FTM Latino hunks at Tranny Fest (now the San Francisco Transgender Film Festival) from FTM Newsletter 1999
at times when hope is too big of a thing to have, curiosity (even clinical or small) is a very good placeholder
asking myself "why continue" & finding the answer is always, in some form, "i want to know what happens next", even if that want is tired or detached or outright morbid
Susan Kare, the Artist who designed many of the fonts, icons, and images for Apple, NeXT, Microsoft, and IBM, 1980′s
#oh is it time to repost this susan kare photo again
Important addition y’all
Just shoot me
You have got to be fucking kidding me
stuck in a time loop where every day i wake up and it’s tomorrow
I want OP to know that because of this post, I entered my cat in a show as a household pet. He even got 1st place in a couple of the judgings!
FOMO but instead of for trends it’s for seeing the magpies in my garden wag their tails and make that little croak sound together
hey have you guys met my swiss nb friend Yodel, they/he, who -
KIEREN WALKER | In the Flesh (2013-2014)
Because, honestly, dead… Everything up until then was fear. Everything. Even when I was alive, just different levels of fear. And then it’s gone.
“For example: A writer sets out to write science fiction but isn’t familiar with the genre, hasn’t read what’s been written. This is a fairly common situation, because science fiction is known to sell well but, as a subliterary genre, is not supposed to be worth study—what’s to learn? It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does. In the same way, critics who set out to talk about a fantasy novel without having read any fantasy since they were eight, and in ignorance of the history and extensive theory of fantasy literature, will make fools of themselves because they don’t know how to read the book. They have no contextual information to tell them what its tradition is, where it’s coming from, what it’s trying to do, what it does. This was liberally proved when the first Harry Potter book came out and a lot of literary reviewers ran around shrieking about the incredible originality of the book. This originality was an artifact of the reviewers’ blank ignorance of its genres (children’s fantasy and the British boarding-school story), plus the fact that they hadn’t read a fantasy since they were eight. It was pitiful. It was like watching some TV gourmet chef eat a piece of buttered toast and squeal, ‘But this is delicious! Unheard of! Where has it been all my life?’”
— Ursula K. Le Guin, Genre: A Word Only a Frenchman Could Love (via queenofattolia)
obsessed with the photographer who shot past finneas and billie eilish to get a shot of jeremy strong from succession











