of the planet and the disposability of young people within the war industry??? AND it's also a bop??? Sir???
take me to church is still an amazing song. btw. if you wanted to know
the thing about Hozier is that he's gonna use mythology, literature and folklore to be horny and to make his songs political every time and i'm gonna eat it up every time
He asked me when I fell in love with him and I knew it sounded dramatic to say the moment I saw him, so I told him this story of my grandma who had Alzheimer's- she forgot her name and the words for fruit and food, she forgot her address and how to use the washroom, all her life lost to the disease. The only thing she remembered was her son's name and when that began to fade, the one thing she always remembered was that she loved him, even in illness, even in insanity. She saw this 6 foot 2 man with a scrubby beard and she didn't know him but she said she trusted him, she asked him to hold her hand when she died. When does memory end and love begin? All I know is- she loved him before she remembered him.
-Ritika Jyala, excerpt from The world is a sphere of ice and our hands are made of fire
Do you write music with the view of being politically active and delivering a message or does it just happen and the rest follows?
If I miss anything or get anything wrong, let me know! I'm so interested to know what everyone else thinks, too :]
Another long post, but I simply have too much to say.
when hozier wrote "heaven is not fit to house a love like you and I" and "the only heaven I'll be sent to is when I'm alone with you"
"i want to love something without having to apologise for it" - queerness, shame, desire
nelly arcan // richard siken // hozier // rené magritte // emily m danforth // richard siken // hala alyan
'I've always known I'd marry rich. Why should I be ashamed of that?'
'There is nothing to be ashamed of as long as you love him.'
'Well, I believe we have some power over who we love, it isn't something that just happens to a person.'
'I think the poets might disagree.'
Little Women, 2019 (Dir. Greta Gerwig)
It amazes and infuriates me, how as a woman of the 21st century, I still agree with most (there are ways for making money, though still not for every woman) of the argument made by Amy, a character representing ambitious women of the later half of the 19th century.
Wonderland Fall/Winter Issue: Emma Watson - A Review
Thank you to the Anon who told me I could find the scans on Sue's blog and thank you to Sue for sharing!
So this post took little bit for me to complete, as it honestly took me a few days to even begin it after a first look at the scans. The format and amount of text was off-putting, though it could also be that as I've gotten older, I don't want to read something formatted like this or be this prolific (obviously minus the fictional literature I enjoy reading).
That being said, I did my best to review this interview. Since they are scans, it was harder for me to interject between paragraphs, so I wrote after each page instead. I believe I figured out the order of the interview, also, but I could be wrong.
Scans are from: Wonderland Magazine Fall/Winter 2022 - Emma Watson Gallery - Photo Gallery (sosugary.com)
Please note that the commentary here is just my opinion based on what has been shared by her with the public.
Editor's Note:
- Editor gushes about how Watson went around to everyone and hugged them, and they decided she had to be on the cover
- Watson moodboards until what she dreams becomes a reality
- The rest of the note talks about their next cover celebrity (I don't know why this is needed)
- They discuss how Watson shows up for her friends and brings up the Covid lockdown. She apparently took a friend to get their vaccine (not sure why they're bringing up covid considering Watson was a possible super spreader with all of her vacationing at hard-hit countries)
- On the way to the vaccination clinic, Watson tells her friend that she wanted to create an exhibition for family and friends of her recent paintings and poetry
- Watson stayed in the countryside to figure out her vision? (contradicts her endless traveling to different hotels and spas, but okay)
- Dr. Balaghi notes Watson doesn't follow Twitter (aka, addressing how she doesn't speak up about anything anymore); they only bring up how there was a rumor of her getting married
- Watson acknowledges that she keeps different versions of herself in separate boxes, something we've discussed here
- She brings up her environmental activism even though she has a horrendously large carbon footprint with all of the travelings and vacationing
- Watson says she had been running away from creating films to express herself, but considered the "running away" as her gathering her clarify
- She says she stepped away from acting after Little Women and wanted to find a new path
- Balaghi implies that Watson is like every other successful writer, painter, and filmmaker thinks in regards to utilizing everything
- Watson said that for 3/4 years, she has felt like she's been lost and nowhere
- Basically, the ad for Prada was all about Watson finding herself in her personal and professional life
- Watson has apparently been working on creative things that we don't have privy to and she's created her own community of artists, actors, and thinkers (?)
- Watson acknolwedges that the film was the result of so many people working together, but doesn't thank them for their efforts in letting her own project come to life
- Watson gives kudos to Monika Lenczewska (yay for her supporting another woman publicly)
- Prada already had a script for the perfume and Watson created her own recording for what she wanted the audio to be
- Watson seems to not like the collaboration aspect, but then says she wanted to work with women who she loved and who loved her (this doesn't surprise me, someone who always has to have control of everything will not be able to collaborate well)
- Watson says she hit a dead-end and needed to rebuild her life
- Watson compares her battle with creative and commercial spaces with activism to be a dance
- Watson asks the question how she can stay true to herself
- Watson says she had to step away from the spaces where she had to be "Emma Watson" (nod towards her leaving social media)
- She says being "Emma Watson" is draining and basically "Emma Watson" is manufactured and it's not her at all/not the truth
- She plays victim to people expecting her to be perfect
- Lots of talk about painting, but we don't see her work. I would like to see her paintings and poetry
- Watson apparently has been taking art lessons since she was a little girl
- Filmmaking for Watson feels more true to her than acting
- Watson likens her behavior on set to being frustrated because she wanted to be a part of it all, not just being an actor (nod towards how she always had to change things)
- Watson sees herself acting and directing in the future
- Watson says ecosystems in the film industry are rotton and toxic. Brings up Me Too and Time's Up.
- Watson told Prada she refuses to play an empowered, alive, and joyful woman in the commercial unless it [something] women making it (scan cuts it off)
- Watson wanted big shots rather than the focus being on her in her Prada film becasue she wanted to incorporate the beauty of nature. Somewhat off since the whole ad is about her.
- Watson says she feels she's pushed the limits and broke boundaries with her perfume ad (a look into the grandiose marketing Windsor used to do)
- She didn't want to greenwash and feels that feminism and eco activism are worth fighting for (even though she's silent on 99% of things?)
- Watson talks about the scene in the ad where she's not wearing makeup and her lines, freckles, and sun damage are visible - it's her favorite shot and she wanted that to be in her ad because it's not done often (I think it's great she had this shot and called out ppl who bashed her skin)
- Watson acknolwedges Prada's triangular shape and how she was basically honored to be able to build on it
- Watson doesn't believe in putting anyone in a box and there are shades to things, she says that via the actor in her, it's her job to learn empathy and says that everyone is doing the best that they can with the tools and life experiences they have (a nod to her claiming she was doing her best during the pandemic despite possibly being a super spreader with all of the vacationing)
And I think that's it.
Overall thoughts:
In my opinion, as I said in my short post regarding working on this review, she has to stop playing victim to the standards she set for herself. You can't market yourself as an A-lister and then play victim when people expect that level of acting and leave criticism when they don't see it. You can't market yourself as a groundbreaking feminist voice of our generation and then play victim when you're silent and people expect you to speak about the many different horrible things happening in the world to women and children (she tried to dismiss Twitter as a place where people create rumors about her, but plenty of normal people ask her to speak on various feminist topics). You can't market yourself as saving the world with eco-activism and then play victim when people call you out for constant traveling and flying (especially during the height of the pandemic) and not attending the Kering board meetings (and dating a Green). She can't play victim to being Emmione when she chose to be Emmione, maintained Emmione, and benefitted greatly from Emmione. She chose to not move forward with cutting her off after Harry Potter, which she did try to do but went right back to her. She chose to still use Emmione when she needs to garner attention for her projects. This aspect is why Emma Watson is an interesting topic when it comes to public relations. She is an example of why you don't create a public relations image so heavily unlike yourself. You end up being stuck in a box and the only way out is blowing it up and hoping people still like you. It didn't work for Watson, so she went back to Emmione and completely compartmentalized her, and stopped interacting with her fanbase beyond what they can do for her. Emmione became a card to trade for other opportunities. Emmione was never really real and Watson was generally okay with that until people started holding her accountable to her OTT marketing.
I find it interesting she basically acknowledges Emmione is fake and not true to herself. It is a shame, however, that she does not take ownership over the creation and maintenance of the false image. I also wonder how her fans feel about this admission, as Emmione is largely why they still follow and support her despite the cracks in her image over the past decade or so.
Overall, I'm not surprised by this interview. It further shows me that Windsor was doing exactly what Watson wanted him to do before (with the larger-than-life angles). I can see why Watson rubs people the wrong way: there is a very strong air of egoism. Some may even say this interview is pretentious, especially the bit where she says she broke boundaries and pushed the limit with her Prada ad (she should let people naturally come to that conclusion). It also focuses entirely on her, her vision, her struggles with Emmione, and her process with only a few nods towards the Prada perfume itself. To me, this interview made it very clear that Prada was just the vehicle for her to do what she wanted: to direct and have a big company fund her self-project. It was about her from the beginning (despite Prada already having a script and vision) and she wanted things her way because it was about her. Not about a perfume and not about Prada.
I think the images from this interview look nice, though I am surprised Watson would do a pose that showcases her ribs since that can send the wrong message to women and girls with body image issues, which I would think goes against her marketing.
I am interested in seeing what doors this ad opened for her, as I personally found her ad to be fine, but not boundary-breaking. It definitely didn't sell a product, but it sold Emma Watson. This interview did not do her any favors, in my honest opinion.
Happy Sunday,
Sam
Only gender critical TERFs would see a woman get a pixie cut and make snide comments like “oooh guess they’re trans now”. So much for “let women be non-gender-conforming!” 🤡
Can all the tumblr homosexuals agree to stop buying chick fil a. It's so depressing that across the board lgbt people and supporters are indifferent to chick fil a and feel fine buying it. Can we at least stigmatize it here
For those who actually like chick fil a sauce and refuse to boycott because of that:
It's ranch dressing, honey mustard, and barbecue sauce. Now free yourself
Fuck Chick-fil-A. That homophobic chicken isn't even that good, y'all are literally simping over chicken that tastes like it was made at a White cookout
The sauce:
The chicken (deep fried):
Air fryer version:
Fresh lemonade:
Lemonade milkshake:
Whatever thing you love at chikfila you can make yourself fairly trivially (if! you are able to cook! which I know not everyone can).
Simply look for a "copycat recipe" for the item, eg, "chikfila copycat chicken recipe."
There are literally thousands of extremely dedicated food bloggers out there who have long ago perfected there at home versions of stuff.
Chik Fil A contributes to groups who think trans people should be forcibly sterilised
No chicken is that fucking good













