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Mokug

@mokug

The Swedish warship Vasa. It sank in 1628 less than a mile into its maiden voyage and was recovered from the sea floor after 333 years almost completely intact. Now housed at the Vasa Museum in Stockholm, is the world's best preserved 17th century ship

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Kinda funny that the best example of its kind is the one that sucked as bad as it possibly could.

Oh, it was *ridiculously* bad. That initial post says “from the sea floor,” but that implies it made it out to sea.

So Gustavus Adolphus is king when Sweden is fighting wars all over the place. They need more ships, so he commissions four of them, two big and two small. The Vasa was supposed to be one of the smaller ones. Emphasis on “supposed to be.” Because Gustavus Adolphus keeps ordering changes. Like, add twelve more feet to the keel! Pile on the carvings! Add another gun deck for the hell of it! It got even worse when Sweden lost ten ships in a huge storm, so now they needed the Vasa *yesterday*. But Gustavus Adolphus is STILL demanding changes. So the shipwright scales up the measurements to try and make things work. Which might have worked, except the ship was being worked on by Swedes, Finns, Danes, Sami people. Communication is hard enough, but also it turns out that there are two different types of rulers being used by the workers. One is in Swedish feet and one is in Amsterdam feet. Amsterdam feet were only eleven inches long. (There’s a joke there I’m too tired to make.)

Anyway, because of that, the port side is heavier.

Okay, so you have to imagine the Vasa, with its hastily-scaled-up measurements, its *seven hundred* decorative carvings, its sixty-fucking-four bronze cannons. It’s a goddamn mess, AND its center of gravity is way off. Except that’s not something you could measure with instruments at the time. What you’d do is, you’d put it in the water, then have a bunch of guys run back and forth from port to starboard a bunch of times to test if it’ll tip over.

The guys who did this test could only do it three times before the Vasa was like, “I think I’m gonna hurl,” and almost tipped over right then and there.

Everybody there is like, “… uh-oh.” The admiral conducting the test just sighs and goes, “If only the king were here,” because Gustavus Adolphus wasn’t, and maybe if he had been he would have seen they fucked up and decided to pull the plug. Oh, and those bronze cannons? They weighed down the ship so much that the lowest row of gun portals was almost at the waterline.

But. Sweden needed the Vasa. It needed it to go to war. At that time, it was the most expensive thing Sweden ever spent money on.

SO. It’s August 10th, 1628. It’s the port in Stockholm. There’s music, there’s festivities, everybody’s showed up to see the Vasa off. A few ships tug the Vasa out to the current, let her loose, she drops four of her sails, and off she goes.

For about thirteen hundred meters.

Then, a light breeze blows. When I say light, I mean light. But that was all it took. The Vasa flops to port, water flows into the gun portals, and down it goes, still in the fucking harbor with its masts sticking out of the water.

So when that original post says “recovered from the sea floor,” it means brought up from the *actual harbor*. Like, within sight of the docks.

Oh, oh! But cool story about all this. Remember those sixty-four bronze cannons? Yeah, Sweden kind of needed those back, so about three decades later in 1658, the Swedes go down and retrieve almost all of them with a diving bell. Which is kind of badass.

I think it needs to become common knowledge that "inability to read social cues" can show up as overcompensating.

You don't know how much misbehaviour is allowed, so you become the perfect child who never tests rules.

You don't know if someone is irritated with you, so you'll be extra generous and self-effacing.

You don't know how much is expected of you at work so you'll kill yourself in a minimum-wage job and not notice that nobody else is working like this.

"Hardworking and quiet" should be as much of an autism red flag as "ignores rules and doesn't know when to stop talking". Or why don't we just start using words to communicate so i can stop tracking everybody's eyebrow twitches, that would be great.

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Never have I felt more called out than when reading this.

star wars headcanon time:

- so mon mothma (based on the ep3 deleted scenes) knew Padme pretty well. and consequently TOTALLY clocked that she was pregnant. she knew. a bunch of senators knew. they never said anything because they respected her privacy.

- however padme was good at keeping her Secret Affairs under wraps so mon mothma had no idea who the father was. she never guessed it might be anakin bcos everyone knows Jedi don’t do stuff like that.

- padme dies suddenly & mysteriously. shortly thereafter bail organa and his wife announce that they’ve adopted a baby girl. 

- at the time mon mothma does not think much of this BUT later as leia gets older she begins to resemble padme more and more in both looks & personality and mon mothma is like. hmmm.

- so she draws the natural conclusion.

- padme was having an affair with bail organa! and when she died in childbirth bail quietly ‘adopted’ the baby to avoid the scandal.

- mon mothma elects not to say anything about this because it’s not really her business and also the past is the past and padme has been. dead for several years at this point and she doesn’t feel like opening that wound back up.

- instead she just, takes leia under her wing.

- anyway! later when a kid w the last name Skywalker who says his dad was a jedi shows up to join the rebellion she’s like. hm.

- she didn’t know anakin well but at the very least she knew OF him and they like, probably met

- so she figures anakin must have fathered a child while he was travelling the galaxy during the clone wars. she never really liked anakin so she’s just like ‘hm guess he was a deadbeat dad. can’t say I’m surprised.’

- she is not aware however that Anakin became Darth Vader so she doesn’t really feel the need to say anything to luke about this. as far as she’s aware luke already knows the truth about his parentage. at most she might be like ‘hey I knew your dad a bit, he was a good jedi & a war hero’.

- so as far as mon mothma is concerned, anakin skywalker’s son and padme amidala’s daughter are both fighting for the rebellion. the fact that they’re the same age is just kind of a coincidence. tatooine uses a different calendar from most planets so she never notices that they literally have the same birthday.

- anyway later Leia is like ‘so guess what! luke is my long-lost brother. isn’t that wild?’

- and mon mothma is like

………………….’PADME WAS BANGING ANAKIN SKYWALKER????’

(leia: not what I expected you to take from that but. yeah I guess she was.)

Mon Mothma: Leia I’m so sorry for that outburst, it was completely inappropriate. Anakin Skywalker was a good jedi and my personal dislike for him doesn’t make him any less of a hero-

Leia: he was Darth Vader.

Mon Mothma: ……….

Mon Mothma: MOTHERFUCKER-

Leia: yeah I’m not too happy about it either

HERE is a comic i made at 4 am for @gayharrykim for the star trek pride exchange organized by @lieutenant-commander!! the prompt was worf/riker + music

[ID: a two-page digital comic. panel 1: worf follows a bearded riker into the holodeck, looking at the various instruments lining its walls. riker, smiling: “Klingon music heavily features hammered strings, right? I’m sure there’s some similar human instrument I could show you…”

2: riker, still grinning, presents an electric guitar to worf, who accepts it seriously. riker: “here - this must seem rudimentary, but it’s a popular earth instrument called a “gee-tar””

3: worf, holding the guitar, to a wide-eyed riker: “I know what a bass is, commander.”

4 (inset): close zoom on their faces, worf looking down at riker. worf: “I also know how to shred.”

5: worf dramatically shredding on bass with intense expression and flowing hair, while in the background riker stands in awe, mouth agape. end ID]

Not people saying “Fandom has always been like this” in that vent post I made. No. It hasn’t always been like this. Fandom has NEVER been like this until recently and if you were in fandom pre-tumblr purge, pre-twitter, pre-netflix boom, pre-tiktok….then you would fucking know it was nothing like this.

We still had the drive to create. We still sold prints and charms and made zines…but it was never like this.

The introduction of streaming, binge shows that drop all at once, tiktok and vine RIP i still love u vine but you were the beginning of a particularly ugly era) creating this bite sized, quick paced ‘content’ era of creation and it bled out into fucking everything else.

Fandoms didn’t die down when the show ended or the season was over. You didn’t mass unfollow artist, writers or moots just because they changed fandoms. There wasn’t this need to please the algorithm in order for your posts to get seen by people and enjoyed.

Fandoms used to last YEARS. Star Trek is literally the oldest running fandom out there and you got people in there that could care less about the new stuff and still have been happily prancing through their fucking fifty year old fandom today. Hell, even SPN after all it’s fuckups and shitshows has a dedicated fanbase STILL creating tons of art and fic.

There is no patience anymore. No calm feeling of taking in fandom and friends at a pace that which doesn’t make you stressed and is still fun.

Do I blame fandom for this? Of course not, but people are complacent with it and start changing their vocab to accommodate and end up making the situation so deep it cant be fixed.

We call Art & Fic Content now, completely stripping the value of what it is to a level of consumerism instead of personal entertainment & community bonding.

Let OP talk, they’re absolutely right.

Big fan of characters realizing they don't get to die. They have to live. And grow. And be a person. And deal with shit they thought they'd never have to. And be fucked up about it. I would like more of this. Enough dying for honor or as redemption. It ain't. You're just a corpse. There is no moral value in dirt time.

Understanding Princess Mononoke

People on twitter have asked me to write this up, after speaking just a bit about it on the bird plattform.

So, recently I rewatched Princess Mononoke and talked about it with a friend, who is Japanese with a degree in Japanese history. And I think some of it was rather interesting.

Some of you might already know this. But others might not. So just endulge me for a moment.

Let me start with Ashitaka. The movie does mention that he is Emishi - but many people are not aware, what this means.

See, Japan had quite a lot of indigenous cultures (I will talk more about those tomorrow). Most might know the Ainu, as they are still around today. Fewer might know about the Ryukyuan people of Okinawa, who are also still around. But there are several indigenous people, who have once lived in Japan, but whose culture hence had become instinct. The Emishi are one of them. They lived in Northern Honshu and their culture disappeared around the 10th century.

The movie, of course, takes place in the late 14th century, which is why the monk notes, that he knows what Ashitaka is, but will keep it secret. The idea is that Ashtakas little village had stayed secret to avoid being destroyed. As such Ashitaka has a different relation to the nature and the nature spirits than the other characters of the movie, who are to engrossed in the mainly Buddhist culture.

Another thing that has to be addressed is Iron Town and Lady Eboshi's people. According to the official Japanese material to the movie, Lady Eboshi once was a prostitute herself, who happened to get power by getting taken to China. Which is why she is in possession of the Chinese gun technology. She then decided to use that to allow herself power - but not entirely out of selfish reasons. Because she, of course, takes in untouchables. Japan, to this day, has an untouchable caste. Which are people who work certain "dirty" jobs or sicknesses. Most of the women in Iron Town are prostitutes who Eboshi had bought free from their brothels. And she wants to have a town where those people can live good lives.

Because of this she has to hope for the support of the Emperor, as the Samurai lords in the surrounding areas do not want her there.

Which brings me to the finale and killing the god. Here is a thing that you have to understand of Japanese history. The original indigenous people of Japan believed in nature spirits, that at times were actually gods. Especially mountain gods. As Buddhism spread (again, something I will talk about more tomorrow) the upper class went out to kill the gods.

Old Japanese history will talk about people killing gods in the same way, as we talk about St. Patrick and the snakes of Ireland. As if it has really happened.

And that is something that Eboshi tries to do. It is killing the old god, but more than that: killing the old culture.

One of the central conflicts the movie shows is, that the nature spirits are loosing their self-awareness. That they revert to normal animals. Because the indigenous culture that revered the nature spirits is fading away.

Which then is, why Ashitaka, who comes from one of those indigenous cultures, is the main character of the movie. Because he still has this connection to the nature spirit, that the other people have lost.

Yes, the movie is very solarpunk in hindsight. But it also understands what it means to loose connection to nature.

And I find that really beautiful.

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i definitely think minecraft won't be the game for everyone in the end and that's just how things are no problem but i do think *some* people who don't get the hype of it just need to play with their friends and build a house with them. its also for doing things like this.

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whatever i guess nobody've read that so imma just drop the screenshots

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no reaction???

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>:)

Why would you do that to someone's house.

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Cheat code for writing disabled characters in sci-fi/fantasy without eliminating their disability:

Don't change humanity, change what's available to humanity.

i.e.: If your magic removes/fixes a defect or your sci-fi lets you select for traits at birth, that's changing humanity. That's altering a fundamental aspect that real humans live with, and distancing your fictional version of humanity from the real deal by cutting out a portion of it that your setting deems "undesirable."

If your magic/sci-fi aids a defect (like magic netting that acts as a brace, or a wheelchair with wheels that transform to fit the environment), then you're taking humanity as we know it and saying "wouldn't it be cool if we had these tools?"

Don't change what makes us human, change what humans can create.

Looking at model boats again and trying to work out what is the correct number of sails to have on the perfect boat

I've always felt that the correct number of sails for a ship is Too Gottdamm Many. Some particular favourites-

Here's a gaff-rigged sloop:

I particularly love how not a single piece of cloth is shaped even vaguely similarly to another.

Here's a schooner called the Bluenose:

one of the Grand Banks schooners which were primarily for fishing (they would carry small rowboats called Grand Banks Dories which would do the fishing and these would act as mother ships) though it also had a racing career.

If you're looking for inspiration you can look up ships called Nancy because everyone and their brother have named a ship Nancy, or you could really go overkill with the Thomas W. Lawson:

But I think this is just compensating...

In sight: a man with a lot of sea chanty reading under his belt