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Oh a tassel? Don't toy with me you saucy minx

@msaberhagen

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Everyone gets “The 90s” look wrong and I hate it

Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback…

Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™ 

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

The biggest problem with every single bad review of Captain Marvel coming from a man is that none of them seem to comprehend a narrative that isn’t meant for them.

They see Carol finally breaking free from being gaslighted by the Kree as “emotionally underwhelming,” never realizing that a climactic, emotional showdown with her abuser would be giving him exactly what he wants. Being in control of her emotions? Choosing not to react to a provocation? That’s strength most male comic fans don’t understand. They see masculine-coded strength as the only valid kind. Carol not being angry and putting Yon-Rogg down in a shonen-esque battle doesn’t make sense to them because it’s not what they would have done.

They see a woman struggling to work through lies she’d been told as “bad narrative structure,” when in reality the movie was never about building Carol up from nothing, but about her realizing her true potential through seeing past those lies. Carol’s character arc parallels many women attaining social consciousness, throwing off patriarchal lies they’d been conditioned to accept about who they are and what they can do. Her story isn’t about attaining power, but about embracing her true potential that had been deliberately hidden from her.

They see Carol’s emotions not lining up with the lies her abusers told her about being too emotional as “bad writing” or “bad acting,” never realizing that that was exactly the point. They only understand defiance as impassioned, outward battles of will and pride, not understanding that quiet, steadfast refusal to bend to others’ designs of who you should be is strength too.

Brie Larson was absolutely right. Carol’s story is not for men. And nothing proves that more than all the fanboys who didn’t understand it throwing fits on the internet.

I don’t mean to step out here, but this is something even my mother, a proud black woman, felt was underwhelming: the origin story was slapdash and her character was uninteresting.

I mean, I’m not a huge fan of origin stories anyways, but at the least it could’ve establish Carol as a character rather than just be a symbol for people to forward to seeing more of next movie. I couldn’t remember what motive she had for fighting the Skrulls in the first place or why after being in the Starforce for six years, only now curious about her true identity after Talos forced her to look at them in the memory chamber.

Her emotional journey felt underwhelming because it never felt like she was fazed by anything that happened to her. The moment where she just sides with the Skrull after Talos gives her the deetz didn’t feel right not just because they depict the Skrull as the engaging enemy, not once trying to convince or reason with Carol that the Kree were the real enemy (seriously, Talos was about to body Fury, and he’s the good guy apparently), but because after six years of being with the Starforce, she just gives up on them like the bond she made with Yon-Rogg and the others meant nothing to her at all. She was pretty aloof throughout most the movie, my and mom even wondered if she cared at all about what’s going on.

Her impulsiveness is apparently the thing she needs to work through, but spends the movie basically not being hampered by it at all. She’s honestly the same throughout the movie, only by the end her shortcomings were her best features; there was arguably no character arc for her. 

I’d say there’s a difference between impassioned defiance and insisting that this character is above all that. Like we can say that she isn’t emotionally unbalanced and mustn’t bend to others’ designs, but in all honesty it’s the lack of genuine emotion that makes trying to resonate with Carol very hard for people. Mob Psycho 100 had a better handle of the MC unifying their emotions than this.

Yeah, Carol’s story is not for men, (it’s better than Civil War II, no doubt), but regardless of the gender demographic, is it wrong to say her story could’ve been a lot better? Saying this story is not for men kinda implies that men can’t or shouldn’t empathize with heroines in any sense.

How can you say there was no character arc? The climax of her story was her literally telling the people who’d been gaslighting her for six years they were full of shit and finally owning her emotions and power instead of letting them tell her what she is and isn’t. Her personality isn’t all that different, but she’s fully realized at the end of the film. She clearly changes.

Also I never said men can’t empathize with this story. Plenty of women can empathize with stories written for men. It doesn’t change the fact that those stories were still written with a male audience in mind. Carol’s story isn’t built exclusively on “here’s a thing only women have been through,” but her gender is absolutely a core part of it. If men relate to it that’s great, but it doesn’t make them special for doing the thing women have been doing forever, or downplay the gendered nature of Carol’s story.

I agree with some of your points, that maybe her narrative was a little too meta and symbolic at the expense of her character, but I still enjoyed it regardless. It’s maybe not the film a lot of people wanted it to be, but I think it succeeded at being the film it was trying to be.

Well…. when I say “Arguably no character arc”, I mean in the sense that her personality wasn’t that different and it never felt like she was ever gonna fail. I’ve started to think less of how she’ll succeed and more of when she’ll succeed. I thought less of who she is and more of what she is. That expense of her character is where people, men and women, find this heavily underwhelming.

Yeah she sides against the people she’s worked with for years because they’re full of shit, but the climax felt like being with the Starforce never mattered to her in the first place, getting Yon-Rogg’s approval never initially mattered as well. While she recognizes her potential, you would think she’d have some leftover feelings for the person she once was. You would think her life as a Starforce member meant something.

Doesn’t help that, again, the Skrull were the engaging enemies at first and don’t bother trying to reason with Carol to side with them until around the climax where we finally get their perspective. Doesn’t help that I knew little of why the Kree were hunting the Skrull in the first place and until Secret Invasion, non comic book readers probably won’t fully (or bother to) understand. Doesn’t help that her and Yon-Rogg’s relationship was the equivalent of two brief sentences. Doesn’t help that her flashbacks didn’t collate with who she wanted to be since, while understanding that she is an all powerful being now, there was little else that says about her character arc beyond somebody that gets knocked down but then gets up again which is pretty nebulous compared to Gamora, Nebula, Scarlet Witch, EVE from Wall-E, Mulan, Beatrix Kiddo from Kill Bill, or Diana from Girlfight.

For Carol, the movie doesn’t think it’s a big deal for her. For someone that’s been lied to for years now, compared to Peter Quill or The Crystal Gems from Steven Universe or Rapunzel from Tangled, she gets over it real quick. There could’ve been an emotional moment where she expresses pure justified frustration until she picks herself up and then do what she does, thus establishing her independence from the Kree while using what they taught her for herself, but… we don’t get that. Might as well have said being with the Kree “was a waste of time anyway”. It was all for nothing. Please clap.

Just saying, was there truly a scene in the 2nd act where Carol recognizes a mistake she’s made? Was there really a time, other than the beginning I suppose, where her impulsiveness gets the better of her? I can only remember so much from this movie, but did she really regret doing anything besides not taking that microchip off her sooner? Her evolution, her change, as a character is momentary, and they tell us this evolution rather than showing us throughout the film. Heck, it’s arguable that Carol’s character was written around the plot twist of the movie rather than being the focal point since only now, after six years of going along with the Kree, she is driven to figure out who she was; not on her own volition, mind us, but out of obligated curiosity thanks to the Skrull kidnapping her in the beginning. 

Additionally, when ya say “her gender is absolutely a core part of it”, it’s also [almost] debatable in the sense that if you made Captain Marvel a man, which is doable because they was initially, how much would change, especially in the era where toxic masculinity has become more… frontline, lack of a better term? I don’t mean to downplay your perspective, nor I am denying it, but it’s a question I have nonetheless towards this film particularly.

Overall, I don’t hate this film, you have every right to see the positives of this, but at the same time, for the first female MCU movie it felt empty in terms of stakes, impact, or establishing Carol Danvers as a character, like momma said it was filler for Avengers Endgame and I say this movie should’ve done more for not just men and/or women, but comic book and non comic book fans alike who wanted Carol Danvers to be the amazing protagonist as advertised. Haven’t read a Carol Danvers comic in my life aside from Civil War II, and this movie didn’t encourage me to even when I like and look up to comic heroines like Storm, Shuri, the Dora Milaje, and Kamala Khan. The concept is serviceable, and I’m sure there are plenty that look up to this film and I won’t deny that, but when you cut the fundamentals of making a hero in a hero film, regardless, people will notice.

Fourth massive blackout in Venezuela. Hope everyone is staying as safe as possible. I know a lot of people here who don’t know how their families are faring, can’t imagine what it must be like.

Who is the British piece of shit miming a violin after the speech?

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Just got to do some woodworking for the first time in a long while, and I am once again reminded of why I enjoy my favorite type of word to work with: Purpleheart.

Why’s it called purpleheart?

Muthafuckin’ purple wood. How cool is that? It’s brown when you cut it, but due to oxidization, eventually turns to a beautiful purple color. (if you don’t seal it at this stage, it’ll eventually turn red, I believe, which is still pretty, but you buy purpleheart for purple, damnit!)

And everything you make with it turns out amazing.

Purple floors?

Nice.

Purple stairs?

Fancy.

Purple table?

Sweet.

Purple guitar?

Awesome.

Purple whatever the hell is going on here?

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Epic.

It’s just such a cool wood to work with, and it’s sturdy enough to be used for just about anything. If I ever get a house, half of it might just end up being made out of purpleheart.

Anyway, that’s enough nerdery for one post. I will now return to reblogging stupid pictures and recipes.

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picture it now. the life you want to have. the smells, the colors, the people. the smiles and the accomplishments. where you’ll live, where you’ll relax, where you’ll study or meet new people or just discover. allow yourself to dream, and aim high. disappointment is a part of life, and whenever someone succeeded, they allowed themselves to dream, to expect, and then to fail. and then try all over again, until it worked out.